wossname: (A'Tuin in monochrome)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2021 (Volume 24, Issue 1, Post 1)


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WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
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Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Mss C, Alison not Aliss
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancer: Jason Parlevliet
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)


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INDEX:

01) QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) THE (*&^%^$#@!@#%^!) WATCH REVIEWS
04) ODDS AND SODS
05) DISCWORLD PLAYS NEWS
06) DISCWORLD MEETING GROUPS NEWS
07) AROUND THE BLOGOSPHERE
08) IMAGES OF THE MONTH
09) CLOSE

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01) QUOTES OF THE MONTH

"If you adapt them badly, people will come along and think: 'well that was a pile of old shite, if that was Terry Pratchett, he can stick it up his arse'."
– Stephen Briggs, relating the wisdom of Pratchett re adaptations of his work

"You've chosen to adapt the author's work because, presumably, you admire their writing. If you think you can improve on their humour/drama/characterisation you should really be writing your own plots, and not torturing theirs."
– Mr Briggs again

"It wants to be grim and gritty with dark secret magics, and epic world-changing events. But that is not what Discworld is about really. It feels like in an effort to make yet another 'serious' fantasy show, the showrunners stripped away everything that makes Discworld entertaining."
– webjournalist Emily O'Donnell

"I recently likened Simon Allen's Watch series to a candidate going into an exam and pulling all the stops out to write the best essay they could, leaving the exam hall really pleased with how well they did, and getting no marks, because however good it was, they didn't read the actual question."
– Nick Caulfield, commenting on a review of The Watch

"My problem is that they took an already inclusive, thoughtful material and tried to update it to hit every check mark. And they did it carelessly, without fully understanding the original source material and the social commentary it had…which means they erased what made it inclusive in the first place."
– Romanian journalist Ana Dascalescu hits the nail on the head

"To his bones, Vimes is a policeman. In Jingo, he walks between two opposing armies and tries to arrest them for breach of the peace. He is the perfect man to wield power because he is so suspicious of how power can be abused, often by those who are convinced of their own righteousness. Underneath Pratchett's endlessly funny writing, Vimes is an iron core of principle. Even Antifa would like him."
– journalist Helen Lewis, on the *real* Vimes

"I don't drink but I have a feeling this would be a great place to start."
– blogger Riders of Skaith encounters "The Watch" and is rather strongly affected, not in a good way

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02) LETTER FROM YOUR EDITOR

One of my favourite novels down through the decades is "Shogun", by James Clavell. It's fiction, but was inspired by the life of William Adams, a Tudor-era English navigator who became Japan's first non-Japanese samurai and advisor to the shogun Tokugawa. In the novel, when John Blackthorne (the character based on Adams) is brought before the shogun Toranaga and interrogated as a precursor to inevitable execution, Toranaga queries the rebellion of the Dutch against their Spanish masters. He says – angrily – that there are no mitigating circumstances when it comes to rebellion against one's sovereign lord. Blackthorne replies, "Unless you win," thereby taking his interrogator by surprise and winning his relative freedom. "'Yes, Mister Foreigner, you have named the one mitigating factor.'" I was so struck by this that ever since first reading "Shogun" I've referred to anything that bends or breaks the rules, but wins beyond question, as having invoked the Blackthorne Defence.

There are a number of famous and less famous television series and films that in my opinion have successfully invoked the Blackthorne Defence.

"The Watch" is not one of them.

In adapting text for stage or screen, components can be – often as not, need to be – altered, truncated, or even, and this is the tricky part, left out altogether in order to tell the story effectively within the target medium. However, it needs to be done *well enough*, or with sufficient respect for the source material that the original meaning shines through, to justify those changes or exclusions; taking the source material's extant world-building and character descriptions and motivations, and then changing them beyond recognition while still presenting them as the same, is *not* the way to do it. And as for using the term "inspired by"... well, now. If "The Watch" was inspired by the Discworld series in general and the Ankh-Morpork City Watch in particular, as it's claimed to be (not to mention that BBC America, having contracted the rights, deliberately played the Discworld card from the get-go in order to confer an air of legitimacy on Simon Allen's product), surely *some* of the look, feel, character backstories, heart and, yes, spirit of Terry Pratchett's creation would have shone through. Instead, what we've been given is the lifting of names, places and partial plotlines from the work of the writer who did all the heavy lifting in the first place and the inexpert application of a thin-to-invisible coat of "inspired by" paint to characters and plotlines that have barely a nodding acquaintance with their progenitors.

For a textbook demonstration of how to do "inspired by" correctly, look no further than 2004's Battlestar Galactica, a series that took a television icon, reimagined it, made some basic character changes, shook it, stirred it, and gave the world a gripping work of genius that somehow paid loving respect to its "parent". Even cast members of the 1970s Glen Larson creation, who were at first angered by what they presumed was a mockery of their much-beloved original, were won over and rightly so (most notably Richard Hatch, the original "Apollo", who ended up giving a career performance as a completely different character in later seasons of "new" Galactica). Or consider "Elementary", which stars a mystery-solving pair – a character called Sherlock Holmes who shares only a few traits with Conan Doyle's original but is a fascinating character nonetheless, and a character called Doctor Watson, who shares pretty much nothing with Conan Doyle's original but again is a fascinating character – and stands tall on it own merits. And how about "Warm Bodies", a brilliantly witty zombie rom-com inspired by Shakespeare's Romeo and Juliet that pays respect to its source material even to the point of including a recognisable version of Juliet's nurse and, yes, the famous balcony scene. And there are adaptations that depart significantly from their source while still telling the story with mastery and grace; the television adaptation of Stephen King's "The Dead Zone" is one, Team Jackson's Lord of the Rings trilogy is another. But "The Watch" is none of these things.

Furthermore, there's the widespread assertion by many press reviewers and pop-culture or fan-site pundits that only sad Pratchett fans will be up in arms about what's been done to "The Watch" – a contemptuous assertion at that (knocking on 100 million book sales, a knighthood for their author, several successful telefilms, and they're *still* playing the Kevin card?!), given that one doesn't have to be a fully engaged "Terry Pratchett is my deity" zealot to recognise when source material has been shoddily treated.

Rhianna Pratchett said that "The Watch series "shares no DNA" with Discworld. I believe that if her father were alive today, he would have stomped into the script conferences with Nanny Ogg-worthy hobnailed boots and made it very plain that he couldn't be having with the treatment showrunner-writer Simon Allen was giving his wonderful world.

And neither can I.

*

And now, on with the show...

– Annie Mac, Editor

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03) "THE WATCH" REVIEWS

3.1 THE WOSSNAME REVIEW

By Steven D'Aprano

(This review is based on the first four episodes of the series and contains spoilers.)

It would be unfair to describe the BBC America's new series, "The Watch", as a total disaster of a show. I have certainly seen worse shows. But "The Watch" is not a faithful adaptation of Terry Pratchett's Discworld stories and the most positive description I can give is that it is an indifferent police procedural fantasy that appropriates names, characters and story elements from the Discworld. Viewed as nothing more than a fantasy police procedural with no connection to Pratchett's work, "The Watch" is not entirely unwatchable, enough to be moderately engaging for a slow Sunday afternoon, around the same level of quality you might expect from a "mockbluster" or direct-to-DVD film. Showrunner/writer Simon Allen and BBC America have a legal licence to use the characters and story elements of the Discworld, so we can't describe it as outright theft, but it surely is a hijacking. Without Pratchett's name behind it, "The Watch" as it stands almost certainly would not have been made, and this comes across as an attempt to ride Pratchett's coat-tails with a B-grade fantasy, hoping to attract an audience by Pratchett's name alone.

If "The Watch" is merely a mediocrity on its own, as a Discworld adaptation it is a travesty. The contrast between this and 2019's excellent adaptation of "Good Omens" could not be greater, and the viewing figures bear that out: less than a third of the audience of "Good Omens" are tuning in to "The Watch". It is disrespectful to the source, a grab-bag of what seems to be the entire Discworld canon incompetently mashed together, like a cook who reasons that because people like lemon meringue, and they like chicken soup, it would be a brilliant idea to put the lemon meringue pie in the chicken soup. Only the chicken has been replaced by tofu and the lemon with bitter herbs. In that regard, "The Watch" does great harm to the memory of Sir Terry Pratchett, and to the Discworld brand. Anyone watching this show who doesn't know the books is likely to come away from it with the impression that Pratchett was an unfunny hack. Looking at the positive side, that puts Pratchett in exalted company with other writers such as Stephen King and Douglas Adams, whose works have also been butchered.

Marama Corlett as Corporal Angua, one of the most interesting characters in the original Watch novels, is flat and wooden. The interpersonal drama between characters ranges from weak to incompetent. And while the show tries very hard to be funny, it rarely succeeds. It manages to take the rich, clever and funny source material and make it fall flat. Jokes from the book are misused, such as the attempt by the city authorities to cover up dragon footprints by claiming the were left by a large wading bird. In the show, there are no dragon footprints, but the "angry wading bird" line is still used. What was funny in the book becomes nonsensical in the show.

But as bad as that it, the new material is even worse. To give you just a flavour of the level of humour in the new material, one running gag is that the head of the Thieves Guild is a virgin. Another example of the amateurish attempts at humour: the talking sword Gawain reveals that this is just its "stage name" (swords work in the theatre?) and its real name is Wayne. Oh how I laughed and laughed, not.

A few, a very few, of the cast have managed to impress me. Lara Rossi plays a character named after Discworld's Lady Sybil Ramkin. This Sybil is a young, slim, fierce vigilante whose parents were assassinated for reasons unstated in the show. Although the Sybil of the mini-series shares almost nothing with the Sybil of the books in either personality or looks, Rossi puts in an excellent performance. (I note that BBC America's diversity and inclusivity policy clearly does not extend to giving a leading role to an older lady of the full-figured disposition. Only hotties need apply.) Richard Dormer's performance as Captain Sam Vimes has slowly grown on me from a disastrous start. The early attempts to make Vimes funny, especially in the first episode, simply failed. Vimes was portrayed as Popeye crossed with Captain Jack Sparrow, which didn't really work. But I feel that Dormer is doing, perhaps not a great job, but a better than adequate one. He is playing a character who is not the Vimes of the books, but perhaps is *a* Vimes, in the same way that Jonny Lee Miller's Sherlock is not the Holmes of the books but is *a* Holmes. And Adam Hugill puts in a solid, workman-like performance as the fresh-faced, naive Constable Carrot of "Guards Guards". Out of all the members of the Watch, Carrot is perhaps the only one that might be considered a more or less authentic adaptation of their book counter-part.

The visuals for the character of Death are well done, Death's lines less so (too whiny and sorry for himself). And the police procedural elements are handled more or less competently, enough to be moderately engaging for a slow Sunday afternoon. The best parts of the show are those that are played as straight crime drama with a slight fantasy twist. If that sounds like damning with faint praise, it is. The production has too many clangers, things that just fall flat and give the impression that the production team are unskilled amateurs making the worst kind of fan-fiction rather than professionals. For example, when Carrot and Angua first meet, Angua is surprised that the 6ft tall Carrot identifies himself as a Dwarf. But then we are later shown that Angua is friends with Cheery the Dwarf, who is possibly even taller and burlier than Carrot, a fact that nobody has commented on. So why was Angua so surprised about Carrot's height? This is incompetent script writing.

In one scene, two extras standing in plain view appear to be dressed in contemporary 21st century jeans and tops.

https://imgur.com/a/CukbXHr

Detritus the troll looks like a cross between Groot from Marvel's "Guardians of the Galaxy" and the elephant man John Merrick. Visually, the show tries to be moody but ends up just being murky instead. I didn't expect the dragon of a TV mini-series to be as expensively made as Smaug from the "The Hobbit", but surely they could have made it an actual dragon rather than a fire-breathing cloud.

https://imgur.com/a/yLnJpNM

Perhaps Simon Allen has forgotten how badly "Galactus is a cloud" worked for the 2007 "Fantastic Four" sequel, but surely he should have known that following "The Hobbit" and "Game Of Thrones", audiences will expect their dragons to look like actual dragons? I'm sure the smoke effects were incredibly technically difficult to pull off, and by the looks of it the few seconds it was on screen probably took half the budget of the show, but narratively it fails. It just makes bad television.

The drama in "The Watch" is at best mediocre, edging well into cliched melodrama. Pratchett's rich satire of humanity's foibles is reduced to having some goblins make unsubtle references to communism. Detritus' death is just silly. And the big bad antagonist, Carcer Dun, is as intimidating as a puppy and rather ineffectual. In one scene, he runs after one of his subordinates with a plaintive "Don't go!".

The show is plagued by inconsistency. On the one hand, they managed to work in a lovely little reference to Sybil needing to wear wigs because she breeds fire-breathing dragons. On the other hand they cast an actor to play Young Sam Vimes who looks nothing like the actor playing Sam Vimes years later. Think about the way Ewan MacGregor as young Obi-Wan Kenobi *looks* like he could have aged to become Alec Guinness, but in "The Watch", it feels like the casting department said, "He's a guy with a beard. Close enough."

https://imgur.com/a/OwsoOaS

Ultimately, "The Watch" simply isn't very good, and a handful of decent performances cannot save it. And if "The Watch" is merely mediocre taken on its own merits, as a Discworld adaptation it is unspeakably worse. It mashes together elements and characters of Guards Guards, Soul Music, The Colour Of Magic, Moving Pictures, Night Watch and more, with no finesse or understanding, and certainly no sign of respect for the source material. Characters from the books, both major and minor, are changed beyond recognition, both physically and in their personality. Just a few examples:

* The villain of Night Watch, Carcer Dunn, is the leader of a street gang who is recruited by some mysterious group (possibly the Auditors?) to tear down all of civilisation and physically destroy the city of Ankh-Morpork.

* The tired old unimaginative cliche that gives the protagonist Vimes a long-ago close friendship with the antagonist Carcer. Why would the head of police want to arrest or capture a criminal unless they were once close friends? Yes, that is meant to be sarcasm from me.

* Cheery the Dwarf is both beardless and seemingly the tallest Watch member, at least as tall as Carrot if not taller. This of course fatally undermines the joke that Carrot is a Dwarf (by adoption).

* Totally unironically, and rather misogynistically, Cheery's struggles with female erasure (the tendency for society to ignore, marginalise and erase women from history and culture) has been erased from the story. The lack of self-awareness by BBC America and the show runner regarding this matter is astonishing.

* Corporal Angua is a boyish, miserable bundle of hostility and despondency who has spent three quarters of the series with her face covered in grime for no apparent reason other that it looks edgy.

* Lupine Wonse, secretary to Lord Vetinari, is now just Wonse, former street urchin and criminal, working as a cleaner in Unseen University while secretly teaching herself magic.

* Constable Cuddy, the first ever Dwarf watchman, is now just some random constable whose entire role is to tell young Sybil that she did not in fact see her parents brutally assassinated, that is to say, *completely legally inhumed*, because the Assassin's Guild does not leave witnesses. Why perfectly legal assassins would need made-up supervillain names and to leave no witnesses is not explained.

* Cut-Me-Own-Throat Dibbler is now just "Throat", a wheel-chair bound master criminal.

None of these changes improve on the originals. The show has simply appropriated the names of Discworld characters and dropped them on their own creations, and displays a great poverty of imagination. With the exception of Carrot, and perhaps Vimes, none of the major characters come close to their physical descriptions in the books. Furthermore, "The Watch" plays fast and loose with the sex and colour of Discworld characters. Pratchett's Watch novels are full of strong, powerful women who are first and foremost women, not just proxy men in skirts. Angua, of course. And Sybil proves that one does not need to be an axe-wielding vigilante to be a strong woman. Sally von Humpeding the vampire and Rosie (later Mrs) Palm are both interesting female characters and I would have loved to have seen their stories told. (The actor playing Angua would have been as physically a good a match for Sally as she is a terrible match for Angua.) Instead, "The Watch" takes the easy way out by just giving a few characters an instant sex change. Don't bother telling stories about *women being women*, just have woman actors step into male character's shoes without changing anything else about them. It is patronising and lazy. As imagined by Terry Pratchett, Ankh-Morpork was based heavily on Anglo-European fantasy fiction, which mostly means white people. But despite that, Pratchett made the Disc a true multicultural world with many cultures and races, including analogues of our middle east, Africa and far east Asia, and yet the Discworld was remarkably free of skin-colour racism. As Pratchett put it:

“Racism was not a problem on the Discworld, because – what with trolls and dwarfs and so on – speciesism was more interesting. Black and white lived in perfect harmony and ganged up on green.” (Witches Abroad)

So I feel that turning Ankh-Morpork of the TV series into a multiracial city works well, and I like to think that it would probably have met with Sir Terry's approval. Casting black actors to play (for example) Sybil Ramkin and Carcer Dunn does no disrespect to their characters. It's just **everything else** about the characters that is a mutilation.

My conclusion after watching four episodes is that "The Watch" fails as an adaptation of the Discworld source and as a comedy. As a fantasy police procedural, it scrapes in as somewhat watchable but no better than a mediocre mini-series. But perhaps the worst failure of the show is what might have been. Both "Guards, Guards" and "Men At Arms" have excellent stage adaptations which could have been further adapted to the screen. Either would have been great introductions to the City Watch stories, and Men At Arms could have been adapted to include Cheery's struggle to be accepted as openly a woman in a Dwarf society that tries to erase all sex differences between men and women. But this would have required respect for the original character, and something a little more sophisticated than a lazy and insincere "diversity check-box" approach to women. And there is no sign of either of those in "The Watch".

When I was five or six, I put on a play for my mother. Every toy I owned had to have a scene, and my mum eventually bailed about the time I started setting up the enormous battle scene with my toy soldiers. This reminds me of "The Watch", where the show runner and writer Simon Allen seems to have attempted to work in a reference to every Discworld character and concept even vaguely connected to the City Watch books, and some that aren't, and even some concepts that never made it into Discworld canon due to the untimely death of Pratchett, such as "Twilight Canyons". But Allen's reach has greatly exceeded his grasp and the end result is an incompetent mashup that doesn't work as tribute to the Discworld novels and could only be put in by somebody who has little understanding of them. There is a scene in the first episode where Gaspode the talking dog marks his territory by urinating on Vimes' leg. I cannot help but feel that this is exactly what Simon Allen and BBC America did to Pratchett's work: "The Watch" is all about them marking his material as theirs.

3.2 OTHER REVIEWS

By culture commentator Helen Lewis aka The Bluestocking:

"If you love the Discworld books, may I offer you some free advice? Stay well away from The Watch, a new series “inspired by the characters created by Sir Terry Pratchett.” It may well be enjoyable to viewers with no preconceptions, but if you know what “knurd” means, or who the true king of Ankh-Morpork is – in other words, if you're a great big Discworld geek like me – don't watch it. It's not for you. This might be a rare adaptation that's more comprehensible if you aren't familiar with the source material... I tried to approach The Watch with an open mind. Transposing novels to television involves big, structural changes, the ruthless removal of minor characters and subplots, and the inevitable loss of an authorial voice. Don't turn into Comic-Book Guy, I told myself. “Fantitlement” is a terrible thing. That lasted about eight minutes into the first episode. As Rhianna Pratchett put it, these are not her father's characters. Colon and Nobbs are gone entirely; Angua is a hardbitten veteran with no obvious personality; and rather than being a female dwarf with a beard and lipstick, Cherry is male, non-binary and of average height. Vimes, that hater of fuss and fanciness, is wearing eyeliner... what the hell has happened to Lady Sybil? In the books, she is a well-upholstered middle-aged aristocrat, briskly kind in a very English labradors-and-galoshes way. Think opera singer in tweeds, with “a bosom that rose and fell like an empire”. To millions of Pratchett's female readers, Lady Sybil proved that being polite and big-boned can also be a superpower. The Watch has turned her into a kickass armed vigilante in a belted trench coat – yes, that hoariest of tropes, a “strong female character”. Worse, she's thin. Changes like these are what takes this past being an adaptation and onto something else entirely...

https://helenlewis.substack.com/p/the-bluestocking-terry-pratchett

By Cynthia Vinney, who has no investment in the source material, on pop-culture site CBR:

"I suspect for Discworld fans this will all come across like big-budget City Watch fan fiction. As someone unfamiliar with the books, I can't claim any personal attachment to any specific part of that story, but even the little research I did made it clear that the show doesn't bear an especially strong resemblance to its supposed source material. The bigger disappointment, however, is despite all those changes, the show hasn't managed to do anything compelling with them. The plot mechanics of the story are on full display, which makes the Watch's pursuit of MacGuffin after MacGuffin feel like forced labor instead of organically motivated action. Furthermore, the reasons for Carcer's activities are turned into a mystery that never comes across as worth solving. It's difficult to care about the characters too. The actors do what they can with the material they're given, each committing to their characters' specific traits and backgrounds. I especially enjoyed Eaton-Kent's Cheery, whose smart sensitivity is a nice counterpoint to her cynical or naive colleagues. Still, the show is so caught up in maintaining its punk-rock aesthetic and devil-may-care attitude, it never makes anything onscreen feel worth investing in..."

https://www.cbr.com/watch-discworld-tv-review/

On fansite The Mary Sue, Chelsea Steiner gives a round-up of some early reviews: https://bit.ly/2LWws8J

A review by Kiko Martinez for Variety: https://bit.ly/3oiym0g

By "JG" on Tornado Post. [Editor's note: coherent English is not this reviewer's strong suit, but I'm including this review because it's interesting to see what a non-Discworld reader makes of the show.]: https://bit.ly/2LY41qW

By Craig Mathieson for the Sydney Morning Herald: https://bit.ly/3cakdzZ

A long, detailed review by William Hughes, who tries to be as fair as possible, for the AV Club: https://bit.ly/2YfZXoo

An apparent rave review on fansite Flickering Myth by something called Martin Carr, an entity that doesn't seem to occupy the same planet as most other reviewers and also fails to understand that respecting source material is not by any means the sole purview of sad superfans: https://bit.ly/3a3x0BA

...while on the less "what the -ing" Den of Geek, Juliette Harrisson asks some very pertinent questions about the treatment of a particular character. No extracts here because there's major spoilage; in fact, I can't even give the URL openly for that reason. But if you want to read it, and accept that there's a spoiler and a brain-melting one at that, go to https://bit.ly/3nbnMYB

...and then we have an oddly loving review in the Los Angeles Times by Robert Lloyd, who despite claiming to be familiar with and fond of the source material, seems to think that savaging *everyone's* source material is a good thing [Editor's note: no it -ing isn't, Robert]: https://lat.ms/3iJnpDW

By Emily O'Donnell on Comic Years, trying her best to be positive: https://bit.ly/39ZCE7I

By Adi Tantimedh on Bleeding Cool News: https://bit.ly/3c83FbP

By Ana Dascalescu on TechTheLead: https://bit.ly/3iOJ9OU

A mostly positive review by Alana Joli Abbott on Den of Geek: https://bit.ly/2YbT8Ep

...but further viewing made her rethink: https://bit.ly/3qSmXpL

And finally, telly writer Martin Jameson reflects on BBC America's take on Terry Pratchett's Ankh-Morpork City Watch through the prism of his own experience of adapting Discworld for the small screen. He ends with "And thank you to the producers of The Watch for finally enabling Discworld to find its own beating heart on our telly boxes." All I can say is that Mr J must have been standing behind the door when the "Just Say No" message was being passed around: https://bit.ly/3caX7Jn

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04) ODDS AND SODS

4.1 THIS OLD HOUSE...

...is a beautiful place that used to be Sir Pterry's home for many years and is now up for sale. For what it's worth, your Editor once lived in a house very much like Gaze Cottage (although barely one-third of the size) and yes, it did inspire a lot of creativity! From Somerset Live, including extensive iconographs and a video tour of the interior:

"Sir Terry lived in the four bed Somerset cottage between 1970 and 1994. In this time the first novel from his popular series Discworld, The Colour of Magic, was published in 1983. Sir Terry sold the house to the current owners, who have said they still regularly received letters from ardent fans addressed to The Hogfather, another of his novels, which was later made into a film..."

https://bit.ly/3c8nWOx

From the BBC:

"Ruth Treasure-Smith, from Robin King Estate Agent, said: 'He wrote most of his most famous novels in that house in the 80s. The house must have been inspiring..."

https://www.bbc.com/news/uk-england-bristol-55739271

4.2 UPDATES: THE TERRY PRATCHETT BOOK CLUB

On the website of publishers Tor, Emmet Asher-Perrin continues a Discworld discussion page. This month's instalment is a wrap-up of Wyrd Sisters:

"I find myself fascinated by the difference with which the duke and duchess meet their ends, even more for how it relates to the ending of Macbeth; pointedly, Duke Felmet gets a rather comical ending, and that could be put down to the fact that we're dealing with an overall comical book, but it reads more like a direct commentary on how Pratchett views Lord and Lady Macbeth – specifically that the lord is a nothing muffin of an antagonist, and the lady should have been permitted the full breadth of her villainy. Because let's be honest, the idea that Lady Mac loses her mind over guilt at her misdeeds is one of Shakespeare's weakest writing choices. I'm sorry, but it's true – it's one of those ideas that's fun to play as an actor, but doesn't bear out in the characterization we've seen. So instead, Pratchett has the duke lose touch with reality over his guilt (which he's built upon the entire book), and goes a different route for the duchess. People who walk around advocating for callous murder are unlikely to make a turnaround so severe, so we get a far more chilling end at the hands (and hooves and antlers and hoppy feet) of the land..."

https://bit.ly/3a55UtJ

...that moves on to the first part of Pyramids:

"The fact that there are several parallels between Djelibeybi and the fictional Gormenghast kingdom created by Mervyn Peake forces us to sit with that mismatch. Fans love to point out the similarities here – dad who died because he thought he was a bird, mom obsessed with cats, the adherence to ancient ritual over looking forward – but it really only serves to point a finger at how insular the fantasy genre has been for such a long time. When this book was written in the late 80s, there was no super popular fantasy kingdom based on Egypt (or written by an Egyptian author, for that matter) for an English-speaking author like Pratchett to find and draw from. That said, the assassin's test is truly fun to read, and was apparently unusual for Pterry in its writing; he was not one of those authors who admitted to being carried away by his characters or surprised by their actions, but he did state this test as the one place where the narrative got away from him..."

https://bit.ly/2KSnh8G

...and the next:

"There are a number of jokes like this that aren't really working for me... The jokes are coming from a specific viewpoint, centered entirely on the cultural biases of the writer, and in this case, they're just not playing out as fun as the rest of his material. Some of the jokes still work out, but some of them emphatically do not. Part of the trouble is that it seems as though Pratchett is working from the assumption that most people aren't going to know enough about Egypt and its culture for the jokes to land, and I suppose that's fair to a point. (There's a footnote where he explains how an outfit doesn't work by suggesting what a foreign ambassador to the Court of St. James might wear that would be similarly out of step, and it's admittedly hilarious.) But it doesn't work as an excuse across the board, particularly not when you take into account how obsessive Britain has been about ancient Egypt through its history..."

https://bit.ly/3tc03vi

4.3 A MAGIC LITTLE PLUG...

...for Marc Burrows' biography The Magic of Terry Pratchett! By Colin Steele in the Canberra Times:

"When Boris Johnson interviewed Terry Pratchett in 1996 for the British Daily Telegraph, he wrote that he was 'baffled by the scale of his (Pratchett's ) success'. Pratchett's Discworld series was often ignored by the 'literati', but Pratchett simply responded, 'Well, I get paid shitloads of cash, which is good'. A knighthood, and four honorary doctorates also helped Pratchett's self-esteem. Mark Burrows' The Magic of Terry Pratchett (White Owl, $45), which is marketed as 'the first full biography' of Sir Terry, documents in detail Pratchett's path to success. Burrows, however, never met Pratchett, so this is an account based on published accounts and interviews and a detailed analysis of his books..."

https://bit.ly/3qTk204

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

05) DISCWORLD PLAYS NEWS

* GUARDS! GUARDS! IN VICTORIA, FOURECKS

Discworld returns to Victoria! The Red Cliffs Players will present their production of Guards! Guards! next month.

When: 19th–27th February 2021
Venue: Cardross Hall, 399 Dairtnunk Ave, Cardross, Victoria 3496
Time: 7,30pm all sessions except Sunday 21st matinee at 2pm
Tickets: $20 all sessions, available online via https://bit.ly/39jEAZD

* MURDER IN ANKH-MORPORK IN ABINGDON... EVENTUALLY... (2021)

"We wanted to stage a play involving the Ankh-Morpork Night Watch. But we'd already staged all of Stephen Briggs' dramatisations featuring this noble group of guardians of justice. Stephen got special permission to put together an affectionate mash-up incorporating bits of Guards! Guards! and Feet of Clay, woven respectfully into the core plot of Men at Arms. All Terry. The city is protected by the multiverse's most diverse police force. But a new threat is emerging – the Discworld's first and only firearm. The Gonne. And we planned to stage it in November 2020. HOWEVER – the coronavirus then landed on us and scuppered our plans. A socially distanced (and thus much reduced) audience wouldn't enable us to stage the show and cover our costs – so we have had to park this until things get back closer to 'normal'. We have our fingers crossed for November 2021. News here as it happens!"

https://www.studiotheatreclub.com/murder-in-ankh-morpork

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

06) DISCWORLD MEETING GROUPS NEWS

Remember, one day, possibly in the not too distant future, Discworld fans will be able to meet in the real Roundworld again. So keep this information handy! Also note there are a few updates below.

The Broken Drummers, "London's Premier Unofficially Official Discworld Group"
BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk or join their Facebook group at https://bit.ly/2YrPGW7

NOTE: the Drummers are still meeting occasionally via Zoom. Check out the above link for updates!

*

Drumknott's Irregulars
Facebook https://bit.ly/31FlSrq or Google Groups https:groups.google.com/forum/#!forum/drumknotts-irregulars or join us at our next event."

*

The Victorian Discworld Klatch
https://www.facebook.com/groups/VictorianDiscworldKlatch

*

"The Gathering of the Loonies (Wincanton chapter)
https://www.facebook.com/groups/373578522834654/

*

The Pratchett Partisans
https://www.facebook.com/groups/pratchettpartisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods
www.cityofsmallgods.org.au

"What are we doing while we're stuck at home due to COVID-19? Given that our normal social gatherings can't happen while everyone's under lockdown due to the COVID-19 pandemic, we are instead trying to host regular activities and discussions online. Most of these will be done via our Discord Server – https://discord.gg/3RVzsyJ – which has several text chat channels and a few voice chat channels as well. We will still use our Facebook group – https://facebook.com/groups/cityofsmallgods – to coordinate scheduled events. When things get back to normal... (semi-) regular social meetings are generally held on the last Thursday of the month at a pub or restaurant in Adelaide. We have dinner at 6.30pm followed by games until 9pm.

"We'll try to keep this page up to date (no promises!) but always check emails on the mailing list or our Facebook Group for further details of these events."


*

The Broken Vectis Drummers
broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) meets at Wincanton's famous Bear Inn when social gatherings are possible.

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, Details of future meetings are posted on the Events section of the Discworld Stamps forum: http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder)
Contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

The Treacle Mining Corporation, formerly known as Perth Drummers https://bit.ly/2EKSCqu – or message Alexandra Ware directly at <alexandra.ware@gmail.com>

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

07) AROUND THE BLOGOSPHERE

Nothing to see here this month, since this month's issue centres mainly on "The Watch" and to my surprise there were almost no blog reviews of it! – Ed.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

08) IMAGES OF THE MONTH

A librarian helping a librarian-helper in Borneo:
https://i.redd.it/e405hm7pcd861.png

Some of the cast of Red Cliffs Players' forthcoming production of Guards! Guards!:
https://bit.ly/36cTCOJ

Sir Pterry's former home, Gaze Cottage:
https://bit.ly/39iBHZ9

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

09) CLOSE

Just an amusing note to end. Journalist Tom Chivers interviewed Sir Pterry in 2013: “I noted to him that in his later stories he had rehabilitated every 'evil' species – orcs, trolls, vampires, werewolves; made them people. Except, at that stage, elves. And I remember he wagged his finger at me and said: 'You bugger.' I never mentioned it in the piece, but then when The Shepherd's Crown came out – posthumously, his last book – he had, indeed, done the same for the elves." To read the original piece, go to https://bit.ly/39xEI7X

Right then, that's it for now. Mind how you go, and we hope to see you next month!

– Annie Mac


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The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

Copyright (c) 2021 by Wossname for the Klatchian Foreign Legion
wossname: Clacks rendering of SPEAK HIS NAME to keep Pratchett on the Overhead (Default)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2020 (Volume 23, Issue 1, Post 1)


********************************************************************
WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Mss C, Alison not Aliss
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancer: Jason Parlevliet
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)


oooooooooooooooooooooooooooooooooooooooooooo

INDEX:

01) QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) ODDS AND SODS
04) DISCWORLD PLAYS NEWS
05) DISCWORLD CONVENTION NEWS
06) DISCWORLD MEETING GROUPS NEWS
07) AROUND THE BLOGOSPHERE
08) IMAGES OF THE MONTH
09) CLOSE

oooooooooooooooooooooooooooooooooooooooooooo

01) QUOTES OF THE MONTH

"Any time I stumble over a thought, or grapple for the exact right phrase or image, I flash on the Terrys, with envy, for their output, for their charging forward and getting all those words down, and yet also with fear for their later fates. What chance does any mind have, if those who so clearly and cleverly and constantly challenged their brains, seemingly from the womb, can find themselves, at the winding down of days, unable to recognize marks on the page?"
– journalist and notable Pratchett fan Mark Hughes Cobb, contemplating the loss of the second of his "best Terrys I never met"

"A story that gives the taste of a biblically derived parallel world where the angle[sic] and the demon unite to work towards spreading humanity."
– even in mangled English (mangled in this case by aggregator web journalist-wannabe Manshi Tomar), Good Omens sounds good

"Neil and Terry use humour so well. Through that, we get to see humanity at one remove. It makes humanity look all the more preposterous, yet lovable at the same time. We can see why Crowley and Aziraphale don't want to surrender this life. Yes, it's mad and violent, but it is still better than heavenly order or hellish chaos."
– David Tennant on the fun of playing Crowley

"There is a lot more humour in Good Omens than the stuff Neil has done on his own. The subject is very serious, but it is dealt with in a comic way. In revisiting it for TV, Neil has balanced it out more. There is more potential for darker notes, but it's still very much a comedy. This script is a triangulation of the young Neil, Terry and the older Neil."
– Michael "Aziraphale" Sheen's analysis of series versus book

"I said that although I knew that a film must differ greatly from a book, I hoped they were making no unnecessary changes in the plot or to the characters—a dangerous thing to do, since the books have been known to millions of people for decades. They replied that the TV audience is much larger, and entirely different, and would be unlikely to care about changes to the books’ story and characters."
– Ursula Le Guin, explaining to her millions of fans why a telly series based on one of her most beloved books bore almost no resemblance to its source material

"When I looked over the script, I realized the producers had no understanding of what the books are about and no interest in finding out."
– ibid.

"That’s the beauty of science fiction and fantasy—freedom of invention. But with all freedom comes responsibility. Which is something these filmmakers seem not to understand."
– ibid.

"I was excited for such a long time, over the prospect of this. Now I wish it wasn't happening. It looks so belligerently, aggressively unfaithful to the spirit of the books."
– Redditor Don_Quixote81 reacts to the latest news about The Watch

"Back in the early Nineties, the BBC did a five-part adaptation of Alan Plater’s fifth and final novel, Oliver’s Travels. I have long since regarded it as the most perfectly miscast series in broadcasting history. Absolutely everybody, down to the least walk-on part, was wrong. It was sort of a miracle in that respect. Today, I’ve seen the first photos and information released about the forthcoming BBC America eight-part series, The Watch, ‘inspired’ by Terry Pratchett’s City Watch books. Oliver’s Travels no longer stands alone."
– blogger and author Martin Crookall is even more incensed than many of us about The Watch news

"Good Omens actually added quite a lot that wasn't in the book at all, it's just that people didn't mind because it was obviously in the spirit of the book, and the characters were still recognisable. Crowley and Aziraphale are obviously Crowley and Aziraphale even though they're not entirely following the same plot."
– Redditor CliffExcellent123 gets it right

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

02) LETTER FROM YOUR EDITOR

First things first: Wossname is still experiencing maddening ISP issues that are delaying or foxing[1] our attempts to reach you, our Readers, with each month's issue. Not sure if I mentioned this before, but it's not our Admin's mail programme that's being falsely identified as a spammer – no, it's our provider itself! or whatever well-meaning but misapplied reason, Yahoo, Hotmail and Gmail in their overly restrictive spam-blacking have blacklisted our ISP. We're finally frustrated enough to be looking into changing to a less, shall we say, disliked provider, but in the meantime, please check https://wossname.dreamwidth.org/ where the latest issue will be displayed...

Back in September of last year (ye Glods, has it been that long?!), I railed long and unapologetically against the direction the making of "The Watch" appeared to be taking. An extract from that editorial: "Yes, they've found an actor who looks Vimesish, and one who might look Carrot-ish if viewed through slitted eyes on a grey day with the proverbial following wind, but... BUT... as an olde-tyme and oldskool feminist I am spitting nails about the casting of Cheery. The basic identifying point of Cheery as a character has always been that she's the first openly female member of her species, and its first and most passionate feminist – a Dwarf *woman*, fighting for the right to be seen as female in a species-wide culture that for millennia has only presented as male. Casting an unmistakably large and unmistakably non-binary person as Cheery is, as I see it, disrespectful to everything Sir Pterry created her to be..." I had also begun to look *very* askance at Narrativia – the official Pratchett flamekeeping production company, not the Discworld goddess herself – for what I thought was their quiet assent. But now that the first photos from the filming have been released, and have not only confirmed my worst fears but frankly gone parsecs beyond them, it looks like I owe Mr Wilkins an apology, if one's to extrapolate from his recent tweet:

https://twitter.com/terryandrob/status/1218087166611525637

And it looks like I'm far from alone. One of our Newshounds who reads Reddit sent me the link to a discussion of the casting news...

https://old.reddit.com/r/discworld/comments/eq4u0x/created_without_comment/

...while Guardian journalist Alison Flood, who has been a staunch Pratchett supporter over the years and has written many admiring pieces and reviews about him and his works, had this to say: "We were given Good Omens, which thanks to co-author Neil Gaiman’s shepherding and incredible performances from David Tennant and Michael Sheen, was a joy to watch. And we were told that BBC America was developing The Watch, a series based on Pratchett’s stories about Ankh Morpork's City Watch. Yes, we were a little nervous to read that Pratchett’s fierce, dark, sardonic stories were to become a 'startlingly reimagined … punk rock thriller' that was 'inspired by' the books. But we stayed faithful, for it was promised that the show would 'still cleav[e] to the humour, heart and ingenuity of Terry Pratchett’s incomparably original work'. But nerves were jangling even more fiercely on Friday as the first glimpses of the forthcoming show were shared by the studio. They look … kind of cyberpunky? Is that electricity? Where is their ARMOUR? Should we have been more wary about that 'inspired by'?..."

https://bit.ly/2U11yO1

So anyway, yes, I'm still bloody furious – no, even more furious than I was four months ago – at the way the wonderful, wonderful source material is being disrespected by BBC America. I understand well that text and screen are different media, and that sometimes changes have to be made to effectively translate text into moving images, but the changes this lot have made are unnecessary, egregious, contrary to the very spirit of the Watch novels, ... well, I have no words that can be reprinted without setting your screens on fire.

Meanwhile, the excellent Stephen Briggs, long-serving "official"Discworld translator of text to stage, has written a new composite play, "Murder in Ankh-Morpork", which is based on several of the Watch novels, will premiere in November, and *will*, one can be –ing certain, faithful to the soul and spirit of the original source material. Here be an extract from what Mr Briggs had to say about it: "I do always aim to stay true to Terry. When I first adapted Terry for the stage... it was because I liked, enjoyed and admired his inventive and witty writing... My challenged was to ensure that my stage versions would still accurately reflect his characters, humour and plots. I aimed to retain, and portray, the *spirit* of each book. Terry came to see all of my shows, and liked what I did with them... I've written three more Pratchett shows since Terry passed – but I always have him sitting at my shoulder as I write, and I always picture him in the audience each night..."

The entire unabridged text can be read here:

https://twitter.com/StephenPBriggs/status/1221842225325395968 (also see item 4.1 for more details about the play)

In other news, even though the next Australian Discworld convention is nearly eighteen months away, they're already preparing for it. Amazing to think that this will be the eigh-, er, 7a'th Fourecksian convention. Sir Pterry always loved visiting us down here on the Last Continent, so it's good to know that the love is returned and that Australia will carry on keeping his name on the Overhead. See item 5 for more details!

Fans of "The Two Terrys" have been eulogising in memory of Terry Jones, another brilliant Terry lost to the horrors of dementia. There's a particularly fine paean from American journalist Mark Hughes Cobb (quoted above): "Sir Terry Pratchett, famously witty, acerbic, poignant, stellar novelist, died March 12 2015, after several years dealing with a form of early-onset Alzheimer’s. Always prolific, always a writer at heart, he continued working up until the end, his novels growing progressively shorter as he became unable to recognize symbols printed on the page... His fans would have loved more books, but hey, he wrote 41 Discworld novels, and other stand-alones. That’s a fair collection, for someone who died at 66. Terence Graham Parry Jones made it to 75, a graduate of Oxford University, writer for television, a director and writer of films, author of books and TV documentaries about medieval history, before succumbing to another type of dementia Tuesday, this week, Jan. 21. Oh, and he’d also been in this little comedy group called Monty Python’s Flying Circus. Basically The Beatles of comedy... Jones crafted so much more: comic verse, children’s books, plays, music and musicals, opera librettos, columns for British newspapers. And, apparently, a rich and fulfilling life..."

https://bit.ly/2RXNUZf

Both Terrys were national (and world!) treasures; both of them made us laugh while opening our eyes and minds; both left us a vast body of fantastic work that will never age and die. Ave atque vale, "Brian's mum"!

And now, on with the show...

– Annie Mac, Editor

[1] and probably badgering and bearing and even wolving

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

03) ODDS AND SODS

3.1 GOOD OMENS NEWS AND REVIEWS

Now that the Good Omens miniseries has officially come to the UK... and taken the Comedy UK award for Best TV Comedy Drama...

Reviewed by Flora Carr in the Radio Times:

"So first things first: was the unadaptable, well, adaptable, after all? The short answer is, yes. Gaiman — also showrunner on the series — has pulled off a colourful, quirky, funny, poignant (although not entirely flawless) feat. One might even suspect there’s been a spot of divine (or devilish) intervention… The true triumph is the casting. Michael Sheen shines (quite literally, in some scenes) as the angel Aziraphale, a celestial field agent who teams up with his opposite number, the stylish demon Crowley — played with a Bill Nighy-esque swagger by David Tennant — in order to prevent Armageddon. It’s this pairing that proves to be the beating heart of the series... Elsewhere the supporting cast is equally impressive... despite the addition of characters like Gabriel, much of the show remains doggedly faithful to the books..."

https://bit.ly/314vhHh

By Christopher Stevens for the Daily Mail:

"There’s no denying it’s a stupendous show. The cast is colossal, bursting with A-listers: Benedict Cumberbatch as Satan, Derek Jacobi as God’s spokesperson, Jon Hamm as the arrogant Angel Gabriel, Brian Cox as the voice of Death . . . not to mention Anna Maxwell Martin (Beelzebub), Frances McDormand (the voice of God) and Nicholas Parsons (don’t ask). Just about every other actor, apart from the children, is a well-known face. Even if you don’t enjoy comic fantasy, it’s fun to watch and shout out names as you spot the stars. Daniel Mays! Miranda Richardson! All three of the League of Gentlemen (two of them playing Nazis). Johnny Vegas! Nina Sosanya! Doon Mackichan! The story is based on a novel by Terry Pratchett and Neil Gaiman, so it’s bursting with daft jokes..."

https://dailym.ai/310navp

A nice and accurate mini-review by Adi Tantimedh for Bleeding Cool:

“That Good Omens became a TV miniseries is a miracle. After decades in failed attempts to turn it into a movie, Neil Gaiman got to be producer and showrunner. The results are an uncompromised and unfiltered presentation of Terry Pratchett and Neil Gaiman’s combined sensibilities. At once whimsical and gentle in its humour with a subtle undertone of rage, the show even expanded throwaway details and backstories into key moments in the show. Good Omens is a rare example of an adaptation that complements and expands on the original book to create a fuller experience. And so gleefully, casually atheist.”

https://bit.ly/2U4F4eV

Some sneery, humourless, apparently sour-nethered thing called Anita Singh gave it a bad review in the Telegraph. I'm not going to stain this newsletter by reprinting any of its words, but if you want to read the review it's here (and note the overwhelming bulk of the comments, many from non-Pratchett fans and/or never-read-the-book folk):

https://bit.ly/36B8ggn

Meanwhile, here be a longish Tennant and Sheen interview on Comedy UK (interviewer uncredited):

"What is so alluring about the relationship between Crowley and Aziraphale?

"David: What makes their relationship so appealing and why we root for them both is that they have clearly come to depend on each other. They're best friends. Each is the only one the other one has. They have been thrown together and have developed a reliance and a need for each other, which is very touching. They have a perspective on the world, have witnessed every decision that humanity has made and can see what they stand to lose. Michael: They both begin to realise they are rather more fond of the human race than they should be. When Aziraphale and Crowley start to appreciate each other's positions, that compromises them, but it also draws them together. It is something that is particular to them. Over hundreds of years, we see that bond developing. They're on opposite sides, but they're actually very similar. They're both supernatural, but both very appreciative of humanity...

"What do you love about the script for Good Omens?

"Michael: There is a lot more humour in Good Omens than the stuff Neil has done on his own. The subject is very serious, but it is dealt with in a comic way. In revisiting it for TV, Neil has balanced it out more. There is more potential for darker notes, but it's still very much a comedy. This script is a triangulation of the young Neil, Terry and the older Neil. David: Signs pointing towards the sets say: 'BBC Comedy Production'. That keeps tripping me up, which is great. This doesn't feel like a BBC comedy production - much as I love those programmes. BBC comedies are among my favourite shows. This doesn't feel like the same department that produced The Good Life and Mrs Brown's Boys. Good Omens feels like a hybrid. It's at least a comedy drama or a comedy drama fantasy. You can keep adding adjectives until it finally makes sense.

"Do you think sci-fi and fantasy have been unfairly sneered at by critics?

"Michael: Yes. But by writing about things that come out of the here and now from left field, sci-fi dislocates our critical faculties and opens us up to seeing the world more clearly than some other forms. It is a great way of getting into our consciousness and sneaking up on us. It has real power. Authors such as Neil and Alan Moore and Grant Morrison have produced some of the best writing of the last 50 years. Just because it happens to be in comic book form, people tend not to give it the attention it deserves. Maybe that's good because it appeals to a passionate audience and doesn't have to deal with mainstream critics gobbing off about things! David: As people's access to different types of shows expands exponentially, people are more willing to try new things and less stuck on genres than they used to. There are so many shows to keep up with that something which feels fresh and finds a new way of telling a story will have a chance of pushing through..."

https://bit.ly/2uKv3c1

...and according to Neil Gaiman, your Editor helped send Josie Lawrence to an explosive, flaming death! Did you?

"Though he was determined to produce a faithful adaptation of the 1990 comic fantasy novel, Gaiman acknowledged that 'there are always things you lose for time and budget reasons” – though the Good Omens team were able to save one key sequence using an unorthodox method… 'I remember we were told that we couldn’t shoot the Agnes Nutter sequence in 17th century… with the witch burning and the explosions, all of the villagers – everything like that. We were just told "We don’t have the money for that" – and I checked in with the phantom Terry Pratchett on my shoulder and he said something very rude! I thought, "Well, Terry wrote that bit and that has to be in there". So Rob Wilkins, who is Terry’s representative on Earth, and I and the BBC put our heads together and we agreed that we’d do the Good Omens Companion Book and the Good Omens script book and we would put all of the money from those books into the production. So anybody who buys the Good Omens Companion Book or the Good Omens script book is actually contributing to the cost of blowing up Josie Lawrence!'"

https://bit.ly/3aRmiO3

3.2 LAST OF THE RED HOT SHORTS!

Here comes another collection of Sir Pterry's early short stories!

"We are delighted to announce, THE TIME-TRAVELLING CAVEMAN, the fourth and final collection of short stories from the fantastically funny Terry Pratchett, with illustrations by Mark Beech. Coming September 2020."

Go to https://twitter.com/terryandrob/status/1220668081434836993 for a "sneak peek" at a couple of illustrated pages!

3.3 GAME ON: THE LOST WORLDS OF JOSH KIRBY

A new game is coming to town...

From Rob at Josh Kirby Art:

"We know how great it feels to find a game with incredible artwork and great gameplay. Last year we brought you Fickle, our light-hearted game featuring the fairy artwork of Amy Brown. Now we’re heading deep into sci-fi territory with The Lost Worlds of Josh Kirby. Will you settle new worlds peacefully, or conquer them with your invading fleets? Either way, in The Lost Worlds of Josh Kirby you will use action dice to compete for world control, earning unique powers and committing your morality to Good or Evil. Every decision matters in this epic space opera! ... This game celebrates Josh Kirby’s entire body of work, in particular a recently discovered set of worlds painted by Kirby himself, that has rarely been seen!"

The game doesn't appear to exist in "buyer space" yes, but there's a Kickstarter appeal launching next month, hosted by BARD Games: "Join BARD Games for this stunning space opera board game featuring legendary artist Josh Kirby. Use action dice to conquer (or save) the galaxy. Players acquire worlds, manage morality and exploit powers for victory. Backers will launch an epic game and more; multi-game Campaign Mode, Art Book and exclusive game content."

When: Monday, 3rd February 2020
Time: from 06:00-18:00 Pacific Standard Time

For more details, go to: https://www.facebook.com/events/492611694971415/

From Board Game Geek:

"The featured art includes heroes and conquerors competing to gain power and morality to win. Lost Worlds of Josh Kirby is a game that can be played in 40 minutes up to 5 players accessible for ages 13+ and up... In Lost Worlds of Josh Kirby players roll Action Dice to decide their available actions each round. The primary goal is to move enough Fleets to take World Cards before your competitors. How you the world (Save of Conquer it) changes your Morality, dice options and scoring. The player who Saves or Conquers the most Victory Points wins."

https://boardgamegeek.com/boardgame/271727/lost-worlds-josh-kirby

A short video about the game can be found on this page:

https://www.bardgames.fun/projects/the-lost-worlds-of-josh-kirby/

3.4 TEN OF THE BEST?

A thoughtful selection, explained by Aaron Chandler on whatculture.com:

"Pratchett's career defining creation was the Discworld, where no less than 41 of his books were set. The details, depth and story lines within his own fictional setting of the Discworld are quite honestly mind blowing. Each Discworld book playing its own part in the bigger picture, with characters crossing over and intertwining their stories, sometimes across dozens of books. The buzzing hive of life on the Discworld is so complex and dynamic, it's a wonder how Pratchett managed to keep it so enthralling for so many years. With well over 50 works to his name during his career, the late great Terry Pratchett wrote some all-time classic fantasy novels. Narrowing down his entire collection down to just ten books is much harder than you might expect. But from a career spanning over four decades, here are Pratchett's most engaging, innovative, convention challenging and charismatic books..."

The ten books, listed in reverse order, are Raising Steam, Thud!, Feet of Clay, Going Postal, The Wee Free Men, TAMAHER, Hogfather, A Hat Full of Sky, Good Omens, and The Colour of Magic. Each choice is accompanied by a short, well-written description of the book itself and relevant historical information.

https://whatculture.com/offbeat/10-best-terry-pratchett-books

3.5 SAVE THE TURTLES, SAVE THE WORLD...

It's not just the Disc that depends on turtles! By Liz Langley for National Geographic:

"They calmly browse the forest or sun themselves on a log, appearing to live a life of leisure. Behind their chill demeanor, however, turtles are ecological movers and shakers, thanks to their digging, moving a lot farther than you’d think they do and moving between ecosystems, like the ocean and the beach. They’re also widely beloved, the kind of animal you rarely hear of people having a problem with or fear of. They’re central to many mythologies and, as a first pet for many kids, they’re a gentle bridge between home and the wild. They’re also a bit of a bridge between land and water, depending on the species... So what would happen if they disappeared? A number of turtle species are already at risk of vanishing... A surprising 61 percent of the 356 turtles species have become extinct or threatened in the modern era. It’s hard to imagine turtles in decline, but overexploitation for meat and the pet trade, climate change and habitat destruction are getting in the way of their impressive tenure on the Earth. They outlasted the dinosaurs, but 'no turtle has time to evolve to avoid being killed on a road,' says Whit Gibbons, emeritus professor of ecology at University of Georgia and co-author of the turtle study... 'Turtles are great scavengers, the garbage patrol of an area,' eating up dead fish from lakes and rivers, Gibbons says. 'They do no harm and they do a lot of good.'...

https://on.natgeo.com/2RBsj9X

3.6 ...AND ALWAYS REMEMBER TO FEED YOUR LOCAL "GENTEEL BLACK HOLE"

[Editor's note: I think we've been here before, but this is always a timely reminder!]

Sam Courtney-Guy writes on London's Metro paper:

"A bookshop has been flooded with orders after the owner tweeted that he had not taken a single penny for the first time in 100 years. Robert Sansom, who has worked there for 13 years, posted pictures of the empty Petersfield shop on Tuesday. He wrote: ‘tumbleweed… not a single book sold today.’ It quickly gained traction and got the attention of author Neil Gaiman who shared it with his 2.8 million followers. Robert said they received £1,000 worth of orders and he was up all night trying to keep up with demand... Robert said: ‘I couldn’t believe it. It’s been a real “kindness of strangers” story. The number of likes and retweets started going up right before my eyes, it was like it was animated. ‘I had to stop replying to messages eventually at 2am. ‘Somebody we have a connection with at the bookshop has a vague connection with Neil Gaiman, and sent it to him, and that was it.’ Petersfield Bookshop celebrated its 100-year anniversary in 2018, and has been run by the same family for the last 60 years..."

https://bit.ly/36BoXba

3.7 POSTMAN GROAT WOULD SYMPATHISE

Even in Roundworld, it seems, postmen can get overwhelmed by the sheer, erm, volume of the job:

"Japanese police have announced an investigation into a former postman who kept tens of thousands of undelivered items at his home. Authorities found about 24,000 pieces of mail at the man's house in Kanagawa, near Tokyo. The unnamed 61-year-old reportedly said it was "too much bother to deliver them," and that he did not want to seem less able than his younger colleagues. Yokohama's post office has apologised and promised to deliver all the post. The branch - where the man worked as head of delivery, Kyodo News reports - became suspicious last year after an internal check. The man admitted to the allegation and was fired.
Authorities then lodged a criminal complaint with police, referring to about 1,000 missing deliveries between February 2017 and November last year..."

https://www.bbc.com/news/world-asia-51236136

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04) DISCWORLD PLAYS NEWS

4.1 FORTHCOMING PLAYS

* GUARDS! GUARDS! IN OREGON (JANUARY-FEBRUARY 2020)

Following the success of their 2017 production of Mort, Oregon's Majestic Theatre tackles another Discworld classic!

"Crime. Politics. Wizards. Dragons... and an orangutan. There are millions of stories in Ankh-Morpork, the greatest city on the Discworld, and the City Guard’s job is to stay well away from all of them. But when people start getting burnt to a crisp, the world-weary Captain Vimes finds in himself the urge to investigate. With a lackluster crew and a keenly law-abiding new recruit, Vimes and the Guard must interact with everyone in town, from the politely tyrannical Patrician, to the owner of the city’s only dragon sanctuary, to the Unseen University’s mystical Librarian..."

When: 31st January–9th February 2020
Venue: Starker Auditorium, Majestic Theatre, 115 SW 2nd St, Corvallis, Oregon 97333
Time: 7.30pm all evening shows (31st January, 1st/7th/8th February); 2.30pm matinees on 2nd and 9th February
Tickets: $16 (students/seniors $14, opening night $10), available via https://app.arts-people.com/index.php?show=105067 – click on the desired date in the centre of the page. There is a $2 processing fee for tickets purchased online. Tickets purchased at the Majestic Box Office in person or by phone 541-738-7469 incur no extra fees.

"There will be American Sign Language interpretation by Western Oregon University students for the February 2nd, 2020 performance. Seats on house left marked with COLOR are best for viewing the interpretation."

https://tockify.com/majesticcal/detail/92/1580527800000
https://www.majestic.org/

* MURDER IN ANKH-MORPORK IN ABINGDON (NOVEMBER 2020)

Exciting news from Stephen Briggs, the official Discworld Maker of Plays, about a new "composite" Discworld play! This will follow on from the success of The Rince Cycle:

"I'm now working on a Discworld play which we'll be staging in November....It'll be a mash-up of bits of Guards! Guards! and Feet of Clay, respectfully entwined with the core plot of Men at Arms. The city is protected by the multiverse's most diverse police force. But a new threat is emerging - the Discworld's first and only firearm. The Gonne. Very many thanks to [profile] terryandrob for permission :-)"

Murder in Ankh-Morpork is currently scheduled to run from 18th–20th November. The online box office will open on 1st September. More details as soon as we know them!

https://twitter.com/StephenPBriggs/status/1220622336866639882
https://twitter.com/StephenPBriggs/status/1221017963060482050

4.2 REVIEWS

* WYRD SISTERS IN READING

The Progress Theatre's latest Discworld production, reviewed by Susan Creed in the Henley Standard:

"Wyrd Sisters is a visual delight. A superb set by Aidan Moran has walls fluidly shifting to reveal a series of different acting spaces. Linda Bostock’s costumes create a delightful mock-medieval feel, with gowns, ruffs, armour and a full jester’s get-up. Jon Churchill’s lighting and Stuart McCubbin’s sound add yet more atmosphere and theatricality. How can witches, even with their powers, circle the kingdom in one evening as a spell demands? Ingenious special effects show you how it’s done — to great comic effect. The power of words is central to the action: is it possible to change reality with magic words or made-up “truth”? All cast members do a terrific job of delivering Stephen Briggs’s script, with its witty wordplay, allusions to fairy tales and smatterings of Shakespeare. Carroll and Sherwood are forceful and funny as the two older witches, their earthy attitudes set off by the more mystical approach to witchcraft of their new recruit Magrat; Newton offers a poised and charming foil to Ogg and Weatherwax... Jack Goodman is charmingly insincere in his dealings with his shrewish wife Lady Felmet (Ali Carroll), but we see the Duke crumbling under the weight of his past misdeeds... George Prové is deliciously 'luvvie' as lead actor Tomjon — and also as the demon with the unpronounceable name. Credit also to Dean Stephenson as the drippy fool who turns out to have some answers and also wins the lady of his dreams..."

https://bit.ly/38Hoi9I

...and by Adam Snook on The Spark:

"The scenes and settings swiftly move between Lancre Castle and its dungeons, Lancre town, surrounding villages and the witches’ cottage. All are brought to life with an inventive and versatile set design and many special effects that showcase the magic of theatre alongside that of the witches. The play’s headliners are the three witches: the indomitable, elderly Granny Weatherwax (Melanie Sherwood), her close friend, Nanny Ogg (Liz Carroll) and their younger companion, Magrat Garlick (Yvonne Newton). The trio safeguard Lancre by confronting challenges with a mixture of headstrong compassion and unique magic called “headology”. Melanie Sherwood and Liz Carroll reprise their roles as Weatherwax and Ogg as they also played the witches in Progress Theatre's previous Discworld production of Maskerade. The pair bring such confidence and authenticity to the characters, creating a lasting impression in the imagination of how a witch should be performed. However, even the secondary characters are entertaining to watch on stage, from the brief appearance of the melodramatic, riddling Demon WxrtHltl-jwlpklz (George Prove) to the tinkling, capering Fool (Dean Stephenson) who surprisingly has some amusing and profound moments with his jokes that have more depth than it might first appear...."

[Editor's note: the piece includes an interview of interest with director Chris Moran.]

https://bit.ly/314KTdC

...and a long and detailed review by Zoe Andrews for the Whitley Pump:

"The set is impressive and versatile, created and designed by Chris’ husband Aidan: it is absolutely medieval, with torch-like lighting running the perimeter of the theatre. I am always impressed by the staging delivered by Progress: with the sound and lighting also being spot on throughout. I liked how the cast didn’t hide the set moves between scenes and the innovative design meant it was incredibly smooth... The actors playing Nanny Ogg (Liz Carroll) and Granny Weatherwax (Melanie Sherwood) do a superb job. They have both played these roles before in Maskerade, another of Chris Moran’s directions of Pratchett’s work. Both ladies have beautiful and characterful voices that carry the room, bouncing off one another with ease. They share a trusting rapport (symptomatic of having worked together before), and much like a harmony, their comic timing is perfectly in tune as they explore these funny lines in their northern accents... another real delight was George Prové's performance as the Demon. He delivers this with real charisma, springing out of nowhere and lighting up the room with comedic charm and knowing glances while dealing with interrogation by the three witches, pinging back silly riddles at their questions. He also does an excellent job as TomJon who may, or may not, be the rightful heir to the throne... I also enjoyed Trevor Dale in funny and fine form as the ghost of King Verence. Watching him, I wondered if he had modelled the role on Bungle from Rainbow, and I promise this is no bad thing..."

https://bit.ly/2U5qEuV

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05) DISCWORLD CONVENTION NEWS

Tickets for "Nullus Anxietas 7a", the Australian Discworld Convention in 2021 are now available!!! Get them at https://ausdwcon.org/shop/

They're quite pretty: https://bit.ly/2ThvcOs

...and there's a memorandum from "Lord Vetinari, The Oblong Office, Ankh Morpork":

The Australian Discworld Convention committee is organising an exciting 3 day convention to promote the culture and history of our Discworld, and in particular the many attractions and commercial opportunities[1] awaiting them in Ankh-Morpork. They have requested my assistance in promoting this bold endeavour and I agreed to pen a few words on their behalf. I may even attend in person. The committee assure me that the convention will include old favourites such as the Maskerade, XXXX Factor, Werewolf along with a host of talks and workshops on all things Discworld. This will be your chance to dress up as real Discworld people[2] and meet other Discworld fans. Special guests will be in attendance, and will arrive by the Iron Girder from Uberwald shortly. Be assured that we welcome visitors and invaders of all races and colours to our city. And our banks will be happy to organise credit facilities for your planned barbarian invasion. If you need any further enticement to join us in fair Ankh Morpork, then the Guild of Merchants has published a most entertaining, if slightly inaccurate, leaflet called Wellcome to Ankh-Morpork, Citie of One Thousand Surprises!

Venue
The committee have chosen the Stamford Plaza Hotel in Mascot, Sydney, which is close to the airport[3]. This should be convenient for attendees who are flying in from overseas or interstate. It has a spacious convention area, where we have the run of the whole floor, and a wealth of good food on site (some of it not involving rat!). We will be giving you more details on the hotel in a future memorandum. You can find more about the venue here. (_https://2021.ausdwcon.org/convention/venue/_)

Convention tickets now available
Convention TicketI've been informed the committee have kept ticket prices keen, while still offering an amazing convention in a smart venue. They tell me they are "cutting their own throats[4]"

You can buy tickets online[5] from the convention shop (_https://2021.ausdwcon.org/shop/_). If you have already bought a supporting membership, you only pay the difference. They have a special page just for you. Why not go there now (_https://2021.ausdwcon.org/shop/supporting-membership-upgrades/_)?

More information
You can find official information here at the convention website: https://2021.ausdwcon.org/

Wild speculation and amusing Discworld Convention stories can be found on Facebook, (and discussion in this group), Twitter (_https://twitter.com/ausdwcon_), and Instagram.

Footnotes:
1 This may involve CMOT Dibbler!

2 Discworld costumes are not mandatory - they just add to the fun.

3 I assume this is like the port of Ankh Morpork but the air is more fragrant!

4 I am not sure I follow this - if I want a throat cut, I discreetly contact Lord Downey at the Guild of Assassins, who arranges it!

5 I am assured that "online" has nothing to do with the new fangled Ankh Morpork & Sto Plains Hygienic Railway.

https://2021.ausdwcon.org/blog/wellcome/

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06) DISCWORLD MEETING GROUPS NEWS

The Broken Drummers, "London's Premier Unofficially Official Discworld Group" (motto "Nil percussio est"), will next meet on Monday 03 February 2020 at The Monkey Puzzle, 30 Southwick Street, London W2 1JQ.

The Drummers' January report, by Helen on Twitter: "We met Monday night. January is often a quiet month so I was pleasantly surprised when a large and lively crowd turned up. There was much discussion of recent TV programmes. We had finished binge watching the Mandolorian, which was excellent. Even those who hadn't seen it had heard all about baby Yoda, one of the cutest things ever invented. Others had watched all of the new Dracula series and were very impressed, although some were not keen on the ending. We had some new blood to Drummers as Rachel and Alistair came along for the first time. Marina, inspired by Dracula, did a quiz on vampyres. I won and will do the next quiz. Sarah suggested that as it is Valentine's Day I should do the "Love and Sex on the Discworld" quiz from a couple of years ago (it's nice that people remember these things). While I prefer not to recycle quizzes there was a clear appetite for a rude quiz of some sort so I'll see what I can do."

https://twitter.com/BrokenDrummers/status/1216038742898683906

For more information, email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk or join their Facebook group at
https://www.facebook.com/groups/55107511411/permalink/10156634038566412/

*

Canberra, Australia's Discworld fan group is Drumknott's Irregulars: "The group is open to all, people from interstate and overseas are welcome, and our events will not be heavily themed. Come along to dinner for a chat and good company. We welcome people from all fandoms (and none) and we would love to see you at one of our events, even if you're just passing through. Please contact us via Facebook (_https://www.facebook.com/groups/824987924250161/_) or Google Groups (_https:groups.google.com/forum/#!forum/drumknotts-irregulars_) or join us at our next event."

*

For Facebook users in Fourecks: The Victorian Discworld Klatch is "a social group for fans of Discworld and Terry Pratchett... run by a dedicated team who meet monthly and organise events monthly." "If you'd like to join our events please ask to join the Klatch."

https://www.facebook.com/groups/VictorianDiscworldKlatch

*

"The Gathering of the Loonies (Wincanton chapter)" is a public Facebook meeting group: "This group, by request of Jo in Bear will continue to be used for future unofficial (not run by the Emporium) fan Gatherings in Wincanton. Look here for information."

https://www.facebook.com/groups/373578522834654/

*

The Pratchett Partisans are a fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett. We hold events such as Discworld dinners, games afternoons, Discworld photo scavenger hunts. We also attend opening night at Brisbane Arts Theatre's Discworld plays." The Partisans currently have about 200 members who meet at least twice a month, usually in Brisbane.

For more info about their next meetup, join up at https://www.facebook.com/groups/pratchettpartisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods is a group for fans in Adelaide and South Australia: "We have an established Terry Pratchett & Discworld fan group in Adelaide called The City of Small Gods, which is open to anyone who would like to come – you don't have to live in Adelaide or even South Australia, or even be a Discworld fan, but that's mostly where our events will be held, and we do like discussing Pratchett's works. Our (semi-) regular meetings are generally held on the last Thursday of the month at a pub or restaurant in Adelaide. We have dinner at 6.30pm followed by games until 9pm. Every few months, we have a full day's worth of board games at La Scala Cafe, 169 Unley Rd, Unley in the function room starting at 10am. In addition, we will occasionally have other events to go and see plays by Unseen Theatre Company, book discussions, craft, chain maille or costuming workshops or other fun social activities."

The next CoSG events will be the Monthly Dinner on 30th January at the Duke of Brunswick, 207 Gilbert St, Adelaide, South Australia 5000, and a Crafternoon (details TBC) on 15th February.

The CoSG also have another identity. Here's the skinny:

Round World Events SA Inc is a not-for-profit incorporated association whose aim is to run fun social Pratchett-themed events for people in South Australia. Our first major event was the Unseen University Convivium held in July 2012. We have also run three successful and booked out Science Fiction and Fantasy themed quiz nights named Quiz Long And Prosper, in 2013, 2014 and 2015! The association will run some events under the City of Small Gods banner, but you do not have to be a Round World Events SA member to be part of City of Small Gods. However, we are always on the look out for new members for Round World Events SA to help us organise future events! Membership is $20 a year (for Adelaide locals) or $5 a year (for those not quite so close) and has the following benefits:

A shiny membership certificate all of your very own
Discounted entry price to some of the events we run
A warm, fuzzy feeling deep down in your chest (no, not quite that deep)
For more information, or to join as a member, please email RoundWorldEventsSA@gmail .com

www.cityofsmallgods.org.au

*

The Broken Vectis Drummers meet next on Thursday 6th February (probably) from 7.30pm at The Castle pub in Newport, Isle of Wight. For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) next meets on Friday 7th February (possibly) at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005. The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles. Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder) meet next on Monday 03 February (possibly) at 6.30pm in Sydney at 3 Wise Monkeys, 555 George Street, Sydney 2000. For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

The Treacle Mining Corporation, formerly known as Perth Drummers, meet next on Monday 03 February (possibly) at Old Shanghai, 123 James Street, Northbridge, Perth, Western Australia. For details join their Facebook group: https://www.facebook.com/groups/Perth.Drummers/ – or message Alexandra Ware directly at <alexandra.ware@gmail.com>

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

07) AROUND THE BLOGOSPHERE

Blogger The Corner of Laura returns to give five stars to Pyramids:

"Egypt’s history gets the full Pratchett treatment as the book points out what was right in front of our faces – that, for all the grandeur of the Ancient Egyptian myths and traditions, they were really rather ridiculous. It doesn’t stop there either but takes the mick out of Ancient Greece and Troy too... I can’t pretend that I understood all the quantum stuff but I don’t think you need to. What is obvious is that time can play all sorts of funny tricks on you and it plays havoc with payroll. You’ll have to read it to find out what I mean. Great satire on Ancient Egyptian beliefs and on religion in general. I love the idea that the best priests don’t really believe in what they’re espousing and the worst thing that could happen to them is all the myths coming true at once..."

https://bit.ly/2GyH0V6

Blogger Wyrmberg Malcolm recommends Wintersmith:

"Although still a good story and brilliantly written, this is a lot less funny than the previous to books in this series. In a way, this is a good thing in that the humorous antics of the Nac Mac Feegles (Scots speaking Pictsies) aren’t being relied upon to drive the story forwards. When they do show up, they are appreciated without having their presence get annoying. There is also some nice usage of other mythologies particularly the story of Orpheus going to Hades to retrieve his lost wife Eurydice, but with some fun twists and misunderstandings. The series also progresses nicely with the passage of time where the characters have grown a little more, and life moves on. This gives a good ‘lived in’ feel to the stories so that they’re not just disposable one-off adventures..."

https://bit.ly/2O5QJGu

Blogger Mike Finn returns with thoughts on The Shepherd's Crown:

"The whole story is there from end to end but the book fades as it goes along. Reading it was like starting with a fully finished movie where the lighting, music, script, and acting have been edited into something richly textured and powerful and starting to be presented with the unedited rushes. Each scene is there but Terry Pratchett’s usual magic, his ability to make the prose sing, to deliver huge ideas at a scale that gives them meaning to us mere mortals, his ability to make me believe in the supernatural and care about the people, isn’t there... This ability to link Discworld to real-life experience has always been part of the power of Terry Pratchett’s writing. He reminds us of our humanity, of our loves and our losses, of our bravery and our cowardice and he helps us accept ourselves and each other for what we are. Yet as I got further through the book, I begin to feel the story losing its grip on my imagination. It’s a good story but reading gave me an experience broadly equivalent to when you see actors doing a first read-through of a script, everything is there except it isn’t living up to its potential..."

https://bit.ly/38MyptT

Blogger Khorazir offers a superb collection of the stealth-philosophy things Sir Pterry did in his writing. This blogger presents what your Editor thinks is a balanced view, with neither knee-jerk prejudice nor the counterproductive shrillness of online "purity spirallers". The whole post is an excellent read, but here are a few highlights:

"Wrote an entire novel to critique the unequal treatment of 'men’s magic' versus 'women’s magic' in the fantasy genre. Portrayed witches as just as if not more capable than wizards (when it comes to actually helping people, in particular), and also generally having more common sense than them... Included sex workers in his worldbuilding. Made jokes about them the same way he did every other kind of person of any profession, but was also highly respectful and never critical of these jobs... Included female enemies who were enemies over things other than men. In general constantly passed the Bechdel Test and not only that, left it in the dust and had way more meaningful and realistic representation... clearly didn’t think that sort of genitalia-based gender labeling mattered... had genderfluid characters in two of his books and at least one trans man, as well as confirming canonically that there are gay wizards, one of whom is really good at football... Didn’t gloss over [Granny's] unfriendliness or excuse it, but made her complex and interesting and overall likeable despite all that..."

https://bit.ly/36GTpkA

Blogger Update Dude points out something infuriating that some may have missed in the kerfuffle over what huge numbers of Pratchett readers see as the egregiously deliberate miscasting of The Watch:

"Sybil being a vigilante is… okay, I suppose. I mean, otherwise the character is just this large/fat socialite and maybe that wouldn’t translate well into a modern series. It’d take quite a bit of time to warm her up to an audience if she were more true to the books. Making her a badass would grant the instant gratification and connection with the audience that this presumably short series/season would require. But no Detritus, Nobby or Colon? Okay, I’m okay with no Detritus. I mean, Pump in Going Postal was cool but obviously hokey. But no Nobby or Colon? Well, fuck you and your woke-ness. It’s one thing to take away a strong-arm like Detritus, but taking away Nobby and Colon, two characters that you probably couldn’t do justice without being at least mildly offensive, just takes away the soul and the whole fucking point of a Watch series..."

https://bit.ly/38OmFHg

Blogger Rine Reads' review of The Long Cosmos:

"Overall I’m going to say that this is my least favourite. After the way the previous book ended I just didn’t know where the story was going to go and unfortunately I didn’t really like the storyline. We spent a lot of time with the Next and they’re just my least favourite part of this series so for the majority of the book to revolve around this was quite hard for me to enjoy. I also found that the big storyline element occurred in a really short period of time really near the end of the book so the bit I found interesting was over and done with quite quickly. This series doesn’t feel complete to me but none of the books have ever finished with a definitive ending. There feels like there could have been more books set in this world in the future maybe following different characters but we will never know if that was to be the case... This book’s writing felt different to the previous and I’m not sure if that’s because I’ve now read a solo Stephen Baxter novel or if it is actually just a different tone. In this book I found that Baxter’s writing seemed a lot more prevalent and I’m not sure if that’s why I enjoyed this a bit less. It’s still got a lot of funny things throughout especially with the wit within this so I’m glad that it still remained..."

https://bit.ly/38TTsLn

Blogger G. A. Buba's thoughts on the Tiffany Aching books:

"I cannot stress enough how Tiffany Aching and Sir Terry’s absolutely lovely bildungsroman shaped the way I thought about the world. When they came out I was growing up with Tiffany. Tiffany Aching was exactly what small, bookish, bullied, young-me needed. She had read the entire dictionary back to front and was a bit annoying with this information, but no one was cruel to her for it... These books were a cornerstone of my growing up. They feel particularly timely at the moment. They breathe hope back into my disenchantment with the world. These books really equip you in just a few short words with all the grit that you need to face down nightmares with nothing but a frying pan..."

https://bit.ly/37D8Uei

Blogger Amy celebrates Hogfather:

"Hogfather is full of wonderfully written, interesting characters but I just want to talk about one of the main characters in this review, Susan Sto Helit. Susan is one of my favourite Discworld characters because I just love how she’s ready to face anything and anyone – she never backs down from a challenge and she isn’t afraid to get her hands dirty. I love her sense of adventure but I also love how sensible she is. It’s a bit of a paradox because she’s intensely curious but Susan is sensible to a fault and doesn’t believe in the Hogfather or the Tooth Fairy or anything beyond basic magic. She’s just wonderful.

"Terry Pratchett’s sarcastic humour permeates every single page of this book and it made Hogfather a joy to read. Hogfather may be a fairly dark story about Death personified, Hogfather/Father Christmas being hunted by assassins-for-hire, and a violent young governess who attacks everything head-on with a kitchen poker, but it is also exciting and full of joy. Pratchett’s writing style completely drew me into the story and there wasn’t a dull moment. Pratchett also writes in a way that allows the reader to enter the Discworld at any point. Yes, there are different arcs and an overarching universe but none of that matters as long as you allow yourself to be immersed in the story..."

https://bit.ly/3aOWguR

...and blogger Bookbloggerish was also impressed by Hogfather:

"Pratchett’s world-building is second to none that I’ve read, comparable with J.K. Rowling’s Harry Potter and Philip Pullman’s Dark Materials. He manages to make something so unusual seem perfectly normal, which takes great skill, because it can seem so fake, but it somehow doesn’t. Perhaps these types of books succeed because there is just enough of what we know and recognise to make the differences seem possible. I think in a way we also want to believe that the impossible is possible..."

https://bit.ly/2GCYShn

Blogger zealotscript re-evaluates The Colour of Magic:

"My overriding preconception going into this re-read was a memory of disappointment, of dissatisfaction with this compared to the mastery and completeness of Pratchett’s later work and a memory of this being a straight work of parody rather than satire. I was wrong on only one of these points. It is a parody, of all the fantasy that came before it, but a loving one. It does lack the finesse of Pratchett’s later works which use his satirical fantastical lens to skewer our own modern society. It was, however, not a disappointment... it is, all in all, a wonderful love letter to the classics of the genre that Pratchett clearly worshipped himself. At the same time managing to capture the sense of wonder and adventure that makes the works so appealing, while pointing the satirical finger at their flaws... It is far from his best work, that is true, and the wonder of the Discworld only grows as the series progresses. For a new reader who may be unsure of Pratchett, this is not the best example of his work. But if you’re committing to reading the series, then there is no better place to start than where Pratchett himself did..."

https://bit.ly/2O7pX0u

Blogger Indulgent Readers gives Mort four stars:

"With a lot of Terry Pratchett books, you can read them time and time again and still find new things to laugh at. Or rediscover old jokes which you still find amusing. Mort is the fourth book of the Discworld series and the first to concentrate on the character Death. The premise of the book is that Death decides that he needs a human apprentice, and the story unravels from there. The book explores predestination and the human condition with a generous sprinkling of humour... As the book is one of the first in the series I was expecting there to be a little more world building. I am glad that there wasn’t, what world building there is well distributed within the plot and the descriptions all fit in well with the narration. The only description which I found a little jarring was when Mort is in Ankh-Morpork for the first time, then again Ankh-Morpork is quite a jarring place. This book helped me to consider the idea of predestination and if everything is predestined can it ever be changed? I had never really considered the possibility of predestination before and I am not entirely certain if it does exist or not but this book has certainly given me food for thought..."

https://bit.ly/2GzJS45

Blogger Claudia Cain found pleasure in The Colour of Magic:

"The Colour of Magic could best be described as enthusiastic. It lacks some of the direction shown in Pratchett’s later novels, possibly due to the fact that it’s less a whole book and more like a few novellas stitched together. It’s also wildly inventive, with incredibly detailed world-building and a plot that meanders through the chaos of the Disc. Without prior knowledge I might have struggled to follow it. However, even this early in the series it’s easy to see what makes these novels great. Terry Pratchett’s work is funny, and witty, and imaginative, and delivers lines that manage to be both incredibly sharp and sometimes poignant. His characters, even when stupidly positive or cowardly and bumbling, are entertaining. It’s not his best work, or my favourite, but it’s colourful and bizarre and I smiled when I read it..."

https://bit.ly/37Dgy8B

Blogger Muse With Me returns with an analysis of Lords and Ladies:

"This is the 14th novel in the series, and while Pratchett often demonstrates his ability to tell a great story in this world, regardless of release date, a number of these novels do follow a familiar skeletal structure. Namely, some sort of magical anomaly is taking place that is the harbinger/cause of an extradimensional force invading the Disc, and our chosen cast of characters must put a stop to it, with some madcap situations along the way. Though it’s a reductive summation of this novel as a whole, it’s not inaccurate. Going in I had hoped it would be something more than this, and while it is not a bad story, I was still a little disappointed by it. Where I will give this novel some more credit in this respect is the credibility of the villains; the titular “lords and ladies.” There are numerous nonhuman peoples living on the Discworld, but we never really hear mention of elves. In this story Pratchett crafts a version of the faerie folk that captures their typical, mystifying nature while also presenting them as completely terrifying... The trio of witches were as delightful to read about as ever. Though Death is my favourite singular character, I think I enjoy reading about the Witches the most as a group. Though she shares the spotlight a lot more, I really liked Granny Weatherwax’s story in this book..."

https://bit.ly/3aKhvhk

...and blogger storiesnstuff22over7 nicely sums up The Last Hero:

"Many of his books are deep and make you think, but the ways he does it in The Wee Free Men and this book are very different. It is still hilarious. It might be a tiny bit age-restricted in parts, but totally ignorable. This book focuses more on how stories and fairy tales work than how they are mistaken; it is more about how for, example, the bad guy’s jail guards are always supposed to be incredibly stupid than the fact that no intelligent evil person would allow people to break into their castle so easily. There is the idea of traditions being lost and lives being forgotten. The ending will feel sad and inconclusive to some and beautiful to others..."

https://bit.ly/2vqPFXe

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08) IMAGES OF THE MONTH

The Two Terrys, by Rob Wilkins: https://bit.ly/2U2VAMm

A lovely album of iconographs from the just-wrapped Progress Theatre production of Wyrd Sisters:
https://bit.ly/2RA6Pu7

Paul Kidby, signing copies of assorted Good Omens volumes: https://bit.ly/37MvLVb

A timely and, from what we hear, appropriate image created by Reddit user PixelBandits: https://bit.ly/2NzVyYf

...and a beautiful rendering of the hare leaping through the fire, from I Shall Wear Midnight, by Reddit user Loftytoast:
https://bit.ly/2uU04dI

...and finally, a moving picture! Jason Allemann has created a Lego Discworld, complete with Rimfall, that turns atop the Elephants while A'Tuin swims with majestic slowness:
https://twitter.com/LEGO_Group/status/1220345613616844800

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09) CLOSE

The voice of Dagon has left the building. Broadcasting stalwart Nicholas Parsons died this week at the great age of ninety-six and will be missed by millions of BBC radio listeners, television fans, and of course, a certain Good Omens co-author: “Heartbroken. I was thrilled to have been able to work with Nicholas Parsons on Good Omens. I sort of directed him, but the direction was basically ‘You’re Nicholas Parsons so do that’. Kind and professional and a pleasure to work with. So sad.”

https://twitter.com/neilhimself/status/1222116553786740737

And that's it for January. Mind how you go, and we'll see you next month!

p.s. Happy New Year to our Agatean readers! As it's the Year of the Rat, may all the rats you encounter be as clever and upstanding as the Clan!

– Annie Mac

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The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

Copyright (c) 2020 by Wossname for the Klatchian Foreign Legion
wossname: A Clacks rendering of GNU Terry Pratchett (GNU)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2018 (Volume 21, Issue 1, Post 1)


********************************************************************
WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Mss C, Alison not Aliss
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)

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INDEX:

01) QUOTES OF THE MONTH
02 EDITOR'S LETTER
03) ODDS AND SODS
04) DISCWORLD PLAYS NEWS
05) DISCWORLD ARTS AND CRAFTS NEWS
06) DISCWORLD MEETING GROUPS NEWS
07) AROUND THE BLOGOSPHERE
08) IMAGES OF THE MONTH
09) CLOSE

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01) QUOTES OF THE MONTH

"Reading a Discworld novel is like coming home."
   – blogger Jo Writes Stuff, speaking for us all

"Vimes put his knuckles on the table and leaned forward. 'You see, sir,' he said, 'I can't help but think that over there in Klatch a bunch of idiots are doing the same thing. They're saying to the Seriph, "It's time to sort out those devils in Ankh-Morpork, offendi". And when a lot of people are running around with weapons and talking daft stuff about war, accidents happen. Have you ever been in a pub when everyone goes armed? Oh, things are a little polite at first, I'll grant you, and then some twerp drinks out of the wrong mug or picks up someone else's change by mistake, and five minutes later you're picking noses out of the beer nuts – "
   – Sam Vimes confides his concerns to Lord Vetinari in Jingo (p.24, Gollancz 1988 hardcover edition)

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02) LETTER FROM YOUR EDITOR

Happy New Year (which may or may not be the Year of the Justifiably Defensive Lobster, depending on your point of Discworld view) to all our readers around the multiverse!

One of the things I have always loved best about the works of legendary British science fiction writer John Wyndham was that his novels managed to be at once "period" and timeless; that is to say, the stories were set in a specific era and very much descriptive of that era, yet they never seemed dated. The Day of the Triffids, The Midwich Cuckoos, the wry Trouble with Lichen, his marvellously magical YA novels Chocky and The Chrysalids... all of these have a freshness that never stales, a vitality that never fades, and a timeliness to their explorations of human reactions to extraordinary events. I encountered Wyndham's work as a very young child, and have occasionally re-read them over the years. My most recent re-read was The Chrysalids, and I have to say that although it was first published over fifty years ago, its depiction of a world where ignorance and superstition reign and where "the Other" is demonised have an especially visceral feel against the background of events and social trends in the here and now. I believe Wyndham's novels will be read and admired in another fifty years' time, not only for their wordcraft but also for their relevance.

If you've not read any Wyndham, I recommend you give his novels a try. But I'm not only talking about the works of John Wyndham here: I'm talking about the works of Terry Pratchett. Specifically about the Johnny Maxwell trilogy. I've said it before and I'm saying it again: much as I love the Discworld series, I believe that in the distant future, Sir Pterry will be best known for Nation, Dodger, and the Johnny series, and for the reasons I've stated in the previous paragraph. The Johnny Maxwell books – Only You Can Save Mankind, Johnny and the Dead, and Johnny and the Bomb – are quintessentially Nineties in their social and political settings, but like Wyndham's novels, the essence of them never ages.

I mention the Johnny Maxwell books because the trilogy is being reissued for a new generation, with illustrations by the whimsical (and quite Pratchettesque, really) Mark Beech, who's illustrated other recent Pratchett children's/YA re-releases (see item 3.2). Again, if you missed out on the Johnny books when they were first published, 2018 is a good time to start collecting them!

I decided to bring back the Around the Blogosphere section in this current issue – and I'm glad I did, not least because otherwise I would never have come across a blog review that describes the startpoint of Mort as "the story of Death as he goes through a mid-eternity crisis"... pure genius, that.

Now then... on with the show!

– Annie Mac, Editor

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03) ODDS AND SODS

First, a reminder: the Good Omens six-episode radio play is still available for listening on BBC Radio Four for a few more days. If you've never caught it before, it's well worth a listen! Go here:

http://www.bbc.co.uk/programmes/b04knt4h/episodes/guide


3.1 TERRY PRATCHETT: HISWORLD ROUNDUP

An update on the Salisbury Museum's Terry Pratchett: HisWorld exhibition, which has now wrapped up. Here be Heritage Management degree student Joanna Arnott's experience as a museum elf, um, contributor to the exhibit:

"I am a part time student at Bath Spa University studying for an MA in Heritage Management, which I began in September 2016 after a 25 year career as a primary school teacher and adviser. I had heard about the excellent outreach work that the learning department at Salisbury Museum were doing and felt that this would be really useful for me to learn about. Along with Owain Hughes (the Salisbury Museum Learning Officer) and the learning volunteers, I visited several schools to help with the Mini Museum project. Each school was different in the way they approached the project and I helped children to make a variety of objects for their own school museum, everything from Roman sandals to a desert island... I was also asked to design a trail for young children for the Terry Pratchett exhibition. I devised a trail where the children have to tear a hole in their trail to look through, and then have to hunt for the bronze Nac Mac Feagles [sic] which are hidden in the museum galleries. I also helped Joyce Paesen (the Salisbury Museum Exhibitions Officer) set the exhibition up which was a very exciting experience especially when the BBC arrived to film..."

https://salisburymuseum.wordpress.com/2018/01/18/exciting-and-interesting-by-joanna-arnott/

...and here be exhibit volunteer Alan Crooks on his part in the proceedings:

"A wonderful camaraderie has developed among the Gallery Staff, and we are looking forward to meeting together again in the not too distant future... There were several quite cryptic exhibits in the exhibition, the most emotive one being the encoded 'embuggerance' in Gallery 3. I liked to think that the reason for encoding this rude word was to avoid young children quizzing their parents as to its meaning. However, that theory was exploded when extra signage was placed right outside the café, pointing out the direction to the 'Embuggerance'! It is astonishing how many people failed to notice this encoding. When asked whether they had noticed the significance of the letters in different font, some would reply, 'Oh yes; they were the letters Terry couldn't see very well'... I had already attended several shifts before I noticed another two further subtleties. One of these is that Gaspode the Wonder Dog, on the Interactive DiscWorld Massif says 'Woof', when clicked. This was despite a massive clue in the second line down of the legend, which says, It looked up slowly and said 'Woof!'. Having noticed this, I was disappointed that The Librarian doesn't say 'Ook'! The other subtlety came to my attention late one afternoon when I was alone in Gallery 2, and wondered why I could hear birds twittering. It came, of course, from Terry's office, where other sounds included sheep bleating and the cat purring. Several people asked, incidentally, where the cat slept now that Terry's desk was in the Museum..."

https://salisburymuseum.wordpress.com/2018/01/18/the-final-week-by-volunteer-alan-crooks/

...and Owain Hughes, of the Museum's staff, reports on Sir Baldrick's (sorry – with all respect to Sir Tony, I can never think of him any other way – Ed.) visit to the exhibition:

"Tony's links with the writer go back a long way. At an early encounter, Terry was to congratulate Tony on some comedy programmes he had written for Radio Bristol. In subsequent years Tony was to create the audio versions of Terry's books and played a role, the store manager, in the 2006 film version of Terry's 'Hogfather'. The same year, Tony appeared in Tony Robinson: Me and My Mum, a documentary surrounding his decision to find a nursing home for his mother, and the difficulty he had doing so. In the intervening years he has become a supporter of Alzheimer's research and charities, which, of course would have been a bond between the two men, as Terry began to suffer himself. When Terry was invited to do the Dimbleby lecture in 2010 he was already struggling with the illness, and while he introduced the lecture, it was Tony who read Terry's words. It was about death, our attitudes to it and about assisted death. The audience here were very moved when Tony read an abridged version of the lecture at this talk. As indeed visitors have been moved by this aspect of the museum's exhibition..."

https://salisburymuseum.wordpress.com/2017/12/19/old-friends/

...and finally, a link to a YouTube video about the Pratchett Lego project!

"Have you ever viewed the museum via YouTube? Try it. Click https://www.youtube.com/watch?v=3LnJ6ynyadg for the latest video of exciting things going on (the Lego), then have a look at some more by using your search engine and typing in YouTube Salisbury Museum."

https://salisburymuseum.wordpress.com/2018/01/02/sir-terry-youtube-and-lego/

3.2 HEEEEERE'S JOHNNY!

If you've never had the joy of reading the Johnny Maxwell novels, you've a new opportunity to get right. The trilogy is due to be reissued for a new generation! From Charlotte Eyre in The Bookseller:

"Sir Terry Pratchett's Johnny Maxwell trilogy is set to be reissued with new illustrations by Mark Beech. Corgi, an imprint of Penguin Random House, will next month re-release the first book in Only You Can Save Mankind, aimed at primary school readers, is about a boy called Johnny who suddenly finds himself the leader of an alien race. It was first published in 1992 and has since sold more than 330,000 copies globally, according to PRH. The new edition will be released on 22nd February (p/b, £6.99) with drawings by Beech, who has illustrated other Pratchett books like Dragons at Crumbling Castle: And Other Tales. Beech will also illustrate the second and third book in the Johnny Maxwell series – Johnny and the Dead and Johnny and the Bomb – due for release in June 2018 and August 2018 respectively."

https://www.thebookseller.com/news/prh-reissue-pratchett-johnny-maxwell-novel-708831

3.3 AT LEAST THE THIEVES SHOWED GOOD TASTE

It looks like, despite Sir Pterry's best efforts to sign as many of his books as possible, the value of his signature is still going up...

"Police are hunting burglars who broke into a bookshop and stole a haul of rare and valuable titles, including a first edition of Harry Potter and the Philosopher's Stone that is worth around £40,000. Other books taken from the store in Thetford include a set of four Winnie the Pooh first editions and a signed first edition of Terry Pratchett's Colour of Magic, Norfolk Police said... Pc Gideon Weigelt-Holmes said: 'These books are very rare and in some cases unique and not the sort of thing you see every day. I am urging people, especially book dealers or those working in specialist book shops, to be vigilant in case they are offered for sale.' Other books taken during the break-in include a hardcover first edition of The Hobbit from 1937, worth around £7,000 and a paperback copy of Stephen Hawking's A Brief History of Time from 1983 with a thumbprint signature by the author...."

https://www.expressandstar.com/news/uk-news/2018/01/17/burglars-steal-40000-harry-potter-book-in-shop-raid/

3.4 THE BEST LITTLE PUB IN ANKH-MORP-, ER, LONDON

You may remember a feature or two here about London's own Broken Drum, a micropub. Now it looks like the Drum is going from strength to strength! From Jim Palmer in the News Shopper:

"The Society for the Preservation of Beers in the Wood named The Broken Drum in Westwood Lane the winner for 2018. A former nail bar, the micropub opened in 2015 and is named after an inn in Terry Pratchett's Discworld novels. Members of the SPBW in Greater London were invited to nominated their favourite London boozers, which were then visited by a panel of judges. The SPBW said The Broken Drum impressed with quality of the traditional draught beers, the friendly and efficient service and the fact that it is a genuine 'community' pub..."

http://www.newsshopper.co.uk/news/15867106.A_Blackfen_micropub_has_been_named_London_Pub_of_the_Year/

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04) DISCWORLD PLAYS NEWS

4.1 PLAYS IN JANUARY AND FEBRUARY 2018

* MASKERADE IN READING (JANUARY)

The Progress Theatre's production of Maskerade is in its final days – see reviews in section 4.3!

When: now through 27th January 2018
Venue: Progress Theatre, The Mount, Reading RG1 5HL
Time: 7.45pm all evening shows, 2.30pm matinees on 20th and 27th January
Tickets: £12 (£10 concessions), available from https://www.ticketsource.co.uk/event/198723 – but get your order in fast: there are very few seats left for the remaining performances, and the Saturday matinee (27th January) is already sold out!

http://progresstheatre.co.uk/maskerade

* MEN AT ARMS IN BERKSHIRE (FEBRUARY)

The Cranbourne Amateur Dramatic Society (CADS) will present their production of Men at Arms in February!

"The Ankh-Morpork City Night Watch find their services are once more needed to tackle a threat to their city. A threat at least as deadly as a 60-foot dragon, but mechanical and heartless to boot. It kills without compunction. It is the first gun on the Discworld. The original Watch – Captain Vimes, Sergeant Colon, Corporal Carrot and Corporal Nobbs – are joined by some new recruits, selected to reflect the city's ethnic make-up – Lance-constables Cuddy, Detritus, and Angua. In a city, where Assassins are clowning about and Fools are dying, the Watch must keep control of themselves as much as its citizens."

When: 15th, 16th and 17th February 2018
Venue: St Peter's Church Hall, Hatchet Lane, Cranbourne, Winkfield, Berks SL4 2EG
Time: 7.45pm all evening shows, with a 2.30pm matinee on the 17th
Tickets: £9, available from the Box Office (phone 01344 886456) or by printing and posting a facsimile of the Booking Form below.

A rather adorable promotional video can be seen here (just remember to ignore the October performance dates at the end):
https://youtu.be/Dx_ndpHGevw

www.cadsact.org.uk/shows/

* MONSTROUS REGIMENT IN GEORGIA USA (FEBRUARY)

Gainesville Theatre Alliance's 2017-2018 season will feature their production of Monstrous Regiment in a "February Festival of Theatre". "GTA is a nationally acclaimed collaboration of the University of North Georgia, Brenau University, theatre professionals and the northeast Georgia community that has yielded state and national awards."

When: 16th–24th February 2018
Venue: UNG-Gainesville's Ed Cabell Theatre, 3820 Mundy Mill Road, Oakwood, GA
Time: 7:30pm evening shows on the 16th, 18th, 20th-24th, and 2:30pm matinees on the 17th & 24th
Tickets: $18-20 for adults, $16-18 for seniors and $12-14 for students, depending on seat location, available from www.gainesvilleTHEATREalliance.org or by phoning the Box Office at 678 717 3624. NOTE: by early August, 97 percent of the GTA performances were sold out. "Theater-goers may purchase tickets to one show or all five. They also may build their own custom ticket package, earning discounts for two shows or more."

http://blog.ung.edu/gta/performances/index/
http://blog.ung.edu/gta/performances/tickets/

* MASKERADE IN YORK (FEBRUARY)

We Are Theatre's next Discworld play will be the Stephen Briggs adaptation of Maskerade!

When: 26th–28th Feb 2018
Venue: The Black Swan, Peasholme Green, York, YO1 7PR
Time: 7.30pm all shows
Tickets: £10, bookable by phoning 07521 364107 (note that there is only limited seating available)

http://www.wearetheatre.co.uk/upcoming-productions.html

4.2 PLAYS LATER IN 2018

* WYRD SISTERS IN IFIELD, WEST SUSSEX (MARCH)

The Ifield Barn Theatre Society are gearing up for their production of Wyrd Sisters in March.

When: 7th–10th March 2018
Venue: Ifield Barn Theatre, Ifield Street, Crawley, W Sussex RH110NN
Time: 8pm all evening shows, plus a 3pm matinee on 10th March
Tickets: £10 (£8 for members and children), available from http://www.ticketsource.co.uk/ifieldbarntheatre

http://www.ifieldbarn.co.uk/coming-soon.html

* WYRD SISTERS IN BENDIGO, FOURECKS (APRIL)

The Bendigo Theatre Company's Tribe Youth Theatre will stage a production of Wyrd Sisters in April!

When: 5th–8th April 2018
Venue: BTC Arts Shed, 15-17 Allingham Street, Golden Square, Bendigo, Victoria 3555
Time: 7pm all shows
Tickets: $22 (concessions $20; students $17; children under 12 $14; family ticket $57), available via http://bit.ly/2Clm4jH – choose your date from the drop-down menu.

About Tribe: https://bendigotheatrecompany.org/tribe/

https://bendigotheatrecompany.org/

* GUARDS! GUARDS! IN CHORLEY (APRIL)

CADOS (possibly once the Chorley and District Operatic Society?) will be staging Guards! Guards! in April: "This production marks what would have been Sir Terry's 70th birthday."

When: 23rd–28th April 2018
Venue: Chorley Little Theatre, Dole Lane, Chorley, Lancs PR7 2RL
Time: 7:30pm all shows
Tickets: 23rd, 24th, 25th £8; 26th, 27th, 28th £10, available online at https://www.ticketsource.co.uk/event/208113 or in person at Malcom's Musicland 01257 264362 or Ebb & Flo Bookshop or when the Theatre Box Office is open for shows.

http://www.chorleylittletheatre.com/chorleytheatre/index.php/event/552-cados-play

Editor's note: the theatre itself is absolutely adorable! Look:
http://www.chorleylittletheatre.com/chorleytheatre/images/ChorleyLittleTheatre1.jpg

* MORT IN BIRKENHEAD (APRIL)

The Carlton Players will be staging Mort next April: "He gets board and lodging and free use of company horse, and doesn't even need time off for his grandmother's funeral..."

When: 24th–28th April 2018
Venue: The Little Theatre, Grange Rd West, Birkenhead CH41 4BY
Time: 7.30pm all shows
Tickets: £8 (students and under-16s £6), available from https://www.ticketsource.co.uk/venue/FEDIFI or by ringing the box office on 0151 647 6593

https://www.carltonlittletheatre.co.uk/the-carlton-players/2017-18-season/mort/

* GUARDS! GUARDS! IN PLYMOUTH (MAY)

City College Plymouth will be staging their production of Guards! Guards! in May 2018.

When: 16th–18th May 2018
Venue: Tilt Theatre, Performing Arts, City College Plymouth, Plymouth
Time: 7.30pm all shows
Tickets: TBA

https://allevents.in/plymouth/guards-guards-by-terry-pratchett/1943260799295027

* MEN AT ARMS IN BRISBANE, FOURECKS (OCTOBER/NOVEMBER)

It will be a bit of a wait, but the Brisbane Arts Centre's next Discworld production – Men at Arms – is already looking good! All props to Fourecks for keeping the Disc alive on stage: "Men at Arms is the 15th novel in Sir Terry Pratchett's Discworld series, a comic fantasy universe with over 80 million books sold worldwide. Aficionados and newcomers to the Disc will love this adaptation, brought to life by the expertise of our Pratchett team."

When: 6th October through 3rd November 2018
Venue: Brisbane Arts Centre, 210 Petrie Terrace, Petrie Terrace (yes, the suburb and the road share a name), Brisbane, Queensland 4000
Time: 7.30pm Thursdays, 8.00pm Fridays and Saturdays, 6.30pm Sundays. "Doors close 5 minutes prior to performance. Late entry is not permitted."
Tickets: AU$34 ($28 concession or groups of 10 or more), available now online at http://bit.ly/2zHKO5a – and there will be Student Rush tickets priced at $15, available from the box office 15 minutes prior to curtain on the dates

https://www.artstheatre.com.au/menatarms

* GOING POSTAL IN BRISTOL (DECEMBER)

The Kelvin Players will be staging Going Postal in December 2018. Keep an eye on their website: "Moist von Lipwig was a con artist, a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork's ailing postal service back on its feet. It was a tough decision. With the help of a golem who has been at the bottom of hole in the ground for over two hundred years, a pin fanatic and Junior Postman Groat, he's got to see that the mail gets through. In taking on the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer, he's also got to stay alive. Getting a date with Adora Bell Dearheart would be nice, too. In the mad world of the mail, can a criminal succeed where honest men have failed and died? Perhaps there's a shot at redemption for man who's prepared to push the envelope..."

When: 5th–8th and 12th–15th December 2018
Venue: Kelvin Studios, 253B Gloucester Road, Bishopston, Bristol BS7 8NY
Time: 7.30pm all shows
Tickets: TBA

http://www.kelvinplayers.co.uk/coming-soon

4.3 REVIEWS

* MASKERADE IN READING

By Kadija Taboada, for In Your Area:

"It was easy to forget that just 18 actors were playing almost double that with 35 characters needed to complete the cast, as the role changed so did my impression of who was under the costume. Newcomer Dan Bignell sang incredibly well, lending his voice to Ali Caroll in her role as Senor Basillico, as well as singing in his own role as Dr Undershaft, the chorus director at the Opera. Progress regular Liz Caroll was also highly engaging in her role as the witch Nanny Ogg, full of humour and an expressive face. I couldn't help but keep an ear out for her next laugh out loud joke, and I was entranced by the easy relationship between her and fellow witch Granny Weatherwax, played by Melanie Sherwood. The set worked brilliantly, with little to no changes made between scenes, each piece was multipurpose which allowed the comedy to keep its fast, quick-witted pace.

"One thing to mention though, for a play based on the secret goings-on inside an Opera House, the lack of singing did surprise me. In fact the main character who was continually praised throughout the show for their range of voice and operatic talent didn't sing at all. As a fan of musicals I wasn't expecting the vocal range one would expect at the actual opera, but a song or two would have been welcome. Despite this, the dramatic performances that accompanied lip-singing to tracks was quite funny to watch... The benefit of the small theatre in The Mount, Reading, Berkshire is the ability for the audience to feel really engaged no matter where they are seated. I would recommend the show for fans of Pratchett's Discworld series, as well as those who haven't had the opportunity to read any of his novels..."

https://www.inyourarea.co.uk/news/review-maskerade-at-progress-theatre/

Note: the article is accompanied by some excellent iconographs, credited to Aidan Moran. Well worth a look! – Ed.

...and by Susan Creed in the Henley Standard:

"An inventive set design makes us believe we are there, in the opera house, complete with ornate chandelier and plush boxes from which, at times, characters can observe what's supposedly going on below, on the opera stage. We are presented with a theatre within a theatre. The production has been staged with loving attention to detail by director Chris Moran. Sound engineer Stuart McCubbin has been busy providing opera clips, in conjunction with an opera consultant, Caroline Carragher, who offered advice and provided the singing voice of Agnes. Linda Bostock's costumes are eye-catching also, so Maskerade is a treat for the eyes and the ears.

"A confident cast with great comic talent drives the production forward with energy and gusto. Liz Carroll and Melanie Sherwood have the audience in their power as the funny and formidable witches. Amongst many other strong performances, I adored Trevor Dale as the 'luvvie' director Mr Salzella, Ben May as the beleaguered opera house proprietor and Rebecca Douglas in her great comic turn as the vain and flaky Christine. Dan Bignell deserves special mention as Dr Underschaft, not least because he sings so well. He also makes a very convincing catman, Greebo..."

http://www.henleystandard.co.uk/news/theatre/120805/high-fantasy-hits-the-high-notes-in-pratchett-s-comic-opera-romp.html

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05) DISCWORLD ARTS AND CRAFTS NEWS

5.1 DISCWORLD.COM STUFF

Yes, it's pricey, but it's a thing of rare beauty and can't be bought anywhere except through Discworld.com and PaulKidby.com... it's the Deluxe Special Edition of Terry Pratchett’s Discworld Imaginarium!

"Featuring the very best of Paul Kidby’s Discworld illustrations, this definitive volume includes 40 pieces of never-before-seen art, 30 pieces that have only appeared in foreign editions, limited editions and Book Club editions, and 17 book cover illustrations since 2004 that have never been seen without cover text. The Special Edition is leather bound and features an alternative silver embossed cover design presented in a cloth covered clam-shell box. The book has a signature page with a new piece of artwork produced especially for this edition and an exclusive print is presented separately for framing. All copies are numbered, and signed by Paul Kidby."

The Discworld Imaginarium Deluxe Special Edition is priced at £100. For more information, and to order, go to:

https://discworld.com/products/the-discworld-imaginarium/

Then there's the Discworld 2018 Calendar, still good for over eleven more months!

"Terry Pratchett’s Discworld has long been synonymous with two names: Josh Kirby and Paul Kidby. This beautiful calendar brings together some of the most beautiful artwork from these two official Discworld artists."

The 2018 Discworld Calendar is priced at £15. For more information, and to order, go to:

https://discworld.com/products/diary-calendar/discworld-2018-calendar/

5.2 DISCWORLD EMPORIUM STUFF

First new Discworld stamps of the year! "Special delivery! Exciting new issues from Moist & co. at the Ankh-Morpork Post Office, and freshly printed releases from post offices all over the Discworld!" This new collection includes the Hogswatch 2017 Presentation Sheet, Thieves' Guild 4p Petty Theft stamp, Thieves' Guild 12p stamp, Clacks Mail $1 stamp, Lancre 3p and 6p stamps, Octarine Grass Country 2p stamp, and the Big Cabbage Half Penny. Prices range from £0.35 for individual stamps to £15 for a full sheet. Lovely stuff! For more information, and to order, go to:

https://www.discworldemporium.com/39-new-stamps

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06) DISCWORLD MEETING GROUPS NEWS

The Broken Drummers, "London's Premier Unofficially Official Discworld Group" (motto "Nil percussio est"), will be meeting next from 7pm on Monday 5th February 2018 at the Monkey Puzzle, 30 Southwick Street, London, W2 1JQ. "We welcome anyone and everyone who enjoys Sir Terry's works, or quite likes them or wants to find out more. We have had many visitors from overseas who have enjoyed themselves and made new friends. The discussions do not only concern the works of Sir Terry Pratchett but wander and meander through other genres and authors and also leaping to TV and Film production. We also find time for a quiz."

Helen Nicholls reported on the first meetup of 2018: "So we met Monday night, a week behind schedule as I didn't think anyone would want to come on New Year's Day. Andrew and I told everyone about our visit to the Salisbury museum to see the Terry Pratchett exhibition, which closes later this month. After the exhibition, we stayed a night in Wincanton where we met up with the local Discworld fans. So, this was our second Discworld meet in as many days. Most of the evening was spent discussing movies and TV series. However, the highlight was definitely the quiz. I had previously told Sarah T. that rude questions were permitted (as the author of the "Love and Sex on the Discworld" and "Discworld Nude Scenes" quizzes, I couldn't really say no). The quiz was on sewing (and similar handicrafts) as well as "willies" and "boobies", both from a natural history perspective. I remembered that the barnacle has the largest penis in proportion to its body mass. It was on QI. However, Sarah was keen to caution us that this is only true of some barnacles. She also revealed that the penis museum in Iceland has acquired a human penis but had found it disappointing. It was interesting to watch the gentlemen's reaction to that factoid. I managed to rack up points by knowing the story of Hermaphroditus but Andrew, a former natural history curator, won by knowing more about willies and boobies than anyone else. Next month Marina will do a quiz on Good Omens. The next meeting is on Monday 5th February. We should be on first Mondays for the whole year as the Wincanton Spring event is in April. We discussed ideas for special events. We've got a couple of things planned but I am always willing to hear suggestions." (_https://www.facebook.com/groups/55107511411/permalink/10156387276206412/_)

The Drummers have also taken up doing the odd afternoon meetup. For more information, email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk

*

Canberra, Australia's Discworld fan group is Drumknott's Irregulars: "The group is open to all, people from interstate and overseas are welcome, and our events will not be heavily themed. Come along to dinner for a chat and good company. We welcome people from all fandoms (and none) and we would love to see you at one of our events, even if you're just passing through. Please contact us via Facebook (_https://www.facebook.com/groups/824987924250161/_) or Google Groups (_https://groups.google.com/forum/#!forum/drumknotts-irregulars_) or join us at our next event."

*

For Facebook users in Fourecks: The Victorian Discworld Klatch is "a social group for fans of Discworld and Terry Pratchett... run by a dedicated team who meet monthly and organise events monthly." "If you'd like to join our events please ask to join the Klatch."

https://www.facebook.com/groups/VictorianDiscworldKlatch

*

"The Gathering of the Loonies (Wincanton chapter)" is a public Facebook meeting group: "This group, by request of Jo in Bear will continue to be used for future unofficial (not run by the Emporium) fan Gatherings in Wincanton. Look here for information." Future events will include the Did You Bring a Beer Along meeting (celebrating 20 years of The Last Continent) in April 2018.

https://www.facebook.com/groups/373578522834654/

*

The Pratchett Partisans are a fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett. We hold events such as Discworld dinners, games afternoons, Discworld photo scavenger hunts. We also attend opening night at Brisbane Arts Theatre's Discworld plays." The Partisans currently have about 200 members who meet at least twice a month, usually in Brisbane.

For more info about their next meetup, join up at https://www.facebook.com/groups/pratchettpartisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods is a group for fans in Adelaide and South Australia: "We have an established Terry Pratchett & Discworld fan group in Adelaide called The City of Small Gods, which is open to anyone who would like to come – you don't have to live in Adelaide or even South Australia, or even be a Discworld fan, but that's mostly where our events will be held, and we do like discussing Pratchett's works. Our (semi-) regular meetings are generally held on the last Thursday of the month at the Caledonian, 219 O'Connell St North Adelaide. We have dinner at 6.30pm followed by games until 9pm. The games are usually shorter games like Pairs, Sushi Go, or Tiny Epic Defenders, with the occasional Werewolf session, as these are the best sort of games that work in a pub setting. Every few months, we have a full day's worth of board games at La Scala Cafe, 169 Unley Rd, Unley in the function room starting at 10am. In addition, we will occasionally have other events to go and see plays by Unseen Theatre Company, book discussions, craft, chain maille or costuming workshops or other fun social activities."

The next CoSG events will be the Round World Events SA Annual General Meeting on 10th February, and the Monthly Dinner and Games at the Caledonian Hotel on Thursday, 22nd February.

The CoSG also have another identity. Here's the skinny:

Round World Events SA Inc is a not-for-profit incorporated association whose aim is to run fun social Pratchett-themed events for people in South Australia. Our first major event was the Unseen University Convivium held in July 2012. We have also run three successful and booked out Science Fiction and Fantasy themed quiz nights named Quiz Long And Prosper, in 2013, 2014 and 2015! We are also running the next Australian Discworld Convention, Nullus Anxietas VI – The Discworld Grand Tour – taking place in August 2017. You can find more out about it on this very website (_http://ausdwcon.org/_)! The association will run some events under the City of Small Gods banner, but you do not have to be a Round World Events SA member to be part of City of Small Gods. However, we are always on the look out for new members for Round World Events SA to help us organise future events! Membership is $20 a year (for Adelaide locals) or $5 a year (for those not quite so close) and has the following benefits:

A shiny membership certificate all of your very own
Discounted entry price to some of the events we run
A warm, fuzzy feeling deep down in your chest (no, not quite that deep)
For more information, or to join as a member, please email RoundWorldEventsSA@gmail.com

www.cityofsmallgods.org.au

*

The Broken Vectis Drummers meet next on Thursday 1st February 2018 (probably) from 7.30pm at The Castle pub in Newport, Isle of Wight. For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) next meets on Friday 2nd February 2018 (probably) at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005. The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles. Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder) meet next on Monday 5th February 2018 at 6.30pm in Sydney at 3 Wise Monkeys, 555 George Street, Sydney 2000. For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

The Treacle Mining Corporation, formerly known as Perth Drummers, meet next on Monday 5th February 2018 (probably) from 5.30pm at Carpe Cafe, 526 Murray Street, Perth, Western Australia. For details follow Perth Drummers on Twitter @Perth_Drummers or join their Facebook group: https://www.facebook.com/groups/Perth.Drummers/ – or message Alexandra Ware directly at <alexandra.ware@gmail.com>

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07) AROUND THE BLOGOSPHERE

Blogger Steve gives his impressions of the Discworld series:

"I think one of my older brothers had a Discworld book on a shelf. I have a vague memory of looking at the artwork on the cover repeatedly because it looked so interesting. I was probably 5 at the time. I was always 5 when I recall things from my childhood... Anyway, I got hooked on book 1 – The Color of Magic. There is so much charm and character and humor woven in these pages that it's a real joy to read. I've read some pretty dark stuff lately and this has been a real pick-me-up. And there are 41 books in the series! I'll be at this for a good long while. This is exactly the kind of series I want to get lost in... I don't know how to describe the humor, but it's the kind of witty banter that makes me giggle. I dig it. Many of the jokes poke fun at the standard fantasy tropes in a sort of breaking-the-fourth-wall kind of way. And every so often it gets delightfully metaphysical. I'm a short ways into Book 4 (Mort) at the moment and it's jam packed with puns. I can't get enough. If you're looking for a fun ride, a richly detailed world, characters with real personality, and cleverly written prose, check out The Color of Magic and see what you think. (I should also mention that I've been listening to the audio books narrated by Nigel Planer. Celia Imrie narrated Equal Rites. Both narrators are fantastic.)..."

https://yourturndad.com/2018/01/20/terry-pratchetts-discworld-is-hilarious/

Blogger jenniepea05 considers Good Omens:

"If you enjoy comedy with a bit of a serious side, Good Omens is a great choice! It combined the age-old Good vs. Evil fight a lighthearted carefree tone. Aziraphale and Crowley and #squadgoals [sic] and work together despite being enemies by nature. The Apocalypse was really built up throughout the whole book, and I have to say (small spoiler), my only complaint is the way that the ending fell flat. It's a fun and easy read with footnotes that add to the story in ways that made me smile with almost every line..."

https://jenniepea05.wordpress.com/2018/01/18/the-apocalypse-arrives-in-a-bentley-good-omens-review/

A short review of Hogfather from blogger theteaisalsocursed:

"I love the absolute crap out of this book. It's hilarious from start to finish, while also delving into the intricacies of Christmas and the pagan celebrations behind it. It's creepy and funny and emotional and just generally wonderful. I don't think I'll ever give it anything less than a five star rating, because I just love it so much."

https://theteaisalsocursed.wordpress.com/2018/01/15/weekly-wrap-up-11/

Blogger katyboo1 aka Making Them Readers (and her son, Oscar) return with a review of Monstrous Regiment:

"This is a deeply bleak and satirical look at both the effects and damage of war and pre-conceived ideas about gender. There are some laughs here, but they're bleak ones. Pratchett skewers his points home relentlessly in this novel, and you can really see the anger bubbling close to the surface here. I recall when I first read it, many years ago, that I didn't really like it much. I longed for the comfort of the softer, safer Discworld I was used to, and this was jarring and unfamiliar. Reading it again now, with my son, particularly at a time when gender issues are never far from the news, it had a completely different impact on me. I wanted to send it to everyone I know and force them to read it. I was surprised at how much Oscar enjoyed this. In fact, he told me it is his favourite book of the series so far..."

https://makingthemreaders.wordpress.com/2018/01/14/monstrous-regiment-by-terry-pratchett/

Blogger notablankpage enjoyed The Long Mars:

"The authors also describe various worlds in a way that made my head spin. I applaud the creativity and the way the new and sometimes plainly weird ideas were tied into the story. If you have ever read a book that introduced a bold, creative idea of a new species, new superpower or anything like that but described it in a way that made you want to scream in frustration, I can guarantee, this is not one of those books... The journeys are so different, yet slightly similar. Since is a story of exploration, every page is filled with new wonders and unseen landscapes. I strongly recommend reaching for this book at least for that reason and I feel that I cannot emphasize enough how good reading about the new discoveries felt. Aside from that, I was touched by another important concept in the book. It tackled an issue that I think is very important in the world today, in a classical science-fiction fashion. The issue, half-disguised behind the story, refers to how we react to things unknown and different. This covers other cultures, other ways of thinking, other biology… I think there are enough examples in the book to really take this under a microscope and try to figure out why we, as humans, think the way we do. I feel that the authors ask a lot of questions in the narrative and most of them are answered, but some are definitely left for the reader to think through..."

https://notablankpage.com/2018/01/14/equals-in-space/

Blogger Jo Writes Stuff tells us at length why she thinks everyone should read Pratchett:

"Hands down, the Discworld series is Sir Terry's best-known work. The name comes from the shape of the planet – it's a giant disc, supported by four elephants standing on the back of a giant turtle that swims through space. At forty-one books (not counting the supplementary texts), this can look like an intimidating series from the outside. But it's a series in quite a loose sense of the word. Most of the books can be read as standalone novels, and there are a few mini-series dealing with specific recurring characters... On the surface the set-ups for these novels don't look very different from other fantasy books. The basic elements are all there: wizards, witches, the long-lost heir to the throne, dragons, the undead, trolls, dwarves, goblins. I could go on. But what makes Discworld stand out amongst other fantasy series is the way in which these elements are treated. Pratchett took delight on turning clichés on their heads. In Discworld, witches aren't wicked: they're usually overworked midwives, healers and occasional guardians against the nastier elements of the supernatural, fuelled by sweet tea. The long-lost heir to the throne of Ankh-Morpork has no interest in reclaiming it; he's pretty happy with the way things are being run. Dwarfs aren't just gruff and bearded miners: they keep their gender secret from everyone but their families, and presenting themselves as openly female is a radical act that has led to deep divides in the dwarfish community. This is typical of Pratchett's treatment of fantasy clichés. He has a real knack for drawing out certain aspects of fantasy tropes and turning them on their heads, without losing their connection with the original. He does this for pretty much every fantasy race we see in the Discworld series, with the result that Pratchett's dwarfs, trolls, goblins and elves feel unique, distinct and fleshed-out. It's a real skill...

"The later books in the Discworld series are where Pratchett starts to establish himself as one of the greats. Having satirised a lot of explicitly fantasy clichés, Pratchett started to take aim at a much wider range of topics. He certainly hit his targets. He took on extreme nationalism in Jingo. He examined gender expectations and warfare in Monstrous Regiment. He picked apart the nature of death, belief, hysteria, good and evil and he did it all with tact and grace. This is reflected in the complexity of his characters. Sam Vimes – the leader of the Ankh-Morpork City Watch – was obviously inspired by the stereotype of the bitter, alcoholic detective often seen in noir fiction. Pratchett manages to subvert this cliche by exploring it to its fullest extent, going into detail about Vimes's experience as a recovering alcoholic and eventual teetotaller. This frank look at Vimes's alcohol addiction and his efforts to distance himself from it are what lifts him away from the stereotype, making him a much more believable character. And, of course, this is by no means limited to one character. Pratchett's female characters are, quite simply, brilliant. Monstrous Regiment is one of the best depictions of gender and warfare in fantasy fiction – its female characters are so tangibly real that I am always amazed they were written by a male writer. When he wrote Tiffany Aching, the young witch protagonist of his YA Discworld novels, Pratchett was made an honorary Brownie for writing such a realistic little girl as a protagonist. Incidentally, this was what earned him his 'Writer' and 'Booklover' badges..."

https://jowritesstuff.wordpress.com/2018/01/13/why-everyone-should-read-terry-pratchett/

Blogger Wickersham's Conscience offers a tribute to Sir Pterry:

"In the intensely tribal world of science fiction and fantasy, Pratchett was a rock star. There are still regular conventions of his fans in Australia, England and the United States. There are extensive websites that analyze his work. But Pratchett, with sales of tens of millions of books, reached well outside that tribe. His writing skills, intense humanity and gift for humor appealed to a lot of people. The Queen of England was a fan. Elizabeth II awarded him a knighthood; it was Sir Terry Pratchett, MBE, for Pratchett's 'services to literature'. Typically, in his self-deprecating way, Pratchett said he thought his principle service to literature was never claiming to have written any..."

https://wickershamsconscience.wordpress.com/2018/01/12/wcs-annual-tribute-to-his-favorite-author/

Blogger Amy was delighted with The Wee Free Men:

"Terry Pratchett's writing is wonderful and warm. It's incredibly witty and funny, especially the antics of the Nac Mac Feegle (or the Wee Free Men), and it has a charm that all of Terry Pratchett's books have woven into them... The characters are fun and really well written. The Wee Free Men are wonderfully large characters for such small creatures. They wear kilts and speak with Glaswegian accents which I loved. They're loyal, funny, and abrasive. They're always ready for a fight and they're always ready to fight for Tiffany, no matter how large their opponent is. Rob Anybody is their leader but my favourite Feegle in this book is No'-as-big-as-Medium-Sized-Jock-but-bigger-than-Wee-Jock Jock..."

https://warmdayswillnevercease.wordpress.com/2018/01/11/book-review-the-wee-free-men-by-terry-pratchett/

...and with A Hat Full of Sky:

"I loved the plot of this book. Tiffany, now 11-years-old, moves away from the chalk to learn how to become a witch... The Nac Mac Feegle are once again the highlight of this series as they're funny and they have such large personalities... Once again, Terry Pratchett's writing is wonderful. His humour shines through every word, especially when the Nac Mac Feegle claimed that 'pished' means tired instead of what it sounds like. It's a magical book with a genuine warmth to it. I just love Terry Pratchett's witty dialogue and immersive description..."

https://warmdayswillnevercease.wordpress.com/2018/01/12/book-review-a-hat-full-of-sky-by-terry-pratchett/

Blogger Literary Serenity's thoughts on Going Postal:

"Given my awe of Pratchett, I'm grateful to have an opportunity to review the first novel of his that I read: Going Postal, published in 2004. I should note now that Going Postal is one of the later Discworld works (the first being The Color of Magic). But Pratchett's Discworld series is such that most of his stories can stand on their own, without getting the reader lost. The jokes in are funny in the context provided, and don't require turning to earlier writings (which makes them readily accessible). What I have noticed, in helping to guide readers into any particular Discworld novel, is that Pratchett will often introduce new characters (if they are the focus of the narrative) first, and then ease them in among his already established cast of characters (often within the specific city location of Ankh-Morpork)... Going Postal is one of the best examples of Pratchett's ability to create a standalone Discworld, which scratches and teases at a much larger narrative to uncover...

"I've never tended to be a fan of narratives that revolve around characters who are known criminals, yet Moist was at once sympathetic. He clearly took a wrong turn in his life, but he never truly arrogant or cruel. At the post office, Moist has employees, but he soon goes out of his way to befriend them – first from a sense of survival, and then on a more genuine basis. In fact, Moist oftentimes comes across as someone confused, and gradually coming to terms with the impact his actions can have on the world around him; even though he is very much a showman. Of course, showman that Moist is, Pratchett includes a cast of quirk characters who are just as full of personality. The post office employees, Mr. Groat and Stanley are, respectively, a rugged but devoted older gentleman figure and an obsessive (and socially awkward) young man. There is also Adora Belle Dearheart, who heads the Golem Trust (which sees to the rights of the working golems in the city) and many times shines even brighter than any other character in the scenes that feature her. There is also Reacher Gilt, head of the Clacks, who turns more and more into a dark foil for Moist over the course of the proceedings. I should also mention that Lord Vetinari was a joy – and has remained a treat – in every scene he popped up in throughout the narrative, and his interactions with Moist speak volumes for his leadership abilities. He remains focused on making life better for the people under his care, and the city on the whole..."

https://literaryserenityblog.wordpress.com/2018/01/10/book-review-going-postal-by-terry-pratchett/

Blogger acallidryas reviews Mort:

"Mort is, well, not exactly a prequel but it does take place before the other books, with Rincewind of the first book making a brief appearance early in his wizarding career. It is certainly a stand alone book, however, that a person could pick up without fully knowing the world, although having a working knowledge of how exactly the whole thing works what with the world turtle and all does add a certain something. The only mild drawback I'd say is that, by making this a book anyone can drop in on, Pratchett does need to repeat some things. It's not so much a problem that he goes over the same information on the inner workings of Discworld, but he does seem to be overly found of a few phrases, such as how the light moves lazily on the Disc due to the magical field, that are used more than they need to be. But I suppose if one waits more than a week or so between reading his books it wouldn't be as much of a problem. And it's a bit hypocritical of me to complain about this when I was just criticizing a book for going too far in the other direction. And, honestly, what complaints I may have are minimal. Pratchett's skill at weaving a tale, his humor, and his deftness of dealing with what can be grim topics with wit and just a touch-hardly any, really, it doesn't get in the way at all-of compassion is on full display in this book. It's not everyone who can take a story about Death and turn it into a fun book that isn't either too dark or too kitschy or too much of trying to make it be a whole thing and making a statement..."

https://acallidryas.wordpress.com/2018/01/07/mort/

Blogger Bristol Bookworm had one wahoonie of a Pratchett epiphany:

"I have spent about 20 years telling people I don't like Pratchett's writing. Periodically I'd pick one up and give it a try, but it never quite chimed with me. Then a few people convinced me to give it another go, and I ran out of books with only my ereader on me, and spotted Mort (start of the death series) was immediately available. For everyone who over the years has shook their heads at me not liking Pratchett, I apologise. Mort was unputdownably brilliant. I now have Reaper Man on order at the library, only because I am too short on shelf space to buy every Discworld book right now (the long-planned library remodelling will be the subject of a later post)…"

https://bristolbookworm.wordpress.com/2017/12/29/mort-terry-pratchett/

Blogger CHRIS400AD salutes Night Watch:

"Nightwatch has been called one of Pratchett's darkest books, but that isn't necessarily true. The humour that make his books so unique is still there for all to see, and his vivid characters (particularly Reg Shoe, a soon to be zombie and freedom fighter clearly there to represent a left wing opinion in a right-wing Ankh Morpork) are still pride of place within the pages, making it just a special as the rest of the series. Yet what is also there is a distinct comment on society and human nature; that even when you fight for the right thing it is possible to lose. It also highlights the difference between soldiers and policemen; Vimes says that they are 'officers of the law, not soldiers of the government'; and that very much is the message at the heart of this book. The law belongs with the people, the government rule because the people say they should, the law shouldn't protect those in power but rather those without it. It's rather easy to dismiss Fantasy novels as 'not serious', for example in most book shops they are given their own section and not sold in the overwhelmingly large literature section. There has always been a distinction between fantasy and science-fiction and 'real' books. However, I think you'll agree that all of what Nightwatch has to offer is real, even if the setting is not..."

https://verybritishnerds.wordpress.com/2017/12/28/blast-from-the-past-nightwatch/

Blogger Maria H was pleased to discover The Witch's Vacuum Cleaner:

"The stories have a bit of variety of them. Some of them are about crime in a small 2 bicycle town. Some of them involve some form of time travel, or time unraveling in a way that takes you back a few generations. Others involve gnomes or people of even smaller stature. They are all interesting in subject matter... I've read and listened to a lot of the Discworld books, and now I have certain expectations of Pratchett's writing and style. Since these stories were written before Discworld, I don't think they quite lived up to his literary reputation. The subject matter is interesting, but they just aren't as funny as Pratchett usually is. The narrator has pretty smooth and deep voice and I found myself thinking several times that I would love to be tucked into bed right now and just close my eyes and listen until I fall asleep..."

https://contemplateandintimate.wordpress.com/2018/01/03/the-witch-vacuum-cleaner-terry-pratchett/

...and blogger Ashleigh Meikle reviews Father Christmas's Fake Beard:

"As the first Terry Pratchett I've read, Father Christmas's Fake Beard was a delightful one to start with. In a series of stories appearing together for the first time in the same collection, Father Christmas's Fake Beard gives the Christmas holiday a sense of whimsy and humour that differs from so many other Christmas stories we know and love. Within these stories, the treasured and much-loved Christmas icons have been used by Pratchett in new and inventive ways to create entertaining Christmas stories, from a story about Father Christmas's Fake Beard, told in a series of memos between the store he works at, him and those in charge, to a story about the Twelve Gifts of Christmas, based around the song, where a Prince finds a way to give a Princess twelve different gifts, and finally, a story about Father Christmas trying to find a job to do during the other months of the year he's not delivering gifts over Christmas. Aimed at children, these stories can be enjoyed by all ages, as each reader and age group will connect with these and the meanings will be different to everyone. Being able to see the hints and nods to traditional Christmas and other aspects within the stories was enjoyable..."

https://ashleighmeikle.com.au/2017/12/26/father-christmass-fake-beard-by-terry-pratchett/

Blogger Andrea Pawley relates her visit to Terry Pratchett: HisWorld:

"Halfway through my first attempt to read Monstrous Regiment in 2005, I wouldn't have been able to predict I'd make a special trip to Salisbury to see the Hisworld exhibit. I also wouldn't have been able to predict I'd have to think about whether Terry Pratchett had become my all-time favorite author... The exhibit included at least a hundred of Pratchett's personal items surrounded by many Paul Kidby and Josh Kirby Discworld paintings, Pratchett quotes-galore and a room-sized replica of Sir Terry's office. The author's signature black hat, leather jacket and skull-topped walking stick were on display as was the meteorite-infused sword he forged himself. His original Imperial 58 typewriter also got a place of honor in the museum. Unexpectedly, my favorite exhibit item from long before the first Discworld book was published. It was a November 24, 1967 letter from J.R.R. Tolkien. Apparently, few people at the time of the phenomenal success of Lord of the Rings were writing Tolkien that their favorite book of his was Smith of Wooton Major. Nineteen-year-old Pratchett had done just that, and Tolkien wrote back. History, indeed! I was surprised by how much tenderness defined the exhibit. That's a feeling I'm not accustomed to in a museum. But the people who put together Terry Pratchett: Hisworld actually knew the man..."

https://andreapawley.wordpress.com/2017/12/02/terry-pratchett-hisworld-at-the-salisbury-museum/

...and finally, blogger The Past Due Book Review returns with loads of love for Lords and Ladies:

"There is great tension in Lords and Ladies; when Magrat is being chased by elves, it is akin to a horror novel with suspense built in. Then a wonderful reversal occurs after Magrat sees a warrior queen's portrait and finds her armor (or armour). It is this realization (or realisation) that allows her to take up the mantle of queen since she learns that being a dainty figurehead isn't the only option... I was genuinely surprised by the way that Pratchett takes the idea of elves and turns them on their malevolent little heads. There is a shift in tone when the elves enter the fore and some high stakes come into play, which is what I have been waiting for in the witch books. Lords and Ladies maintains Pratchett's whimsical voice, but is able to delve into the dark when necessary without undoing the general themes and plot. I typically enjoy Pratchett's work, but this was one that soars above in its execution..."

https://thepastduereview.com/2017/12/20/lords-and-ladies-review/

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08) IMAGES OF THE MONTH

Here, have a beautiful orangutan iconograph, taken in XXXX by Tony Gough, to start your year:
https://pbs.twimg.com/media/DSxkKRGU8AIXUv0.jpg:large

Paul Kidby, ready to say goodbye to the Terry Pratchett: HisWorld and Paul Kidby's Enchanted Realm exhibits, from his Twitter account:
https://pbs.twimg.com/media/DTLDtvjWkAAzsNI.jpg

...and here he is, making a shed:
https://pbs.twimg.com/media/DT5kv4_W0AAodG8.jpg

A Megapode and a Cunning Artificer, as tweeted by @MegapodeHunt:
https://pbs.twimg.com/media/DSyJlm4XcAEJzXA.jpg

An interesting warning notice, as posted by Sebastian Barwinek (@BarwinekFolk) on Twitter:
https://pbs.twimg.com/media/DTcixBXX4AACtLV.jpg

A certain famous witch-and-midwife has dropped in to the Ankh-Morpork Consulate! As posted by the Discworld Emporium:
https://pbs.twimg.com/media/DTmLe_xWAAELVjY.jpg

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09) CLOSE

...and that's it for January. Take care, and we'll see you next month!

– Annie Mac


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The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

Copyright (c) 2018 by Klatchian Foreign Legion
wossname: A Clacks rendering of GNU Terry Pratchett (GNU)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2017 (Volume 20, Issue 1, Post 1)


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WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Mss C, Alison not Aliss
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)

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INDEX:

01) QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) ODDS AND SODS
04) NEW DOCUMENTARY! AND GOOD OMENS TELLY SERIES!
05) DISCWORLD PLAYS NEWS
06) DISCWORLD MEETING GROUPS NEWS
07) DISCWORLD ARTS AND CRAFTS NEWS
08) DISCWORLD CONVENTION NEWS
09) AROUND THE BLOGOSPHERE
10) IMAGES OF THE MONTH
11) CLOSE

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01) QUOTES OF THE MONTH

"Here you go. This is what we were working on last year and – more importantly – the last few months of Terry's life."
– the @terryandrob Twitter account announces the new documentary

"Almost 30 years ago Terry Pratchett and I wrote the funniest novel we could about the end of the world, populated with angels and demons, not to mention an 11 year-old Antichrist, witch-finders and the four horse-people of the Apocalypse. It became many people's favourite book. Three decades later, it's going to make it to the screen. I can't think of anyone we'd rather make it with than BBC Studios, and I just wish Sir Terry was alive to see it."
– Neil Gaiman on the forthcoming Good Omens telly series

"With help from literary figures such as Neil Gaiman and Val McDermid, the poignant and humorous documentary Terry Pratchett: Back In Black tells the remarkable tale of this brilliant and original author, from troubled schooldays to being knighted by the Queen. Using an actor (Paul Kaye) to voice the words of Terry Pratchett in uncanny character, the resulting documentary film is by turns surreal, witty and unexpectedly poignant."
– the BBC Mediacentre

"There is almost no subject that Terry Pratchett hasn't explained better, funnier and more times than just about anyone else on the planet."
– journalist Katherine Trendacosta, on Gizmodo

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02) LETTER FROM YOUR EDITOR

Well, we made it to 2017. Happy Roundworld New Year and Year of the Backwards Facing Artichoke to you all – and happy twentieth anniversary for Wossname!

If you read the news (and I imagine pretty much everyone is at the moment), it's certainly clear we're living in (coughs) interesting times, but as this is a Pratchett newsletter the only politics likely to be discussed here belong to Ankh-Morpork and its Disc-wide relations. I will go so far as to say that the wisdom and perspicacity Sir Pterry gave us through his writing has never been needed in certain quarters as badly as it is now, and encourage Pratchett readers in (coughs) certain quarters to keep spreading the "stealth philosophy" and humanistic messages we know and admire in his novels... However, there is some exciting Pratchett news and Wossname is happy to announce it: a new documentary airing in less than a fortnight, and a confirmation that the Good Omens telly series is going ahead with a planned release for next year.

Right, on with the show!

– Annie Mac, Editor

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03) ODDS AND SODS

3.1 JOSH KIRBY DISCWORLD ART NEWS

For Kirby fans, some very promising news about Discworld art prints:

"We are excited to announce that we'll soon be releasing pre-sale information for Limited Edition Josh Kirby Discworld fine art prints. These will be unlike any others you've seen in the past. We're meticulously testing paper options and printers to find the best option for our exacting demands. They will be numbered, signed and certified by the estate and ready for collecting or framing. In the meantime if you haven't chosen your favourite Discworld phone case, head over to our online store to whet your appetite. Stay tuned for more information and thank you so much for being a part of the Josh Kirby Universe!"

http://www.joshkirbyart.com

3.2 SOME VERY USEFUL QUOTATIONS

Mainly for the benefit of dwellers in (coughs) certain quarters, but of no less interest to all Roundworld, Gizmodo offers an intelligent list of "10 Discworld Quotes You'll Desperately Need For The Next Four Years" – including quotes from Vetinari, Vimes, Tiffany Aching and others. Some examples:

"6) There are, it has been said, two types of people in the world. There are those who, when presented with a glass that is exactly half full, say: this glass is half full. And then there are those who say: this glass is half empty. The world belongs, however, to those who can look at the glass and say: What's up with this glass? Excuse me? Excuse me? This is my glass? I don't think so. My glass was full! And it was a bigger glass! And at the other end of the bar the world is full of the other type of person, who has a broken glass, or a glass that has been carefully knocked over (usually by one of the people calling for a larger glass), or who had no glass at all, because they were at the back of the crowd and had failed to catch the barman's eye. – The Truth

"The world belongs to the entitled, who somehow not only avoid blame, but avoid being included in the proverbs.

"7) 'The secret is not to dream,' she whispered. 'The secret is to wake up. Waking up is harder. I have woken up and I am real. I know where I come from and I know where I'm going. You cannot fool me anymore. Or touch me. Or anything that is mine.' – Tiffany Aching, The Wee Free Men

"Pratchett followed this by saying that you can't be 'awake' all the time, that we dream because seeing everything as it really is would break us. And that explains why people complain when their 'escapism' touches on truths..."

[There are, of course, an uncountable number of other appropriate Pratchett quotes for our times, but this one's a well-chosen selection. – Ed.]

http://bit.ly/2kd41TV

3.3 THE OTHER DARK MORRIS

As always, there was wassailing in the depths of winter:

"Members of the Leominster Morris have celebrated the ancient custom of wassailing, said to prepare orchards for the new year, blessing trees with a good crop and frightening away evil spirits. Morris dancers and mummers led a procession to an orchard near Tenbury Wells, Worcestershire, to perform the ceremony, which involves placing a cider-soaked piece of Christmas cake on the branches of an apple tree and sprinkling cider around its roots, dancing and singing the Wassail Song. The term Wassail comes from the Anglo-Saxon phrase 'waes hael', and, originally, the wassail was a drink made with mulled ale and passed round in the communal wassail cup. Traditionally, wassailing was on Old Twelfth Night, 17 January, but nowadays it is often earlier in line with the Gregorian calendar."

(contains many excellent iconographs!)

http://www.bbc.com/news/in-pictures-38517447

In other Morris news, a Chelmsford side is calling for would-be Morrisers:

"A decades-old Morris dancing group says it desperately needs 'fit, mildly eccentric men' to join in order to keep going. Chelmsford Morris was founded in 1972 and currently has about 30 members. However, the vast majority of members are now women and some male members are expected to retire soon. Club bagman Celia Kemp said the the situation meant 'the men of Chelmsford Morris may have to stop dancing in 2017 because of a shortage of dancers'. 'The women's side is doing really quite well,' she said. 'They are going from strength to strength. But we really need some younger people to join. We have nine grown up sons between us and none of them have taken up Morris dancing. We would like people who have perhaps got fed up with the gym and who want to try something new – it is also such a good social life. Eccentricity is not a requirement but is usually the definition of a Morris dancer.'..."

http://www.bbc.com/news/uk-england-essex-38663448

3.4 SIR PTERRY HONOURED IN SCIENCE FICTION HALL OF FAME

On the Locus Magazine website:

"The Museum of Pop Culture (MoPOP) announced the 2016 inductees to the Science Fiction and Fantasy Hall of Fame. Eligibility has been expanded 'to recognize the genre's most impactful creations,' and the 2016 inductees are authors Terry Pratchett and Douglas Adams, along with Star Trek and Blade Runner.

http://www.locusmag.com/News/2017/01/2016-sff-hall-of-fame-inductees/

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04) NEW DOCUMENTARY! AND GOOD OMENS TELLY SERIES NEWS

4.1 "TERRY PRATCHETT: BACK IN BLACK" ON YOUR TELLY!

The "fourth instalment in the Terry Pratchett trilogy" of documentaries will be broadcast on BBC2 on Saturday, 11th February!

As announced in the Radio Times, by Ben Dowell:

"The BBC is making a documentary about the late writer Terry Pratchett in which his words will be read in character by actor Paul Kaye. Terry Pratchett: Back In Black is told in Pratchett's own words, with contributions from authors Neil Gaiman and Val McDermid, and his long-serving assistant Rob Wilkins. Kaye's impression of Pratchett is said to be 'uncanny' according to the BBC. The programme, which airs on BBC2 later this year, will follow his life from his troubled schooldays, to being dismissed by literary critics, to the remarkable creation of the Discworld series of fantasy novels, which have since sold over 85 million copies worldwide. It will also chronicle Pratchett's battle with Alzheimer's and his death in 2015. 'The documentary film is, by turns, surreal, witty and unexpectedly poignant,' the BBC said in a statement. 'Knighted by the Queen, adored by millions of fans and with a legacy of 41 much loved novels – Terry Pratchett is still having the last laugh.'"

http://www.radiotimes.com/news/2017-01-12/bbc-reveal-plans-for-poignant-new-terry-pratchett-documentary

And on the BBC's news website:

"A 'humorous documentary' about the late fantasy author Sir Terry Pratchett has been commissioned by BBC Two. Terry Pratchett: Back in Black will tell his story in his own words, with comedian Paul Kaye voicing the writer. 'Terry wanted to... write the story of his life as a writer but he never got around to it,' said Mark Bell, head of commissioning for BBC Arts... The film, to air on BBC Two later this year, will feature contributions from authors Neil Gaiman and Val McDermid. Rob Wilkins, the writer's long-serving assistant, said they had been working on the documentary during 'the last few months of Terry's life'. Wilkins said the film would follow the 'trilogy' of TV documentaries Sir Terry made between 2009 and 2013..."

http://www.bbc.com/news/entertainment-arts-38601542

...and in the Bucks Free press, where the young Pratchett started his career in Writing Things Down:

"BBC crews descended on the Bucks Free Press offices in Station Road, Loudwater, to film parts of the new documentary in September last year. In the scenes, Paul Kaye as Sir Terry is sat at his typewriter, surrounded by piles of papers while the BFP’s current reporters work in the background..."

http://bit.ly/2jWeYXk

From the Press Association, via the Irish Independent:

"The Discworld author was working on his own life story before he died in 2015, but Alzheimer's meant that he was not able to finish it. Now Terry Pratchett: Back In Black will tell the writer's story in his own words, with comedian and actor Paul Kaye voicing the writer... Sir Terry's books sold millions of copies worldwide and were translated into more than 30 languages. He completed his last book – set like so many of his best-sellers in Discworld – a year before his death. Towards the end of his life, he used his fame and wealth to campaign for a greater awareness of dementia and assisted dying. Mark Bell, head of commissioning for BBC Arts, said: 'Terry wanted to effectively write the story of his life as a writer but he never got around to it because his bad health intervened. This was an attempt to say, here's a way of bringing his life as a writer to life. We got Paul Kaye to say Terry's words. It's quite bold and the family saw it and were moved I think. It's a sweet film.'"

http://bit.ly/2jfDyoZ

From William Hughes, on the AV Club:

"Best-selling fantasy author Terry Pratchett didn't shy away from his own mortality. After being diagnosed with Alzheimer's Disease in 2007, the beloved Discworld author continued to write and work, even filming three somewhat grimly titled TV documentaries – Living With Alzheimer's, Choosing To Die, and the conservation-themed Facing Extinction – before his death in 2015. Now, the BBC is working to celebrate Pratchett's life, announcing a new, humor-laden documentary titled Terry Pratchett: Back In Black. The name, presumably, is a reference to Pratchett's frequently single-color wardrobe, while the film itself will feature a large amount of footage that was shot specifically for the production in the months before his death. British actor Paul Kaye will give voice to Pratchett's comic musings, as the doc attempts to capture the warmth, humor, and humanity that Pratchett infused into each of his more than 70 novels..."

http://www.avclub.com/article/bbc-making-new-terry-pratchett-documentary-248353

...and from the Penguin Classics website:

"If, like us, you can't wait to see Paul Kaye in action as Pratchett, you can catch a glimpse of him in the BBC's Cultural Highlights of 2017. Click below and skip to 01:35..."

http://classics.penguin.co.uk/c/1ujjmu7fbxqi4uIspWdnxMwVU

4.2 GOOD OMENS, ALSO ON YOUR TELLY!

Exciting news for Good Omens fans [Surely that's all of us – Ed.] – the Good Omens miniseries will be coming to the small screen next year, on the BBC and – for USA viewers – on Amazon Prime. Roll on, Lower Tadfield!

The announcement, on Discworld.com:

"Narrativia are delighted to announce their first major television Co-Production with BBC Studios and Neil Gaiman's Blank Corporation. The series will be broadcast in 2018 by Amazon Prime Video and the BBC. BAFTA-winning producers and Narrativia Directors Rob Wilkins and Rod Brown are to Executive Produce the project.

"Rob Wilkins said, 'Development began back in 2011 when Terry was still very much part of the process and we are thoroughly delighted that Neil has written six absolutely brilliant episodes that bring their novel to life. Terry would be thrilled.'

"Rod Brown added 'Narrativia was founded in 2012 by Sir Terry himself, with a mission statement to seek out co-production partners and broadcasters who not only had the vision to "get" Terry's (and in this case Neil's) tone of writing and storytelling, but also to have the financial ability to present his work with no compromise of scale or talent and at the highest possible quality, whatever medium we were working in. This TV production announcement, especially as it is one of a number of exciting projects we have in the pipeline, delivers on Terry's vision, as did our other recent announcement of our partnership with The Jim Henson Company on the Wee Free Men film project to be written by multi award-winning Rhianna Pratchett. We know that Good Omens, with its wonderful script written by the legendary Neil Gaiman, and the talent we are working with at Amazon and the BBC will be one the must-see shows of 2018!'"

To view online, go to http://bit.ly/2iYd5dQ

http://narrativia.com/

From Penguin Classics:

"Hot on the heels of the BBC's announcement of a new Pratchett documentary, comes an update on BBC Studios' Good Omens adaptation. The six-part comedy series will be adapted for television by Terry's co-author on the book, Neil Gaiman. The series will be broadcast on the BBC and Amazon Prime in 2018. Spanning not only the universe but also the entirety of time... this is a story that may be the largest ever told on television. We're excited to be working with BBC Studios to bring Neil and Terry Pratchett's incredible book to life."
– Joe Lewis, Head of Comedy and Drama (Amazon Studios)

"Good Omens has always been one of my favourite books, and it's hugely exciting not just to be able to bring it to life, but to do so with scripts from Neil Gaiman himself. It feels like a good time to be making a comedy about an impending global apocalypse."
– Chris Sussman, Head of Comedy (BBC Studios)

In The Guardian:

"Gaiman, who is also serving as showrunner on the series, has written all six one-hour episodes. The show, which has been co-produced with BBC Studios, will premiere in 2018 on Amazon's streaming service Prime Video, and will be broadcast on the BBC in the UK soon afterwards..."

http://bit.ly/2jyOM6N

On film site Joblo:

"A proper adaptation of GOOD OMENS has been in the works for quite some time. The show will be co-produced by BBC Studios with Narrativia, which is the production company of the late Terry Pratchett's daughter, Rhianna. Joining them in the production efforts of bringing this apocalyptic odyssey to life will be Blank Corporation and BBC Worldwide for Amazon Video and the BBC... Gaiman, along with Caroline Skinner, and Chris Sussman will act as executive producers on the project for BBC Studios – with Rob Wilkins and Rod Brown for Narrativia. In addition to the show's exclusive launch on Amazon Prime's streaming service, GOOD OMENS will also receive a BBC broadcast in the UK..."

http://www.joblo.com/movie-news/amazon-finally-brings-neil-gaiman-and-terry-pratchetts-good-omens-to-screen-237

...and likewise in numerous other places including the Hollywood Reporter (_http://www.hollywoodreporter.com/news/amazon-adapting-neil-gaimon-terry-pratchett-novel-good-omens-comedy-series-965892_), comicbook.com (_http://comicbook.com/2017/01/20/terry-pratchett-neil-gaiman-good-omens-amazon/_), Geeks of Doom (_http://www.geeksofdoom.com/2017/01/24/tv-series-gaiman-pratchett-good-omens_), and many more.

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05) DISCWORLD PLAYS NEWS

5.1 PLAYS IN JANUARY AND FEBRUARY 2017

* MONSTROUS REGIMENT IN SOUTHAMPTON (JANUARY/FEBRUARY)

The Nuffield Southampton Theatre will present their production of Monstrous Regiment starting at the end of this month!

When: 31st January–4th February 2017
Venue: NST (Nuffield Southampton Theatres), University Road, Southampton SO17 1TR
Time: 7.30pm all shows
Tickets: £13 (concessions £10, under-16s £8, groups of 10 or more £10), available from the Box Office (phone 023 8067 1771) or online at https://www.nstheatres.co.uk/whats-on/monstrous-regiment/book

Note: there is a special 2-for-1 student offer on the Wednesday only.

https://www.nstheatres.co.uk/whats-on/monstrous-regiment

* TAMAHER IN CARDIFF (FEBRUARY)

Heading into their fifth year of staging Discworld plays, Monstrous Productions' next offering is The Amazing Maurice and his Educated Rodents:

"Rats! They disarm the traps, widdle in the flour and charge a very reasonable price to leave town. That isn't how it's supposed to go of course, but then these are no ordinary rats. They are the Changelings, a group of rats who became smart after eating off a magical rubbish heap. With the guidance of the streetwise alleycat Maurice, the Changelings now run a very profitable business posing as a fake plague in unsuspecting towns. All they needed was stupid-looking kid with a pipe who leads them all out of town, for a fee…

"That is; until one last job in Bad Blintz, a starving town with a serious rat problem. They soon realise that this town is not quite as it seems and something darker is hiding underneath. Remember, there are bad things in the Dark Wood... Monstrous Productions have been bringing Terry Pratchett to the stage in Cardiff since 2012. After donating over £20k to Alzheimer's Research UK, Maurice is a new project for them, with all proceeds being donated to the Forget-me-not choir, a local choir for people with dementia and their families. Join them for an evening of storytelling, puppetry and live music."

When: 22nd–25th February 2017
Venue: The Gate Theatre, Keppoch Street, Roath, Cardiff CF24 3JW
Time: 7.30pm (2.30pm matinee on the 25th)
Tickets: £7 (£5 concession), available from http://monstrousproductions.fikket.com/

http://monstrousptc.com/

* MORT IN OREGON (FEBRUARY)

The Majestic Theatre in Corvallis, Oregon, USA will be staging their production of Mort in February.

"DEATH is always right behind us. But if he were in front of us, and this were the fantastical Discworld invented by the late Sir Terry Pratchett, Death would also be a seven-foot skeleton with a black robe and a scythe. And when Death is in front of young Mort, he also has an offer of an apprenticeship. In this hilarious overview of life, love, and death (not in that order), Mort finds himself living in Death's abode, but when he finally gets a chance to do the job, his mistakes cause reality to be sliced in half, with a beautiful princess somewhere between life and death and not very happy about it. Surrounded by panicked wizards, arrogant royalty, goofy drunks, and short-order chefs, Mort and Death must confront their own fears in order to restore order, and figure out who lives, and who's fired!"

When: 10th, 11th, 12th, 16th, 17th, 18th and 19th February 2017 (performances on the 12th and 19th are matinees)
Venue: Main stage, The Majestic Theatre, 115 SW 2nd Street, Corvallis, OR 97333
Time: 10th, 11th, 16th, 17th and 18th February at 7:30pm; 12th and 19th February at 2:30pm
Tickets: $16 (students and "seniors" $14), available online at https://app.arts-people.com/index.php?actions=13&p=1 or from the Box Office (phone 541-738-7469).
Box Office Hours: 12:00pm – 5:00pm, Wednesday – Friday during periods of active production. The Box Office is also open 75 minutes before all performances.
Please note that there will be no late seating.

http://www.majestic.org/


5.2 PLAYS IN MARCH 2017

* CARPE JUGULUM IN NOTTINGHAM (MARCH)

The Lace Market Youth Theatre present Carpe Jugulum, "a pastiche of vampire literature playing with mythic archetypes and featuring a tongue in cheek reversal of 'vampyre' subculture with young vampires who wear bright clothes, drink wine and stay up till noon", in March.

When: 22nd–25th March 2017
Venue: The Lace Market Theatre, Halifax Place, Nottingham NG1 1QN
Time: 7.30pm all evening shows; 2.30pm Saturday 25th matinee
Tickets: £11 (£10 concessions), available online at http://bit.ly/2dIKhod or by phoning 0115 950 7201

https://lacemarkettheatre.co.uk/LaceMarketTheatre.dll/WhatsOn

* WYRD SISTERS IN BOLTON, LANCS (MARCH)

Bolton Little Theatre, "a vibrant amateur theatre company run by members" since 1931, will be staging their production of Wyrd Sisters in March.

When: 6th–11th March 2017
Venue: Bolton Little Theatre, Hanover Street, Bolton BL1 4TG
Time: 7.30pm
Tickets: £10 (Monday night 3 for 2 special), available at https://www.ticketsource.co.uk/boltonlittletheatre or https://www.ticketsource.co.uk/event/EFILHL – group bookings of 10+ (£9) should be booked through the Box Office. "You can book at Bolton Little Theatre box office in person or by telephone on Monday night from 7.30 to 9pm and Friday mornings from 10.30 to 12 noon – no extra charge if paying by cash or cheque and you can book during the run of the plays or you can book online at boltonlittletheatre.ticketsource.co.uk ...credit card charges will apply. Tickets can be e-tickets (no charge) mobile phone ticket (50p) standard post (£1.50)."

http://www.boltonlittletheatre.co.uk/terry-pratchetts-wyrd-sisters/


5.3 PLAYS LATER IN 2017

* MASKERADE IN BERKSHIRE (MAY)

The Newbury Dramatic Society will stage their production of Maskerade, directed by John Hicks (possibly with the help of a skull ring?), in May: "In the Ankh Morpork Opera House, a strangely familiar evil mastermind in a mask and evening dress is lurking in the shadows. He lures innocent young sopranos to their destiny, commits occasional murder, and sends little notes full of maniacal laughter and exclamation marks. Opera can do that to a man. But Granny Weatherwax, the Discworld's most famous witch, is in the audience and she doesn't hold with that sort of thing... and the show must go on!"

When: 17th–20th May 2017
Venue: Watermill Theatre, Bagnor, Newbury, Berkshire RG20 8AE
Time: 7.30pm Wednesday to Friday, 6.30pm Saturday
Tickets: £12.50 (£12 concessions), available online at https://www.watermill.org.uk/maskerade#dates-ttab or ring the Box Office on 01635 46044

https://www.watermill.org.uk/maskerade

* LORDS AND LADIES IN BRISBANE (SEPTEMBER–OCTOBER)

Brisbane Arts Theatre will be presenting their next Discworld play, Lords and Ladies – adapted by Irana brown – next September!

"Granny Weatherwax and Nanny Ogg – the witches of Lancre – are the Discworld's only hope of rescue when elves threaten to take control with their hypnotic 'glamour'. Standing stones, wizards, Morris men, rude mechanicals, country lore and ancient magic all combine in this adaptation of one of Sir Terry's finest. With a full supporting cast of dwarves, wizards, trolls and one orangutan, the hilarious Lords and Ladies delivers an abundance of hey-nonny-nonny and blood all over the place."

When: 16th September – 21st October 2017
Venue: Brisbane Arts Theatre, 210 Petrie Terrace, Brisbane, QLD 4000
Time: 7.30pm Thursdays, 8.00pm Fridays & Saturdays, 6.30pm Sundays
Tickets: Adults $34, Concession $28, Group 10+ $27, Student Rush $15 (10 mins before curtain), available online at
http://sa2.seatadvisor.com/sabo/servlets/TicketRequest?&presenter=AUBAT&event=LANDL

"Subscribers can redeem season tickets for this show. There are no refunds or exchanges once tickets have been purchased."

http://www.artstheatre.com.au/show/lordsandladies

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

06) DISCWORLD MEETING GROUPS NEWS: UPDATES AND REMINDERS

The Broken Drummers, "London's Premier Unofficially Official Discworld Group" (motto "Nil percussio est"), meets next on Monday 30th November 1999 (according to their website this week) or more likely on Monday 6th February 2017 at the Monkey Puzzle, 30 Southwick Street, London, W2 1JQ.

For more information, go to http://brokendrummers.org/ or email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk

*

Canberra, Australia's Discworld fan group is Drumknott's Irregulars: "The group is open to all, people from interstate and overseas are welcome, and our events will not be heavily themed. Come along to dinner for a chat and good company. We welcome people from all fandoms (and none) and we would love to see you at one of our events, even if you're just passing through. Please contact us via Facebook (_https://www.facebook.com/groups/824987924250161/_) or Google Groups (_https://groups.google.com/forum/#!forum/drumknotts-irregulars_) or join us at our next event."

*

For Facebook users in Fourecks: The Victorian Discworld Klatch is "a social group for fans of Discworld and Terry Pratchett... run by a dedicated team who meet monthly and organise events monthly." "If you'd like to join our events please ask to join the Klatch."

https://www.facebook.com/groups/VictorianDiscworldKlatch

*

"The Gathering of the Loonies (Wincanton chapter)" is a public Facebook meeting group: "This group, by request of Jo in Bear will continue to be used for future unofficial (not run by the Emporium) fan Gatherings in Wincanton. Look here for information." [Editor's note: this is an active group. If you use Facebook, it may be worth joining!]

https://www.facebook.com/groups/373578522834654/

*

The Pratchett Partisans are a fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett. We hold events such as Discworld dinners, games afternoons, Discworld photo scavenger hunts. We also attend opening night at Brisbane Arts Theatre's Discworld plays." The Partisans currently have about 200 members who meet at least twice a month, usually in Brisbane.

For more info about their next meetup, join up at https://www.facebook.com/groups/pratchettpartisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods is a group for fans in Adelaide and South Australia: "We have an established Terry Pratchett & Discworld fan group in Adelaide called The City of Small Gods, which is open to anyone who would like to come - you don't have to live in Adelaide or even South Australia, or even be a Discworld fan, but that's mostly where our events will be held, and we do like discussing Pratchett's works. Our (semi-) regular meetings are generally held on the last Thursday of the month at a pub or restaurant in Adelaide. We have dinner at 6.30pm followed by games until 9pm. The games are usually shorter games like Pairs, Sushi Go, or Tiny Epic Defenders, with the occasional Werewolf session, as these are the best sort of games that work in a pub setting. Every few months, we have a full day's worth of board games at La Scala Cafe, 169 Unley Rd, Unley in the function room starting at 10am. In addition, we will occasionally have other events to go and see plays by Unseen Theatre Company, book discussions, craft, chain maille or costuming workshops or other fun social activities."

The next CoSG event will be the Monthly Dinner and Games at the Caledonian Hotel on 23rd February. For more info, go to www.cityofsmallgods.org.au

*

The Broken Vectis Drummers meet next on Thursday 2nd February 2017 (probably) from 7.30pm at The Castle pub in Newport, Isle of Wight. For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) next meets on Friday 3rd February 2017 (probably) at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005. The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles. Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder) meet next on Monday 6th February 2017 at 6.30pm in Sydney at 3 Wise Monkeys, 555 George Street, Sydney,2000. For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

The Treacle Mining Corporation, formerly known as Perth Drummers, meets next on Monday 6th February 2017 (probably) from 5.30pm at Carpe Cafe, 526 Murray Street, Perth, Western Australia. For details follow Perth Drummers on Twitter @Perth_Drummers or join their Facebook group: https://www.facebook.com/groups/Perth.Drummers/ – or message Alexandra Ware directly at <alexandra.ware@gmail.com>

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07) DISCWORLD ARTS AND CRAFTS NEWS

7.1 DISCWORLD EMPORIUM UPDATES

"We're back in business! The Discworld Emporium has re-opened after our festive break and shipping has now resumed, so if you placed an order over the holidays your Discworld goodies will be with you very soon. For our opening times and how to find us please check our VISIT US guide."

https://www.discworldemporium.com/content/7-visit-us

"Lots of Discworld bits and bobs sold out in the run up to Hogswatch, so we're working hard to replenish stock as soon as we can. If there's an item you've been lusting after, head to the product's page on our website where you can sign up for a restock alert, and we'll send you an email as soon as the item is added back on our site."

Some choice bits:

* Create Your Own Discworld Adventure roleplaying game!

"Will you battle Barbarians in the frozen wastes of the Hubland Steppes? Will you visit with Vetinari, meet a sticky end in the Shades or penetrate the Seamstresses' Guild? Gather with friends and fellow fans for an immersive escapade around Discworld from the safety of your own home with the Discworld Roleplaying Game!

"Brought to you by Steve Jackson (of Munchkin fame), this is a complete roleplaying game book containing full rules for GURPS (Generic Universal Roleplaying System) along with a wealth of hilarious reference material from the Discworld canon. Containing 408 pages written by Terry Pratchett and Phil Masters with illustrations by Paul Kidby and Sean Murray, this hefty tome is for seasoned roleplayers, but can also enjoyed as an introductory roadmap through Discworld!"

Each Discworld Roleplaying Game set is priced at £33, but note the following (very) recent announcement:

"BUGGRIT! IT'S A SELL OUT! WE'RE DOING OUR BEST TO ACQUIRE MORE STOCK ASAP. FEEL FREE TO SET A RESTOCK NOTIFICATION ON THIS PAGE TO KEEP UPDATED."

For more information, and to order (eventually), go to
https://www.discworldemporium.com/home/348-discworld-roleplaying-game

* The Hat!

"Official sterling silver 'hat' pin featuring Terry Pratchett's iconic accessory -the legendary millinery of a literary mastermind! Terry Pratchett's famous black hat has been beautifully recreated in miniature by Birmingham's finest jewellers, and finished with a sleek dark patina. This symbolic badge of brilliance can be proudly worn on a lapel, scarf, or your own marvellous millinery to display your authorial affiliation! If you look closely, you'll notice that each pin is carefully and minutely inscribed on the back with Terry's motto 'Mind how you go'."

Each Terry Pratchett's Hat silver pin badge is priced at £28.50, measures approximately 12 x 10mm, includes a silver locking fastener and is presented in a Discworld Emporium gift box. For more information, and to order, go to
https://www.discworldemporium.com/jewellery/337-terry-pratchett-s-hat-silver-pin-badge

* The Discworld Gift Voucher!

"Indulge your fellow Discworld fans with a Discworld Emporium Gift Voucher! Nothing says 'I love you' like a thoughtful, personal gift. Failing that, give them a voucher so they can get themselves what they really want!

"Our vouchers allow you to choose a design and amount, and whether to print at home to present in person, or send directly to the recipient via email. Email vouchers can also be programmed to send on a specific date – never miss a birthday, Hogswatch or wedding gift again!

"Please Note: Vouchers can be spent in our online store only and are valid for 12 months. At this time, vouchers are not valid for use on postage or delivery costs, recipients will be required to pay for postage at checkout. The recipient may need to check their junk folder if their voucher doesn't turn up when expected."

There is a choice of four Gift Voucher designs (Mr. Fusspot, Royal Bank of Ankh-Morpork, Great A'Tuin or Happy Hogswatch). Once you have nominated your chosen design, you can specify the amount of the voucher and the method of delivery (print at home or send by e-mail).

For more information, and to order, go to
https://www.discworldemporium.com/module/giftcard/choicegiftcard

* The Ankh-Morpork Passport!

"Issued exclusively by The Ankh-Morpork Consulate here at the Discworld Emporium in Wincanton, each passport is individually numbered by letterpress and pre-endorsed ready for you to fill in as imaginatively as you wish. Contains vital information on prohibited goods, currency and work permits along with immigration stamps from around the Disc along with space for stamps should you visit the Discworld Emporium in person, or any other place that is silly enough to stamp your passport."

Each Discworld Passport measures 100 x 140mm and is priced at £10. For more information, and to order, go to
https://www.discworldemporium.com/diplomas-documents/209-ankh-morpork-passport

* New stamps!

"Introducing the New Definitive issues from the Ankh-Morpork Post Office. Six iconic issues from the Ankh-Morpork Post Office as designed by Moist Von Lipwig himself ...and the famous Cabbage Field 50p! Traditionally printed on authentic gummed stamp paper, the definitive issues make their debut in the first Little Brown Envelope (_https://www.discworldemporium.com/42-little-brown-envelopes_) of the year, The Definitive Artichoke LBE, available NOW!"

https://www.discworldemporium.com/42-little-brown-envelopes

To view the lot, and much more, go to www.discworldemporium.com


7.2 DISCWORLD.COM UPDATES

For the Discworld fan with deeper pockets...

* The Unseen University hoodies!

Unseen University Crest (£25 – £28):

"This grey marl hoodie features the crest and motto of Ankh-Morpork's Unseen University. 'Can't have a bunch of grocers and butchers telling a university how to run itself, Stibbons!' Ridcully said firmly. 'Thank them for their interest and tell them we'll continue to take one hundred per cent of complete and utter dullards, as usual. Take 'em in dull, turn 'em out sparklin', that's always been the UU way!'

"This is a classic hoodie. Please ensure chest size is correct when ordering. For this design we use AWDis Hoodies which are 280gsm in weight. They have a double-fabric hood with self-coloured draw cord, front pouch pocket, ribbed hem & cuffs and set in sleeves. Twin needle stitching detail to armholes, hems & cuffs. 80% cotton / 20% polyester."

Available sizes go from Small (36″ chest) to 5XL (62″/64″ chest).

http://discworld.com/products/bags-clothing/unseen-university-crest-hoodie/

Unseen University hoodie (£28):

"Unseen University is the premiere school of wizardry in Ankh-Morpork, founded in the year 1282 AM (1 UC) by Alberto Malich the Wise. Located in the city of Ankh-Morpork, the UU is staffed by a faculty of fascinating characters, and you can show your allegiance now with this classic hoodie."

http://discworld.com/products/bags-clothing/1987/

Bugarup University hoodie (£28):

"These hoodies come straight from the premiere seats of learning on Discworld. Wear yours with pride."

http://discworld.com/products/bags-clothing/bugarup-university-hooded-top-white-royal-blue/

There are a number of other hoodie designs available, including Anthill Inside, Death with Kitten and Feegles Running. To view them all, go to http://discworld.com/products/hoodies/

* The Unseen University scarf!

"100% saxony wool – these scarves measure 10″ x 72″ and are striped in navy, crimson, yellow and purple. The UU crest is embroidered in colour at one end. Made in the UK by the leading Oxbridge scarf maker."

Each UU scarf is priced at £45. For more information, and to order, go to http://discworld.com/products/scarves/

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08) DISCWORLD CONVENTION NEWS

8.1 AUSDWCON 2017 UPDATES

Nullus Anxietas VI – The Discworld Grand Tour – will be held at the Lakes Resort Hotel, West Lakes, Adelaide, South Australia on 4th-6th August 2017.

"Lock-in your early-bird ticket price by buying a Supporting Membership before Feb 4th! https://ausdwcon.org/shop/product/supporting-membership/ …"

https://ausdwcon.org/shop/tickets/

8.2 IDWCON 2017 UPDATES

"Welcome to the IDWCon 2017 website! Please see our About the Convention, F.A.Q., and Venue pages to find out more. We've sold out of Memberships, but we have a waiting list instead. Our theme this year is the Unseen University Open Doors Weekend – we'll be visiting the U.U. to marvel at introductory lectures, research the groundbreaking Roundworld project, and find out more about the staff and Faculty. Whether you're a visiting scholar, a curious local or even a Tourist, the U.U.'s doors will be open to all for this extra-special event. Hold on to your pointy hats – it's going to be Hexcellent!"

Convention Guests of Honour will be Colin Smythe, Bernard "Cunning Artificer" Pearson, Isobel Pearson, Jack Cohen, Pat Harkin, Stephen Briggs and Rob Wilkins. All 300 memberships for the convention, which will be held from 6th–9th October 2017 at the Cork International Hotel, are already sold out, but there is a waiting list to cover possible cancellations:

http://2017.idwcon.org/index.php/waitinglist/

As always, the Irish Discworld Convention's website is simply gorgeous. Go look!

http://2017.idwcon.org/

8.3 NADWCON UPDATES

"Thinking about helping out? This convention is entirely run by volunteers and we're always looking for willing victims to become part of the convention committee or suggest program items. Please contact us with suggestions and/or what you would like to help with. To find out more about the convention please see our About NADWCon (_https://nadwcon2017.org/about.html_) and F.A.Q. (_https://nadwcon2017.org/f-a-q_) pages."

The 2017 North American Discworld Convention will be held on 1st–4th September at the Sheraton New Orleans Hotel, 500 Canal Street, New Orleans, LA. 70130 (phone: 504 525-2500). This year's theme is Witches Abroad. Membership for the entire convention is $88. To buy a membership, go to https://nadwcon2017.org/signup.html

https://nadwcon2017.org/

8.4 CABBAGECON UPDATES

"On 1 and 2 July 2017 the fourth Dutch Discworld Convention Cabbagecon 4 will happen at the hotel Carlton President in Utrecht. It will be an occasion for fans of Sir Terry Pratchett from the Netherlands and abroad to meet up again and have some fun. We hope to see you too!"

Membership of Cabbagecon 4 for the whole weekend is €60,00. One-day membership for either the Saturday or the Sunday is €35,00
per day.

http://www.dutchdwcon.nl/

8.5 SCHEIBENWELT UPDATES

"The German Discworld Convention will take place from the 18th to the 21st of May 2017 at Castle Ludwigstein. The theme we have chosen this time is the Witches and the Chalk. Our motto will be: Witchcraft & Feegle Spook."

Full price for the full four days of Convention, featuring guest Bernard Pearson (and the possible appearance of Rob Wilkins and Stephen Briggs), is €149 which includes accommodation in a bed in a shared room in the hostel of the castle, warm dinner and breakfast buffet, or €110 for Friday, Saturday and Sunday. Full price for camping guests (includes entry to the Convention including a place to put your own tent next to the castle, warm dinner and breakfast buffet) is €99 for the four days or €79 for Friday through Sunday. For day visitors (only entry to the Convention and no food or accommodation), prices are €20 for either Friday or Saturday, or €35 for both days:

http://www.discworld-convention.de/#/en/Tickets/Prices

To order tickets: http://www.discworld-convention.de/#/en/Tickets/Order

http://www.discworld-convention.de/#/en/

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09) AROUND THE BLOGOSPHERE

Blogger Nat Wassell, on Cultured Vultures, considers A Hat Full of Sky:

"Reading this book, I couldn't help but wonder if Sir Terry ever looked back at some of his earlier Discworld novels and thought about the occasional slips in clarity, especially from the first three books, and what he could have done about them if he had the chance. Maybe it was nothing and that's fine; we all write on a learning curve, of course, but it is interesting to consider... The Hiver isn't a bad creature, just as Tiffany isn't a bad person, but it shows that everyone has the potential for bad. Granny Weatherwax has never been easier to understand than she is by the end of this novel, in which she barely features.

"I also have to mention the Nac Mac Feegles again here. They're still tiny and angry and drunk, but they are also growing into characters worthy of the consideration given any other main player in the Discworld. We get to spend time with Jeannie, the new kelda of the clan and wife of Rob Anybody, the rambunctious but well-meaning Big Man. Jeannie is a modern and forward thinking young woman; not content with being the only Feegle able to read and write, she insists that Rob and the rest of the men learn... I also want to talk briefly about Rob in his own right. He's willing to do anything for Jeannie, even learning the letters that scare him so much, but he does not forget what he and the others owe to Tiffany..."

https://culturedvultures.com/discworld-discussions-hat-full-sky-2004/

Blogger Vacuous Wastrel is back with a review of Wintersmith that's so at war with itself that it might just be Alternative Truth:

"Let's try to list all the things I didn't like about this book. It still has too many Feegles in it... Because Tiffany is still young and inexperienced, a lot of things have to be explained to her. A lot. Pratchett is pretty fond of Explaining Stuff at the best of times, but here it feels at times like she's just wandering from one font of explanation to another... there's the gender politics. Which actually manages to irritate me from both directions... it feels as though Pratchett is laughing at [Tiffany], and at other women through her, and it isn’t pleasant... And there's a subplot that isn’t really necessary, but isn't fleshed out enough to stand by itself either. And the ending... well it makes sense, but it seems to all happen a bit too quickly. And the structural gimmick, while a break from Pratchett's normal linear methods, and while not exactly a failure, also don't fully convince. And 'boffo' is a stupid word... But all that aside, this is a fantastic book. Wintersmith is clearly the best of the first three Tiffany books, and while it may not have the depth to really rank with Pratchett's greatest it certainly deserves to be mentioned in the same breath as them. The writing is consistently fantastic; the imagery constantly intriguing. It is highly polished, yet retains its character..."

[Um... er... okay... so he liked it? – Ed.]

https://vacuouswastrel.wordpress.com/2017/01/25/wintersmith-by-terry-pratchett/

Blogger The Idle Woman celebrates Guards! Guards!:

"This is a really lovely instalment in the series. Unlike the 'concept' novels, it never feels restricted by its subject, instead merrily subverting cherished fantasy cliches: the dragon; the eldritch secret society; the king returning to save his people in their hour of need… And its real strength is in the characters. Though this is very much a comedy, there's a real poignancy to the men of the Night Watch, especially Vimes, with a grim life of wasted potential behind him and only a flicker of hope left. Yet, although Carrot is the physical model of a hero, it's Vimes whose grit, determination and sheer bloody-mindedness will come to the fore as his troop seeks to defeat the dragon, save the noble damsel and restore peace to the city, etc. A smart, rip-roaring adventure, this is one to savour, with nods to Dirty Harry and Casablanca, along no doubt with many other references I missed. It also introduces the concept of L-space, which will be immediately familiar to anyone who, like me, has spent long hours in second-hand bookshops. A measure of its popularity is that, like Wyrd Sisters, it has been adapted for the stage, and you can also enjoy exploring the Watch's territory for yourself on an Ankh-Morpork map..."

https://theidlewoman.net/2017/01/24/guards-guards/

...and also highly recommends Pyramids:

"Pyramids is one of my favourite books in the Discworld series and I've read it far more frequently than most of the others I'll be encountering in this reread. It doesn't feature any of the usual recurring characters, but it has such a wonderful concept, riffing on Ancient Egypt, the Trojan Horse, Zeno's theory about Achilles and the tortoise, the Crossing of the Red Sea, and tales of mummies rising from the dead. Plus, I love the glimpse we have of the Assassins' Guild, which is basically Eton or Harrow with added caltrops and the kind of final exam which makes a PhD viva sound like a piece of cake. And Teppic is a marvellous protagonist, terribly well-meaning and polite, but at the same time rather subversive with a dash of embarrassed heroism thrown in. Theoretically you could read any of the Discworld books as a standalone novel, but this one works better than most. If you're looking for a way to dip in your toe, this might be a good one to try..."

https://theidlewoman.net/2017/01/22/pyramids-terry-pratchett/https://ausdwcon.org/shop/tickets/

Blogger Emily Witt also reviews Pyramids:

"Given the nature of satire, this isn't really the sort of book I'm used to reading – the YA ones where I can get completely unhealthily invested in the characters, but the characters were all well-developed in a way that furthered the points that Pratchett was making about religion and sticking to tradition in the face of every suggestion to get with the times. I laughed at Teppic's awkwardness regarding Dio's inability to let him actually do any ruling, and I sympathised with the dead former King, who was unable to move on and had to watch all his wishes being decidedly not carried out. Some of the quantum stuff got a bit confusing, as there would be several versions of the same character, all from slightly different time periods, in the same room at the same time. For the most part, though, I was able to keep these straight. Time travel-type stuff always runs the risk of getting confusing, but I think Sir Terry managed to strike the right balance..."

http://bit.ly/2jfNsqI

Blogger Amelia Mackenzie tackles the daunting task of introducing newbies to Discworld:

"I love the characters that start out like cliches but grow into so much more, I love Pratchett's philosophy about human kindness and belief and the wonders of imagination, and I love the fact that all of this is packed into dozens of books that make me giggle from one cover to the other. But when I recommend Discworld to people, they tend to view them the same way people view comics. By which I mean, they look at the sheer number of them and panic. How the hell am I meant to read all those? Where do I even START?

"The nice thing about the Discworld books is that, technically, you can start them anywhere. The books run chronologically, and certain groups of characters pop up repeatedly (there are the Guards Books and the Death Books and the Witches Books), but it doesn't matter which book you actually start on, because they all explain themselves fully. I started on Hogfather, the 22nd book in the Discworld series and the fourth in the Death Books series. This, however, tends to terrify people even more, because now they really, really don't know where to start. So here's my informal, quick guide on some of the best books to start with, and why..."

https://ameliamackenzie.wordpress.com/2017/01/23/where-to-start-with-discworld/

Blogger Drinking and Ink's thoughts on Hogfather:

"There's humor, much of it contained in footnotes, and puns. There's action and excitement, there's an orangutan playing the organ, there's a computer of sorts, there are wizards, there are children and some true observations about childhood, and loads of holiday spirit. There's a lot of fairly deep stuff about the importance of stories and fantasy and how myths and legends evolve. There’s also a skeleton in a Santa Claus outfit, who somehow manages to be completely different from the one in The Nightmare Before Christmas except perhaps with a shared difficulty in delivering a convincing 'ho ho ho.' There's also, for you fans of strong female characters, a very interesting lead in Susan Sto Helit, Death's granddaughter. Susan is currently a governess trying to be more or less normal. She is self-possessed, educated, clever, and not a natural at this whole 'normal' thing. She's the closest thing to a grown-up in most scenes: as is noted at one point, if other characters are listening to their inner child, she is the inner babysitter. She also shares certain talents with her grandfather... Listen. It's just – it's good. It's really good. You should read Terry Pratchett. And you should definitely read this one."

[Editor's note: the suggested drink here to accompany Hogfather is sherry, or a mug of cocoa...]

http://bit.ly/2jznKMq

Blogger Aaron Jacobs shares thoughts on death and dying and a very special essay by Sir Pterry:

"When Terry Pratchett realized he wouldn't be able to attend the 2014 Discworld Con due to his health problems, he compiled a small book as a gift for the attendees. It contains some fragmented stories, poetry, a dedication, stuff that is private and only for the eyes of the devotees who came to see him. You won't find these books on sale anywhere, I hope. He had them distributed freely to the convention-goers under the condition no one try to sell them. They're individually numbered and the convention heads keep a master list of who each one belongs to, so if anyone does decide to go for a quick buck with their book it'll be readily apparently[sic]. He also included this essay. My friend typed it up for me and gave me permission to share it with the context and background story. It's an incredibly important essay and something I think about during dark times when people you care about seem to be dying with rapidity. I read it what felt like weekly when Bowie, Rickman and others died early this year. I read it the day Leonard Nimoy passed. I read it when Carrie Fisher and Debbie Reynolds died on nearly the same day. It’s about how things aren’t all terrible. It goes like this..."

https://aaronjacobsblog.wordpress.com/2016/12/31/on-death-and-living/

A blog review of the Discworld MUD, by Clay:

"I have been playing this single MUD off and on since 1998, back when I was in high school. I have tried numerous other MUDs, including some of the bigger ones like Aardwolf, Genesis, and the IRE Family of MUDs and no matter what, I always end up coming back to the Disc. Why you might ask? Well for a variety of reasons. Let's break down what makes the Discworld MUD unique, and why I think anyone who is looking for something fun and different should give this world a try.."

https://pageturnersinc.wordpress.com/2017/01/10/the-discworld-mud-a-review/

...and of Discworld Noir, by Sonea:

"The game is set in a fictional universe known as Discworld, referencing some places like Ankh-Morph[sic] from Sir Terry Pratchett's novels (which are beyond some very fantastical imagination), but do not rely on the characters and you do not need to read them in order to understand the story of this game. Lewton is a private investigator who is on a murder case which sets him off on a long trail across different towns in the city. Along his way, he meets a lot of eccentric characters that he speaks to and some that require a more brutish tone to get some answers, after all everyone is a suspect. For a game from an older generation, it was one of my childhood gaming experience and one I grew to love in my adult life... I love the idea of being able to interact with any characters in the game as many times as you want, listening closely to their conversation and taking notes which you use for clues for the next lead in your investigation. It's also reassuring that you won't get to a 'game over' point at anytime as it's a game of wit and relies on a structural narrative, allowing the player to use clues to figure out where to go next and who to talk to now. The whole tone, dialogue and graphics are similar to the feel of stepping into a classic noir movie, with the jazz music in cafes and the darkly dim shadowed places that you'd find in a crime scene..."

https://soneawritesblog.wordpress.com/2017/01/13/discworld-noir/

...and finally, a lovely blogpost from Gareth Preston, who will be directing the Bolton Little Theatre's production of Wyrd Sisters this March, on how he first came to stage a Pratchett play:

"I had become involved with amateur dramatics, and I loved Stephen Briggs' adaptations and the idea of realising them on stage. So in time I persuaded my then current group of Mawdesley Amateur Dramatics to stage Wyrd Sisters. The photo at the top of the page is from that production. Like many groups, a majority of MADS were women, so it was an advantage to have a play with four really good female roles, not to mention a fair amount of characters who could be played by either gender. That 2007 production was my first experience of directing theatre. It helped that we were already a group of friends, so that made it less intimidating that it could have been. We played it on a smallish village hall stage, with much less in the way of facilities at the time than Bolton Little Theatre has. For example the sound system consisted of my laptop computer and a guitar amp at the rear of the hall. I should add that the current hall has had something of an upgrade since. However the show was a success, and I think the local audience enjoyed the fact that we were trying something a bit different from the traditional amateur dramatic fare. Now ten years later I am about to direct a new production in a fully equipped theatre with a specially designed set and a cast that is an interesting mix of experienced Bolton regulars and newer faces, some for whom this will be one of their first plays..."

http://bit.ly/2jznNrx

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10) IMAGES OF THE MONTH

A photograph of The Author at work... or is it? Muhahaha:
https://www.thesun.co.uk/wp-content/uploads/2017/01/nintchdbpict0002951728311.jpg

...and another, from the filming at the Bucks Free Press for "Terry Pratchett: Back in Black":
http://www.bucksfreepress.co.uk/resources/images/5930794

The witches of NADWCON!:
https://nadwcon2017.org/media/wysiwyg/Composite_Witch_bees_1.png

The AusDWcon Grand Tour logo:
http://bit.ly/2jHfEiF

Cabbagecon's adorable logo, featuring the Latatian motto "Sit brassica non movet ab testudo, testudo movet ab brassica":
http://www.dutchdwcon.nl/sites/all/themes/cabbagecon/logo.png

Iconographs from the Midhurst Players' production of Wyrd Sisters last month. The cauldron scene:
http://www.midhurstplayers.co.uk/wp-content/uploads/2016/12/Clip_15-920x400.jpg

The Rite of Ashk-Ente:
http://www.midhurstplayers.co.uk/wp-content/uploads/2016/12/Clip_26-600x400.jpg

Nanny in the dungeon:
http://www.midhurstplayers.co.uk/wp-content/uploads/2016/12/DSC_5449-591x400.jpg

A chin-wag at Lancre Castle:
http://www.midhurstplayers.co.uk/wp-content/uploads/2016/12/Copy-of-DSC_5507-533x400.jpg

Theatrical witches: http://www.midhurstplayers.co.uk/wp-content/uploads/2016/12/Clip_11-600x400.jpg

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11) CLOSE

And that's the lot for January. Keep calm and carry on, and we'll see you next month!

– Annie Mac


ooooooooooooooooooooooooooooooooooooooooooooooooooo

The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

Copyright (c) 2017 by Klatchian Foreign Legion
wossname: (Plays)
The beautiful Welsh town of Abergavenny's amateur theatre group are bringing Feet of Clay to life this month!

"In their 50th anniversary year, Abergavenny Theatre Group bring back some familiar characters to the stage in Terry Pratchett's Feet of Clay. The guards of The Watch (who last featured in ATG’s production of Men at Arms more than a decade ago) are back, as Vimes and his team investigate who is slowly murdering the Patrician! This madcap comedy features dwarfs, golems, vampires and werewolves (though not real ones!) and is a must for any Pratchett fan!"

When: 26th-28th January 2017
Venue: Borough Theatre, Cross Street, Abergavenny, Monmouthshire NP7 5HD
Time: 7.30pm all shows
Tickets: £8.50 (concessions £7.50), available online from https://borough.ticketsolve.com/shows/873566181/events


wossname: (GNU Terry Pratchett)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2016 (Volume 19, Issue 1, Post 1)

********************************************************************
WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Mss C, Alison not Aliss
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)

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INDEX:

01) QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) NEW ELEMENT "OCTARINE" PETITION
04) ODDS AND SODS
05) DISCWORLD PLAYS NEWS
06) DISCWORLD GAMES NEWS
07) DISCWORLD ARTS AND CRAFTS NEWS
08) DISCWORLD MEETING GROUPS NEWS
09) WITHOUT WHOM: STEPHEN BRIGGS
10) ROUNDWORLD TALES: LEUCIPOTTOMY
11) REVIEW: "IN MEMORY"
12) IMAGES OF THE MONTH
13) CLOSE

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01) QUOTES OF THE MONTH

"Alan Rickman without doubt the most perfect Lord Vetinari there never was."

  – the @terryandrob official Twitter account, 15th January 2016

"If it gets the symbol 'Oc', I'm pronouncing it ook."

  – Twitterer Jim Sheridan, commenting on the drive by Pratchett fans around the world to get a newly discovered element named Octarine

"I choose to celebrate Terry's life and all the joy it brought to many and I hope my final cover of a Discworld novel pays tribute to him as a fitting mark of my great respect."

  – Paul Kidby

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02) LETTER FROM YOUR EDITOR

  Hello, fellow celebrators of the Year of the Sneezing Panda aka 2016!

  I would like to draw your attention to a very special book. No, it's not an official Discworld book as such, but it *is* a book that would never have existed without the Discworld, and the other works of Sir Terry Pratchett, to inspire its creation. The book is called In Memory: A Tribute to Sir Terry Pratchett, and is an anthology of mostly humorous stories published as a tribute to Sir Pterry and also as a fundraiser for Alzheimer's Research UK. So that makes it a Discworld ancillary book of a sort...

  Over the years Wossname has received and reviewed a number of Discworld ancillary books, and we have made no bones about finding many of these at best adequate and at worst barely mediocre, but when it comes to "In Memory" this is not the case! Please do read the full review, (item 11 in this issue), and then please, please do buy this book. It is really worth the (very reasonable) price, and all proceeds – yes, all of them – go to Alzheimer’s Research UK. There is more information at http://www.inmemorytribute.com/

*

  The release date for the upcoming Small Gods graphic novel, illustrated by Ray Friesen, is 14th July 2016. Here be a glimpse of the artwork, provided by the @terryandrob Twitter account: https://pbs.twimg.com/media/CZQzJ5hWAAAEWUK.jpg

  And now, on with the show...

– Annie Mac, Editor

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03) NEW ELEMENT PETITION

Do you want a newly discovered Roundworld element named for the colour of magic? Of course you do!

An exciting surprise on Change.org...

  "Petitioning IUPAC and 2 others

  "Name new element 117 Octarine, in honour of Terry Pratchett's Discworld

  "This petition is to name element 117, recently confirmed by the International Union of Applied Chemistry, as 'Octarine', with the proposed symbol Oc (pronounced 'ook'), in honour of the late Terry Pratchett and his Discworld series of books... a particularly pleasing choice because, not only would it honour a world-famous and much-loved author, but it also has an 'ine' ending, consistent with the other elements in period 17. Octarine is being counted as 'a mythological concept' under IUPAC rules..."

To read the full petition, and to sign if you wish to, go to chn.ge/1mHR3dY

It's also been tweeted by Rob Wilkins, with the link, at https://twitter.com/terryandrob/status/684845900489977856 where Twitter account-holders can add a comment.

from BoingBoing:

  "Octarine, in the Discworld books, is known as 'the colour of magic', which forms the title of Pratchett's first ever Discworld book. According to Disc mythology, octarine is visible only to wizards and cats, and is generally described as a sort of greenish-yellow purple colour, which seems perfect for what will probably be the final halogen in the periodic table. Octarine is also a particularly pleasing choice because, not only would it honour a world-famous and much-loved author, but it also has an 'ine' ending, consistent with the other elements in period 17. Octarine is being counted as 'a mythological concept' under IUPAC rules, which state that elements must be named after 'a mythological concept or character; a mineral, or similar substance; a place or geographical region; a property of the element; or a scientist'. The Discworld stories are certainly stories about gods and heroes..."

http://bit.ly/22NoyN2

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04) ODDS AND SODS

4.1 COMMEMORATIVE PLAQUE

According to the Bucks Free Press, Sir Pterry's onetime employers in his journalist days, our favourite author's favourite childhood library could do with a blue plaque:

  "The town council hopes to install a plaque on the wall at Beaconsfield Library in Reynolds Road, where Sir Terry was a Saturday boy and returned to give talks. Cllr Philip Bastiman, chair of the open spaces committee, said the council had been in touch with Sir Terry's daughter Rhianna, who was 'very supportive' of the idea of commemorating the author. He said: 'Because I believe he worked in the library and used the library a lot and he came back and actually gave talks at the library relatively recently, in their mind, it had a place in his affections. They feel it is wholly appropriate to have a commemorative plaque to Terry Pratchett at the library itself.' Cllr Bastiman said they could have to wait 'a number of years' for a blue plaque, which are commonly used to commemorate historical figures and places, so will remember him with their own plaque. The council wants to involve Sir Terry's family in the process and may present some designs to them for them to choose the best. Cllr Bastiman said: 'I don't think we need to be quite so formal in the way we recognise the achievements of one of our former citizens. We hope we could get a representative for the family to come up and to mark the occasion.'..".

http://bit.ly/1QpCqbq

...and from Get Bucks:

  "He was born in Beaconsfield and would often return to the area, most recently in 2013 when he gave a talk at the library in Reynolds Road. Beaconsfield Town Council has discussed the issue and has agreed that a plaque would be a good way to honour the life of one of the town's most famous residents. It has been in contact with Sir Terry's family to discuss the issue, and is set to ask Bucks County Council if it can move ahead with the plans... It is felt that honouring Sir Terry in a similar way would be a fitting tribute to the author. Beaconsfield mayor John Read said: 'I think it's excellent, and will be a really good way to mark his contribution to Beaconsfield and to literature. There are still a few things left to do, but it looks like it's all going to go ahead. Beaconsfield has a very rich literary history, and it is great to pay tribute to those who have lived and worked in Beaconsfield, and made such a contribution to the area.'... The town council is hoping to present potential designs for the plaque to Sir Terry's family in order for them to choose which one they like the most. Further announcements about the plaque are expected in the coming months."

bit.ly/1TmgezK


4.2 NEW DEMENTIA SERVICE

News from the Bucks Free Press:

  "A new dementia service will be launched for people in Buckinghamshire in April – just over a year after Beaconsfield-born Sir Terry Pratchett died. The author, who also went to school in High Wycombe and worked as a reporter at the Bucks Free Press, died on March 12, 2015. He had suffered from Alzheimer's for eight years and had been vocal about the need for better care. The new service, which was awarded by Buckinghamshire County Council and the Buckinghamshire Clinical Commissioning Groups (Aylesbury Vale and Chiltern), will be run by the Alzheimer's Society, which Sir Terry supported. From April 1, Buckinghamshire residents who are concerned about their memory, or who have been diagnosed with dementia, can benefit from the county's new Memory Support Service. The new care contract replaces a service which is currently split between the Alzheimer's Society and Age UK..."

http://bit.ly/1nkcv9q


4.3 THE END OF MY INDEPENDENT BOOKSHOP

  My Independent Bookshop (_http://myindependentbookshop.co.uk_) has undergone a transformation for the new year. Here be extracts from the email Wossname received from their administrators:

"In May 2014, we launched My Independent Bookshop as a community where book lovers could create and curate their own virtual bookshelves, connect with independent bookshops across the UK and interact with fellow bibliophiles... we'll be closing our doors in preparation for moving into the brand new http://www.penguin.co.uk/ in the New Year. Here you'll be able to find information on all Penguin Random House books and authors, as well as read regularly published articles on all things books. Along the way, we have had an amazing amount of support from everyone we've worked with, from independent bookshops, authors, publishers and of course you – our virtual bookshop owners. Together you made the My Independent Bookshop community a vibrant place to show off our latest literary loves and discuss the books that meant something to us. Thank you for populating our virtual streets with your top picks, rave reviews and stellar shops. Over 20,000 books were put up on the shelves at My Independent Bookshop."

Sir Pterry was among those 20,000 recommenders. If any of you were also in that number, O Readers, we commend you for attempting to fight against the vile culture-destroying Beast of Amazon. Here's hoping 2016 will be the year that more and more people wake up and remember that keeping bookshops physical and local truly does matter...


4.4 ALZHEIMER'S EARLY DIAGNOSIS PROGRESS

It may soon become possible to spot pre-signs of Alzheimer's 20 years before symptoms appear. From The Telegraph:

  "Researchers at Sweden's Karolinska Institute and the Uppsala University discovered that inflammation occurs in the brain decades before the condition shows any other signs. It means that in future doctors could predict which people will go on to develop Alzheimer's disease when there is still time to make lifestyle changes or take drugs to slow down the condition. Treatments which can put the brakes on dementia are currently undergoing trials and could be available within a few years, so tests which can pick up the disease early are likely to be crucial in future care. Researchers followed families who were known to carry genes which made them more susceptible to Alzheimer's. Most of them will develop the condition by the time they are in their mid-50s. All participants underwent memory tests and brain scans. The mutation carriers were found to have inflammatory changes – known as astrocyte activation - almost twenty years before the estimated debut of memory problems. Astrocytes are a type of brain cell which increase following an injury to aid repair. The researchers also found a crucial window, around seventeen years before symptoms develop, where the sticky amyloid plaques which cause dementia began to increase. 'Inflammatory changes in the form of higher levels of brain astrocytes are thought to be a very early indicator of disease onset,' explains principal investigator Professor Agneta Nordberg at the Department of Neurobiology, Care Sciences and Society, Centre for Alzheimer Research at the Karolinska Institute..."

bit.ly/1nOx6TK

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05) DISCWORLD PLAYS NEWS

5.1 SHAKESPEARE CODEX UPDATES

The Studio Theatre Club, "the first, ever, anywhere in the world, to dramatise the works of Sir Terry Pratchett", will present the world premiere of The Shakespeare Codex by Stephen Briggs, the world's *premier* adapter of Discworld stories for the stage. If any of you haven't been following the pre-production announcements, The Shakespeare Codex is a mashup of The Science of Discworld II: the Globe, Lords & Ladies, and A Midsummer Night's Dream (the last one wasn't written by Terry Pratchett, of course), starring Ridcully, Rincewind, Granny Weatherwax, Angua, Vetinari, that Shakespeare feller, a noted 16th-century monarch – and noted Shakespeare impersonator, the Earl of Oxford.

When: 6th to 9th April 2016
Venue: Unicorn Theatre, Medieval Abbey Buildings, Checker Walk/Thames Street, Abingdon, OXON OX14 3HZ
Time: 7.30pm evening shows; Saturday matinee time not posted
Tickets: £10 (Wed./Thu.) and £11 (Friday and Saturday matinee). The Saturday evening show is already sold out. Tickets are sold via post, but phone and email requests can be made. For full information on ordering tickets, go to:
http://www.studiotheatreclub.com/ordering-tickets

http://www.studiotheatreclub.com/whats-next
http://www.shakespearecodex.co.uk/

5.2 NEW: MORT IN VIRGINIA (FEBRUARY)

The Sterling Playmakers will be performing 'Mort' next month! Director Susan Kronenberg invites Discworld fans old and new to enjoy their production:

  "Imagine a world where Death (yes, the Grim Reaper himself) can take an apprentice. What if that apprentice, Mort, was suddenly put in charge of collecting souls while Death takes a holiday? What could possibly go wrong? After a 'small' mistake, EVERYTHING! Is this the end of Discworld? Will Mort and his friends, Ysabell, Death's 16 (?) year old daughter, and Albert, Death's man-servant, along with an incompetent wizard and a petulant princess be able to save the day before the whole space/time continuum collapses? Chaos abounds while Death searches for what it means to be truly 'human.' Join us on this mad romp through Terry Pratchett's Discworld — a place where magic works and science doesn't. This comic masterpiece will make you die with laughter."

When: 18th, 19th & 20th, 25th, 26th & 27th February 2016.
Venue: Sterling Middle School, 201 W. Holly Ave., Sterling, VA 20164
Time: all performances are at 8pm
Tickets: $12. To buy online, go to http://www.sterlingplaymakers.com/buy-tickets/

http://www.sterlingplaymakers.com

5.3 NEW: WYRD SISTERS IN DEREHAM (MARCH)

The Dereham Theatre Company will present their performances of the Stephen Briggs adaptation of Wyrd Sisters in March!

When: 10th–12th March 2016
Venue: Dereham Memorial Hall, 62a Norwich Street, Dereham, Norfolk NR19 1AD
Time: 7.30pm all shows
Tickets: £10 (£9 concessions for those aged 18 and under or over 60). Available Tuesday through Friday 10am–4pm and Saturday 9am–3pm at The Little Gallery, 62 Norwich Street NR19 1AD; by phone 01362 690 969; and by post cheques (supported by a valid cheque card) should be made payable to "Dereham Theatre Company" and posted to the address above with a stamped self-addressed envelope if you would like the tickets sent to you. Tickets can also be booked online at http://derehamtheatre.co.uk/ "On-line booking and sales from The Little Gallery will be withdrawn on the day of each performance. On the day of a performance tickets for that performance can only be purchased from the Box Office at Dereham Memorial Hall no earlier than 30 minutes prior to the start of the performance."

For full booking details, go to http://dosoc.co.uk/bookingdetails.asp

http://dosoc.co.uk/production2.asp

5.4 NEW: LORDS AND LADIES IN NEWCASTLE (JULY)

The People's Theatre, "the premier amateur theatre company in the North of England", will stage their production of Lords and Ladies, adapted by Irana Brown, in July.

  "We're no strangers to Discworld and this funny and fast-moving adaptation of (the much-missed) Sir Terry's fourteenth novel sees the welcome return of Granny Weatherwax and Nanny Ogg to our stage. It promises to be lots of fun, so book early to avoid disappointment!"

When: 12th to 16th July 2016
Venue: People's Theatre, Stephenson Road, Newcastle upon Tyne, NE6 5QF. Phone: (0191) 275 9875
Time: 7.30pm all shows
Tickets: £13.50 (£11 concessions). Box Office on 0191 265 5020 or email tickets.peoplestheatre@email.com.
(The Box Office is open weekdays 10.30am–1pm and Mon, Wed, Fri evenings 7.30–8.30pm)

To book online, go to the inappropriately-named Intelligent Tickets, and be prepared to jump through a truly daft series of hoops: http://www.intelligent-tickets.co.uk/index.php?th=pe

http://bit.ly/1lMl3Vj

5.5 REMINDER: ERIC IN CARDIFF (FEBRUARY)

Monstrous Productions, who have now raised over £16,000 for Alzheimer's Research UK, bring their latest new play to the stage next month!

  "Eric Thursley doesn't want a lot from life – only mastery of his own kingdom, eternal life, and the most beautiful woman who ever lived. But he's got a dream, and even summoning the entirely useless failed wizard Rincewind by accident isn't going to make him give up any time soon. Between these two unlikely heroes and their goal lie ancient kingdoms, mythical wars and a lot of people who aren't very happy to see them. This includes the Lord of Hell and his great and terrible minions..."

When: Thursday 18 – Saturday 20 February at
Venue: The Gate Arts Centre, Cardiff
Time 7:30 all evening shows;, matinee on Saturday, 2:30. These will be held at .
Tickets: £7 for adults (£5 concessions), available to purchase from the Gate Theatre box office (029 2048 3344) or by emailing monstrousproductions2012@gmail.com. To book online, go to http://7889269b08cd.fikket.com/

http://www.monstrousptc.com/

5.6 REMINDER: THE WEE FREE MEN IN ADELAIDE, FOURECKS (APRIL)

NOTE: there is a special half-price ticket offer on now! Runs to the 4th of February, so get on it! – Ed.

The Unseen Theatre gang bring on a new era of Discworld adaptations with The Wee Free Men, adapted and directed by Pamela Munt!

  "In the first of a series of Discworld novels for young adults, we meet the young witch-to-be Tiffany Aching – a girl who reads the dictionary for fun – because no-one ever told her not to. With a trusty frying pan as her weapon, her grandmother's magic book (well actually its called 'Diseases of the Sheep') and the Wee Free Men by her side, Tiffany ventures into the realm of faerie land to rescue her very sticky, and not particularly likeable, baby brother. But, of course, all is not what it seems..."

When: Wed. 15th April to Sat. 30th April 2016; a Sunday 17th April matinee is to be confirmed
Venue: Bakehouse Theatre, 255 Angas St. Adelaide
Time: 7.30pm all evening shows; 2pm matinee
Tickets: Adults $22; Concession $18; Children $18; Groups (6+) $16; TREv $16; Families (2 A & 2ch.) $60. Al tickets for the Preview night (15th April) are $15. To book online, go to www.bakehousetheatre.com. Tickets can also be purchased at the door on the night, subject to availability. Box office opens 7pm.

http://bakehousetheatre.com/shows/wee-free-men

5.7 REMINDER: MORT IN YORK (JULY)

We Are Theatre will be staging their production of Mort in July!

When: 21st and 22nd June 2016
Venue: Joseph Rowntree Theatre, Haxby Road, York YO31 8TA
Time: 7.30pm all shows
Tickets: £10 (£8 concessions), available from the York Theatre Royal box office (phone 01904 623568). For group bookings, contact wearetheatre@googlemail.com or ring 07521 364107

www.wearetheatre.co.uk

5.8 REVIEW: UPPINGHAM THEATRE'S WYRD SISTERS

Uppingham Gets it Right

by Annie Mac

  Readers of Wossname will by now recognise the name of the Uppingham Theatre Company, whose late-October 2015 production of Wyrd Sisters had a long and fascinating pre-production runup that we featured over many issues. Being many thousands of miles from Uppingham, I was unable to attend a performance of the play in person, but techmaster Martin Baines kindly arranged to send a recording of one performance to me via clacks. And I am very glad he did – this is not the first amateur theatre rendering of Stephen Briggs' Wyrd Sisters play that I've seen, but beyond doubt it is the best.

  Top marks go to Stephen Green and Meryl Vincent-Enright as would-be royal couple Duke and Duchess Felmet, especially to Ms Vincent-Enright for giving the Duchess that fine – and canonically accurate – balance of pompousness and murderousness that melds Lady Macbeth and Hyacinth Bucket. Mick Barker excels as the Fool, the miserable bells-festooned jester who is far from foolish. The scenes between the Duke and his Fool are among the best in the production. Also of special note is Andrew Chapman's turn as Vitoller, owner-manager of the company of strolling players who shelter the infant Rightful King of Lancre (well played as a young man by Geran Jackson), and George Larkin's as the ghost of Verence I, recently-murdered Previous Rightful King of Lancre.

  As for the Wyrd Sisters themselves, Joy Everitt's portrayal of Granny Weatherwax has just the right amount of Granny's famously tight-lipped "I can't be having with this". Holly Bertalan may not be anywhere near as (also famously) flat-chested as Magrat but she makes up for her lack of lack by hitting Magrat's New Age-y soppiness spot-on. And Gillian Kendon does a creditable Nanny Ogg, although I could have done with seeing more of Nanny's legendary sauciness that Ms Kendon only showed at the very end of the production as she danced off into the wings, kicking up her heels and displaying her "scandalous" bright red petticoat with correctly Oggish delight.

  Vikki Shelton's direction is nicely timed, keeping the action moving along and getting the best projection from her players, and the entire cast achieves a satisfyingly low incidence of fluffed lines. But in many ways the shiniest star of this production is its technical excellence. Uppingham's Wyrd Sisters features the most professional-looking stage and costume design I have ever seen in an amateur theatre Discworld presentation. The sets are clever and striking, utilising well-planned back projection to create believable vistas – the wild Lancre moors, the streets (all right, street) of Ankh-Morpork, the vast-roomed, draughty expanses of Lancre castle and it gloomy dungeon. A round of applause goes to the aforementioned Martin Baines for his projection and projection design, and to stage manager Alan Jackson for ensuring that everything and everyone in this physically intricate presentation goes smoothly. Bex Key and John Everitt discharge their lighting and sound duties superbly, but I think I'll have to award Man of, that is, Seamstres-, er, Needlewoman of the Match to Mandy Jackson for her design and creation of the wonderful costumes, especially the Duchess' extraordinary gown that looked to be of full-on telly costume drama quality.

  What marks the Uppingham Theatre Company's production of Wyrd Sisters most of all is its sense of dedication – to detail, to the spirit of the chosen play, to making sure every member of the company gave their best from early days to the well-merited final bow. As producer-director, Vikki Shelton infused the entire process with indefatigable enthusiasm and all manner of promotional ideas, and most of all with sheer honest heart and soul. I do hope the company chooses to do another play from the series one of these days; based on the great showing of Wyrd Sisters, I would say Discworld is in great hands in Uppingham.

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06) DISCWORLD GAMES NEWS

CLACKS: THE REVIEWS!

6.1 The official Wossname review, by Steven D'Aprano:

  The Clacks board game turns the climax of "Going Postal" completely around. Inspired by the infamous race between the Grand Trunk clacks company and the Royal Ankh-Morpork Post Office, in this game you try to race to Genua. But with a twist: you are working for the villains of the book, the Grand Trunk, and you're trying to beat the Post Office (represented by a cute little figurine of the Postmaster Moist von Lipwig – painted gold, of course).

  Presumably the Post Office has magical assistance, as the Postmaster speeds from town to town in the blink of an eye. Meanwhile, the Trunk is plagued by problems including Deep Downers, inconveniently placed golems with bright lights, substandard wick-trimming, Nugganites, roving reporter Miss Sacharissa Cripslock, and the dreaded Killer Poke. Fortunately you only have to transmit two short words. Can you beat the Post Office?

  And the race is on!

  "Clacks" is fundamentally a game of skill, with just enough element of chance to mix it up a bit. It is certainly a challenging game, but fun, and will especially suit people with good pattern-matching skills. To move forward, you have a limited number of Jacquards available to flip the tower's lamps from On to Off, or vice versa. There are sixteen lamps all up, and you flip some number of them by playing a Jacquard from your hand. If you succeed in making the code for the letter you are trying to transmit, you move your token one step closer to Genua. A system of Stress Points and Faults control how often breakdowns occur and how fast the Post Office moves.

  If you're the sort of person who loves coin flipping puzzles, you might love this game. Even if you aren't too fond of them, it can still be very enjoyable once you get how the lamp flipping system works. I feel that the game's recommended age range, seven to adult, is probably over-optimistic. It seems to me that the average seven year old would find the lamp flipping too difficult to be fun. I had a bit of trouble too, admittedly after a long and tiring day, but once I got past that, and could successfully transmit letters, I found the game very enjoyable.

  Clacks is a rich and complex game, with three different sets of action cards ("Operator's Log", "Incident Report", and "Maintenance Report"). There are three distinct games possible: a cooperative game where the players work together to beat the Post Office, a competitive game where players play against each other, and a "Junior Race Game" for two players using simplified rules. Don't be put off by the word "Junior", it's quite good for adults too, especially when you're still learning how to recognise letter patterns and play Jacquards to make new patterns. Plus there are a variety of optional rules which can make the game more interesting for those who have mastered the basic rules, so you won't get bored in a hurry.

  (Hint: if you're looking to make it even more of a challenge, you can limit yourself to playing only a single Jacquard each turn, as we accidentally did.)

  The quality of the physical game pieces is excellent, and BackSpindle Games certainly haven't stinted on the materials used. I especially love that the rule book is printed as a Haynes Operators' Manual. The game pieces are very well made, and the artwork is well-done but not quite to my taste. (A bit too dark, and not quite enough contrast to read the cards easily.) There's an unfortunate discrepancy where the manual refers to the Maintenance Report cards as "Fault Report" cards, and preparing the lamp tiles for the first time is a bit fiddly, but making up for that, there's a lovely secret message in the manual, hidden in plain sight.

  I have no hesitation in giving this game a thumbs up, and I certainly will play it again.


6.2 Other reviews...

By "Miss T Fied" on Amazon:

  "It is incredibly well made, lovely solid quality pieces but not the sort of game to play with the whole family unless they all have Phd's and are great at mental manipulation. I don't and I'm not :-( BUT after a couple of days, we worked it out and to be fair, it's quite good. It can be played in different ways – suitable for kiddies (this is how we eventually learned to play it); collaboratively or competitively as adults. I'm still not 100% sure we are playing it correctly, but I prefer it to Witches."

...and by Antonios S on RPGnet, who calls it "Classy & Well Done" for style and "Average" for substance:

  "The game takes place in a 4 x 4 square board. Each position can be either on or off, thus geometrical shapes will be produced. Each letter of the English alphabet corresponds to a 3 x 2 rectangle where some positions are on and some are off (a bit like Braille, if you wish). On positions range from two to five, depending on the letter, obviously in different positions so that all letters are unique and easily distinguishable. Depending on the way that a player is sitted, he will try to form those letters within particular frames on the board. Even worse (for the player), each time he successfully composes a letter he will have to change the frame.

  "Each player begins the game with a Fault Report card and three random Jacquards. Jacquards are the cards that will allow the player to change the patterns on the board. They depict from two to four positions where a change will be effectuated within the board. Everything indicated must change; on becomes off and vice versa. The pattern they depict may be mirrored or rotated and can be apply to any part of the board as long as it fully fits. Some Jacquards also allow the player to draw Fault Report cards that he can play at any time during his or his opponents' turns, either to help his cause or to make his opponents' lives harder... The game ends when a player forms all five letters in his card, a point in which the player after him has one go towards sabotaging him. To achieve this that player must turn off all the lights in the winning player's tower by using his Jacquards with a limit of five stress points as usual. If he fails, victory is final. If he succeeds and has stress points to continue, he can actually get on with his turn. In the cooperative game the players play against the game trying to defeat the Post Office of Ankh-Morpork. There is an easy and a hard version. In both cases the players must transmit two words with a space between them and an end sign at their end (12 successful sent letters overall), while the Post Office however gets 38 and 34 steps respectively before reaching its destination...

  "The strong points: Clacks is an abstract logical puzzle with elements of hand management of your randomized Jacquards draw. Its whole premise is based on finding the easiest possible way to transmit your letters in the right order. Seeing how players will be sitted in a cross-like pattern, they do not have to submit the letters in the same form and direction. In a four player game you might have the exact same letter to send with the player immediately after you, yet your positions are vertical. You will be causing mayhem to one another (and that's good)... Forget the rules that omit the timer. Clacks is pure logic; some sort of adrenaline is needed. I am glad to see a game that offers so many variants after such a long time. It tries to satisfy everybody: from those interested into puzzles to those that like shorter games to more hardcore players to children. Idem for competitive versus the coop version. Well done, Backspindle...

  "The weak points: There is abstract, and then there is abstract. As much as I have read a couple of Discworld novels, the theme of Clacks is as pasted as it can be. This is a dry exercise in logic, especially if you are uninterested in the Discworld franchise. There is nothing wrong with that, of course; if however you like the games to have a recurring idea behind them, you might be disappointed... Conclusion: Clacks is a game for particular target groups and tastes. Discworld completists will be definitely intrigued, as will be puzzle solvers..."

http://www.rpg.net/reviews/archive/16/16642.phtml

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07) DISCWORLD ARTS AND CRAFTS NEWS

From the Discworld Emporium:

  "At Hogswatch the Sunshine Sanctuary is 'swamped' by countless dragons in desperate need of love and care. By adopting a dragon today you'll help provide vital aid for the sanctuary's most needy residents. In return for your contribution and support, you'll receive 3 own baby swamp dragons, lovingly and exclusively sculpted by Mr Paul Kidby!
Produced in a beautifully glinty cold-cast bronze finish, these dragon babies really glow! But that's not all – you'll also receive adoption certificates to name and keep safe with your dragons, all presented in transportation gift boxes to prevent escape!"

The Kidby dragons are priced at £30 each or £80 for the set of three. For more information, and to order, go to: http://www.discworldemporium.com/category/sunshine-sanctuary-adopt-a-dragon


  "The 2015 Definitive issues from the Ankh-Morpork Post Office will soon be retired to make way for new designs for The Year of the Sneezing Panda! These iconic issues, as designed by Moist Von Lipwig in Going Postal, are traditionally printed on authentic gummed stamp paper & available to collect as single stamps or in beautiful whole sheets... but not for long!"

To view the Discworld Emporium's stamps-for-sale collection, go to:
http://www.discworldemporium.com/discworld-stamps

Also...

* Death of Rats scythe earrings:

  "Crafted in sterling silver and based on the Death of Rat's dinky little scythe, these miniature reaping tools designed by Terry Pratchett's himself look elegant dangling from even the most gnarled of earlobes. Measures 21mm, total drop length 31mm."

The Death of Rats scythe earrings are priced at £17.50/pair. For more information, and to order, go to: http://www.discworldemporium.com/discworld-scythe-earrings

* Thud! Now back in stock:

  "As Vetinari's game of choice, Thud became the central theme to Terry Pratchett's 34th Discworld novel Thud!, made a cameo appearance in Sky One's film adaptations and is enjoyed by thousands of Discworld fans and gamers across the world. Based on the ancient struggle between Dwarf and Troll, Thud is a game of two halves. Players take turns to play the fast moving Dwarfs as they attempt to trap Trolls in a carefully constructed ambush, only to then take the part of the fearless Trolls who lumber slowly yet powerfully around the board. You can learn to play in a matter of minutes, and no two games are ever the same. Contained within a cotton travel bag, each set comprises 32 Dwarfs, 8 Trolls, a Thud stone, Thud board, rulebook and an exclusive treatise penned especially for Thud by Terry Pratchett himself. Also included are rules for Koom Valley Thud, a high speed version of the game.

  "The screenprinted heavyweight cotton board measures 47 x 47cm. The pieces are inspired by the Lewis Chessmen and are cast in resin with a carved bone effect finish. Dwarfs stand 35mms tall and Trolls stand at 62mms.
Thud was devised by Trevor Truran and is produced officially and exclusively under licence of the Discworld Emporium."

Thud! is priced at £32.00. For more information, and to order, go to:
http://www.discworldemporium.com/ThudGame

* The Steeleye Span "Wintersmith" Deluxe edition:

  "An epic musical collaboration from mutual fans Steeleye Span and Terry Pratchett, based on the Discworld novel Wintersmith – a match made in folk-rock heaven! Steeleye Span famously played at Terry's 60th birthday party and they have been firm friends ever since. This deluxe double CD album features four extra songs, plus eight live tracks from the Wintersmith Tour and two exclusive demo versions. Features Maddy Prior, the voice of Steeleye for 40 years at the helm of the line-up, with band stalwart and fiddler extraordinaire Peter Knight, Rick Kemp on bass, Peter Zorn and Julian Littman on Guitars and Liam Genockey on the drum stool, With special guests Terry Pratchett, Kathryn Tickell and John Spiers."

The Wintersmith Deluxe edition CD is priced at £15.00. For more information, and to order, go to: http://www.discworldemporium.com/Steeleye%20Span%20Wintersmith


...and from Discworld.com... it's competition time!

  "It's the Year of the Sneezing Panda and we're kicking the January blues firmly in the posterior with a stunning framed sepia print of Greebo the Man. Simply email your answer to the following question to pr@discworld.com .... How does Count Casanunda get onto his horse?" (Use the subject line Greebo the Man competition)

[Editor's note: the Greebo print is gorgeous. I know because we have one!]

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

08) DISCWORLD MEETING GROUPS NEWS: UPDATES AND REMINDERS

  The Broken Drummers, "London's Premier Unofficially Official Discworld Group" (motto "Nil percussio est"), meets next on 30th November 1999 (-5874 days to go), according to their website, or more probably on Monday 1st February 2016 at the Monkey Puzzle, 30 Southwick Street, London, W2 1JQ. For more information, go to http://brokendrummers.org/ or email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk

*

  Canberra, Australia's Discworld fan group is Drumknott's Irregulars: "We are a newly established Terry Pratchett & Discworld social group in Canberra called Drumknott's Irregulars. The group is open to all, people from interstate and overseas are welcome, and our events will not be heavily themed. Come along to dinner for a chat and good company. We welcome people all all fandoms (and none) and we would love to see you at one of our events, even if you're just passing through. Please contact us via Facebook (_https://www.facebook.com/groups/824987924250161/_) or Google Groups (_https://groups.google.com/forum/#!forum/drumknotts-irregulars_) or join us at our next event."

*

  There is a new public Facebook meeting group, "The Gathering of the Loonies (Wincanton chapter)": "This group, by request of Jo in Bear will continue to be used for future unofficial (not run by the Emporium) fan Gatherings in Wincanton. Look here for information."

https://www.facebook.com/groups/373578522834654/

*

  The Pratchett Partisans are a fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett. We hold events such as Discworld dinners, games afternoons, Discworld photo scavenger hunts. Our recent 'Murder In Morpork' mystery party was a great night out. With 26 people attending, we had 24 suspects, our special guest – Vetinari, and one dead mime! It was a fun night of food and murder and we are planning another Murder in December so stay tuned. We also attend opening night at Brisbane Arts Theatre's Discworld plays." The Partisans currently have about 200 members who meet at least twice a month, usually in Brisbane.

For more info about their next meetup, join up at https://www.facebook.com/groups/pratchettpartisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

  The City of Small Gods is a group for fans in Adelaide and South Australia. For more information on their upcoming activities, go to www.cityofsmallgods.org.au

"Every few months, we have a full day's worth of board games at La Scala Cafe, 169 Unley Rd, Unley in the function room starting at 10am."

For more info, go to http://ausdwcon.org/fan-clubs/adelaide/quiz/

*

  The Broken Vectis Drummers meet next on Thursday 4th February 2016 (probably) from 7.30pm at The Castle pub in Newport, Isle of Wight. For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

  The Wincanton Omnian Temperance Society (WOTS) next meets on Friday 5th February 2016 (probably) at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

*

  The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005 but is now looking to take in some new blood (presumably not in the non-reformed Uberwald manner). The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles. Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

  Sydney Drummers (formerly Drummers Downunder) meet next on Monday 1st February 2016 at 6.30pm (probably) in Sydney at 3 Wise Monkeys, 555 George Street, Sydney,2000. For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

  The Treacle Mining Corporation, formerly known as Perth Drummers, meets next on Monday 1st February 2016 (probably) from 5.30pm at Carpe Cafe, 526 Murray Street, Perth, Western Australia. For details follow Perth Drummers on Twitter @Perth_Drummers or join their Facebook group: https://www.facebook.com/groups/Perth.Drummers/ – or message Alexandra Ware directly at <alexandra.ware@gmail.com>

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

09) WITHOUT WHOM: STEPHEN BRIGGS

  Alan Rickman may have been named by Team Pratchett as "the best Vetinari that never was", but the *first* Vetinari in Roundworld came properly to the stage in the person of Stephen Briggs. It could be said that he owns the part now, as he has been playing our favourite Patrician for over twenty-one years. He was even there officiating as Lord Vetinari when the Roundworld town of Wincanton twinned itself with Ankh-Morpork! But he has done much, much more to help bring the Oeuvre of Pratchett to the public. It's a rare Discworld fan who doesn't own at least ancillary work touched by the hand of Stephen Briggs, be it the Tourist Guide to Lancre, the Discworld Companion, or the beautifully presented compendium of Pratchett quotations known as The Wit and Wisdom of Discworld; his audiobook recordings of many unabridged Pratchett novels have won major industry awards, and his Discworld stage adaptations are performed around the world.

  Stephen Briggs' association with Terry Pratchett began back in 1991 when then-plain-Mister Pratchett saw the Studio Theatre Club perform Wyrd Sisters, which Mr Briggs had adapted (as well as playing the role of Duke Felmet of Lancre). The two of them then began an association that was to last for nearly twenty-five years, starting with the creation of the Discworld Companion and the original Ankh-Morpork Mapp. Since then, Mr Briggs has co-created many other Discworld ancillary works including Death's Domain, Nanny Ogg's Cookbook, and a number of official Discworld yearbooks and diaries. He has also recorded audiobook versions of more than thirty Pratchett novels and adapted many of these (and other Pratchett novels) for the stage; while there are other licenced adaptations of Discworld novels being performed by amateur theatre groups, the Briggs versions are most considered "the real deal" and have raised over £100,000 for the Orangutan Foundation, a favourite charity of Sir Pterry's and one of which he was a leading patron.

  Most recently, Mr Briggs created a new play, The Shakespeare Codex (based on several Discworld books with a bit of Shakespeare for good measure) which will have its world premiere this April (see item 5.1 above), and recorded the unabridged UK and USA audiobook of The Shepherd's Crown.

  Oh, and he's a very helpful man, as some of the Wossname Newshounds can attest. So charge your glasses and raise a toast to Stephen Briggs. Hurrah!

http://discworld.wikia.com/wiki/Stephen_Briggs
http://www.stephenbriggs.com/
http://wiki.lspace.org/mediawiki/Stephen_Briggs

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

10) ROUNDWORLD TALES: A WORD ABOUT CHALK HORSES

  That's right – an actual word about chalk horses on hillsides. And that word, as it happens, is "leucipottomy". Coined, as far as we know, by one Morris Marples in 1949, leucipottomy is defined as the craft of cutting white horses into the turf chalk hillsides. Although there aren't many chalk horses in Roundworld, the making of them ranges across the centuries, from the famous Uffington White Horse in Oxfordshire that inspired the look of the Chalk's White Horse in the Tiffany Aching series, to the turn-of-this-century one at Devizes in Wiltshire. White Horses can also be found in Kent, Yorkshire, Tyne and Wear, Surrey, Sussex, Dorset, Aberdeenshire (to date, the only White Horse in Scotland), Hampshire, Buckinghamshire, and South Wales, but Wiltshire is definitely the White Horse capital of the UK with at least six extant White Horses.

  The Westbury White Horse dates to the Iron Age, was restored in 1778 and is still maintained, shining out across the Bratton Downs to this day (_https://en.wikipedia.org/wiki/File:Westburywhitehorse.jpg_). Some other famous ones include the Cherhill White Horse (late 18th century); the Marlborough White Horse (1804); the Alton Barnes White Horse (1812), one of the largest in existence; and the Broad Town White Horse (1864), while less white than most, is still plainly a chalk horse. The Pewsey White Horse, first of the twentieth century, was cut in 1937 and now forms a major part of the town's flag (_http://bit.ly/1lZrSTy_). There are also other hillside chalk animals, including the Laverstock Panda which was created near Salisbury in 1968 but is no longer visible, and of course the infamous Cerne Abbas Giant with his great big to–, er, move along, nothing to see here...

  These monumental earth sculptures do require occasional maintenance. The traditional method is known as "scouring" and requires a good number of volunteers to strip away the weeds and dirt that have gathered since the previous maintenance (you may remember this being described, with the usual Oggish observation that clearing the shape of the horse is a rather secondary reason for young courting couples to participate). Another common method is "trenching": when the underlying chalk is not easily reached, a trench is dug and then filled with chalk from another site.

  According to Michael Quinion of World Wide Words, leucipottomy "looks as though it is formed from the Greek roots leuci–, white, hippo, horse, and the suffix –tomy. Unfortunately this last doesn't mean cutting or carving, but refers to cutting out or excising (as in many medical terms such as hysterectomy), so it actually means cutting off or excising white horses, which isn't the same thing at all." But as it's the only word we have for this activity, and the pastime is so rare, that will do nicely. I do hope Tiffany can find "leucipottomy" in her dictionary too.

Sources:
Wikipedia (various)
http://www.wiltshirewhitehorses.org.uk/
http://www.worldwidewords.org/weirdwords/ww-leu1.htm

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

11) WOSSNAME REVIEWS "IN MEMORY: A TRIBUTE TO SIR TERRY PRATCHETT"

By Annie Mac

  It's less than a year since Sorin Suciu and Laura May first put out the call for submissions to a planned anthology of short stories on the theme of memory, with a bonus angle of humour, to raise funds for Alzheimer's Research UK as a loving memorial to the life and work of Sir Terry Pratchett. The response was immediate and wide-ranging, with stories offered by amateur and professional writers alike, and the final result – In Memory: A Tribute to Sir Terry Pratchett – has been praised by no less a luminary of humour fiction than Robert Rankin.

  Although I've spent many years reviewing Pratchett novels and associated Discworld "spinoff" books, map(p)s and other auxiliaries, I was unsure how to go about reviewing In Memory. But then I realised that the kernel of this review was already in the book itself, in an afterword by Charlotte Slocombe, author of Bubble Trouble, thirteenth story in this anthology: "Thank you for buying this book, because you never know who you might be saving." And there you have it. In Memory is a unique work, created as a combination tribute to Sir Terry Pratchett and as fundraising "merch" for the benefit of Alzheimer's Research UK. By purchasing a copy of In Memory, you're helping to keep the name of one of our most (rightly!) beloved authors alive in the world of literature and donating to a worthy and vital cause, but the glow of a good deed done isn't the only thing you'll come away with – because you'll also have the pleasure of reading a collection of seventeen bloody fine stories.

  I really mean it. No lemonade is being squeezed here.

  Given the at best variable quality of fan-generated writings, my expectations of In Memory were not exactly high. But I have to say that I was more than pleasantly surprised – far more, in fact. The quality of the writing is high throughout. The least polished of these stories is worthy of being commercially published, but in my opinion there are several standouts that deserve special mention:

"Thanks for the Memory Cards" by Luke Kemp would make for a brilliant short film in the hands of Simon Pegg, Nick Frost and Edgar Wright.

DK Mok's "The Heart of the Labyrinth" offers the kind of stealth philosophy, cloaked in the tropes of fantasy and mythology, of which Sir Pterry would have been proud.

"The Tale of the Storyteller" by Caroline Friedel is one of the sweetest tributes to our favourite author that I have yet seen.

In "The Vividarium", Steven McKinnon takes on Asimov and Clarke's clumsy attempts at humour and infuses them with a genuine sense of fun.

"Ackerley's Genuine Earth Antiques" by Michael K Schaefer upholds – proudly – the stylistic traditions of Fritz Leiber and Anthony Boucher with a light dusting of Connie Willis.

Co-editor Sorin Suciu's "Doris" is a classy enough tale to easily pass as golden-age Larry Niven.

  Also, kudos go to editors May and Suciu for delivering an almost unblemished example of careful proofreading (with the exception of the most chortle-inducing uncaught mistype since the Wicked Bible of 1631 – it's on page 264, in case you wondered), which is rare these days even in the output of major publishing houses.

  Each story in In Memory is followed by an afterword from its author, giving a brief overview of how it came into being and, of course, giving respect to Sir Pterry for inspiring them. The book is printed on decent quality paper and has a handsome cover – again, of a much higher quality than one might expect of a charity project. But most impressive of all, in my opinion, is that this collection represents a true labour of love. Nowhere did I find the slightest whiff of "I'm doing this to get my name out there in the industry" or "I'm doing this to make money". All seventeen authors – and the many others whose submissions couldn't be squeezed in – wrote their stories as a mark of the respect and admiration they felt for Sir Pterry, and as a way to give back for the joy his work brought into their lives. That kind of honesty is rarer than ye olde pearl of great price.

  To all of you out there who say you want to keep Terry Pratchett's name alive forever "in the Overhead", I say buy this book, because the more money is raised for research into Alzheimer's Disease and other forms of dementia, the closer we'll get to stopping or even reversing the ravages of the awful thief of memory... and the more of us will never forget him. The people who put their hearts and time into this project hope to raise £6,500 for Alzheimer's Research UK; so far, almost £1,100 has been raised. Let's all go for it, hmm?

Editor's note:

Prices for In Memory: A Tribute to Sir Terry Pratchett range from $13.99 on CreateSpace (_https://www.createspace.com/5759638_) down to $6.29 for a Kindle edition (_http://www.amazon.com.au/dp/B0163JZBLE?tag=sorsuc-20_). The ISBN is 1517603609, should you wish to source it elsewhere.

To read about the step-by-step making of this book, go to http://inmemorytribute.com/blog/

Also, check out these links:
http://inmemorytribute.com/
http://www.alzheimersresearchuk.org

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

12) IMAGES OF THE MONTH

From superfan and legendary Discworld auctioneer Pat Harkin, a certain travel accessory:
https://pbs.twimg.com/media/CZbp1bVWkAA-c1T.jpg:large

A photo album of the Orangutan Foundation UK's first twenty years: http://bit.ly/200mUJb

An action replay of sorts... this amazingly beautiful wall art of Sir Pterry and Gaspode by artist "RANDOM", featuring a quote from The Author about the reality of living with Alzheimer's, was featured on the Wossname blog last September, but it deserves another viewing. Here be the link to the post, with the image *and* the explanation of its location (the north Wales town of Buckley) and provenance: http://wossname.dreamwidth.org/21988.html

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

13) CLOSE

  And now, a word about orangutans.

  "Only 1 out of 6 orphans are lucky enough to be rescued. Care of these orphans is costly, as they require veterinary care to ensure that they are in a healthy condition and have the best chance of survival in the wild. From as little as £30 yearly you can make a real difference in helping these orangutans to survive! All adoption money goes directly towards helping orphaned orangutans in the Lamandau Wildlife Reserve."

For more information, go to:
http://www.orangutan.org.uk/how-to-help/adopt-an-orangutan

  Books, DVDs, cuddly toys, t-shirts and much more – a great way to help conserve our precious Librarians whilst enjoying your purchases:
http://shop.orangutan.org.uk/

http://www.orangutan.org.uk/how-to-help/make-a-donation
http://www.orangutan.org.uk/

  Meanwhile, the long-awaited Troll Bridge film has a beautiful new-look website and still no purported release date:
http://www.trollbridge.film/

  And that's the lot for January 2016. I hope everyone out there had a good holiday season and is having a reasonable start to the Year of the Sneezing Panda. See you next month!

– Annie Mac

ooooooooooooooooooooooooooooooooooooooooooooooooooo

The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

Copyright (c) 2016 by Klatchian Foreign Legion
wossname: (GNU Terry Pratchett)
By Steven D'Aprano

   The Clacks board game turns the climax of "Going Postal" completely around. Inspired by the infamous race between the Grand Trunk clacks company and the Royal Ankh-Morpork Post Office, in this game you try to race to Genua. But with a twist: you are working for the villains of the book, the Grand Trunk, and you're trying to beat the Post Office (represented by a cute little figurine of the Postmaster Moist von Lipwig – painted gold, of course).

   Presumably the Post Office has magical assistance, as the Postmaster speeds from town to town in the blink of an eye. Meanwhile, the Trunk is plagued by problems including Deep Downers, inconveniently placed golems with bright lights, substandard wick-trimming, Nugganites, roving reporter Miss Sacharissa Cripslock, and the dreaded Killer Poke. Fortunately you only have to transmit two short words. Can you beat the Post Office?

   And the race is on!

   "Clacks" is fundamentally a game of skill, with just enough element of chance to mix it up a bit. It is certainly a challenging game, but fun, and will especially suit people with good pattern-matching skills. To move forward, you have a limited number of Jacquards available to flip the tower's lamps from On to Off, or vice versa. There are sixteen lamps all up, and you flip some number of them by playing a Jacquard from your hand. If you succeed in making the code for the letter you are trying to transmit, you move your token one step closer to Genua. A system of Stress Points and Faults control how often breakdowns occur and how fast the Post Office moves.

   If you're the sort of person who loves coin flipping puzzles, you might love this game. Even if you aren't too fond of them, it can still be very enjoyable once you get how the lamp flipping system works. I feel that the game's recommended age range, seven to adult, is probably over-optimistic. It seems to me that the average seven year old would find the lamp flipping too difficult to be fun. I had a bit of trouble too, admittedly after a long and tiring day, but once I got past that, and could successfully transmit letters, I found the game very enjoyable.

   Clacks is a rich and complex game, with three different sets of action cards ("Operator's Log", "Incident Report", and "Maintenance Report"). There are three distinct games possible: a cooperative game where the players work together to beat the Post Office, a competitive game where players play against each other, and a "Junior Race Game" for two players using simplified rules. Don't be put off by the word "Junior", it's quite good for adults too, especially when you're still learning how to recognise letter patterns and play Jacquards to make new patterns. Plus there are a variety of optional rules which can make the game more interesting for those who have mastered the basic rules, so you won't get bored in a hurry.

   (Hint: if you're looking to make it even more of a challenge, you can limit yourself to playing only a single Jacquard each turn, as we accidentally did.)

   The quality of the physical game pieces is excellent, and BackSpindle Games certainly haven't stinted on the materials used. I especially love that the rule book is printed as a Haynes Operators' Manual. The game pieces are very well made, and the artwork is well-done but not quite to my taste. (A bit too dark, and not quite enough contrast to read the cards easily.) There's an unfortunate discrepancy where the manual refers to the Maintenance Report cards as "Fault Report" cards, and preparing the lamp tiles for the first time is a bit fiddly, but making up for that, there's a lovely secret message in the manual, hidden in plain sight.

   I have no hesitation in giving this game a thumbs up, and I certainly will play it again.
wossname: (Plays)
Uppingham Gets it Right

by Annie Mac

Readers of Wossname will by now recognise the name of the Uppingham Theatre Company, whose late-October 2015 production of Wyrd Sisters had a long and fascinating pre-production run-up that we featured over many issues. Being many thousands of miles from Uppingham, I was unable to attend a performance of the play in person, but techmaster Martin Baines kindly arranged to send a recording of one performance to me via clacks. And I am very glad he did – this is not the first amateur theatre rendering of Stephen Briggs' Wyrd Sisters play that I've seen, but beyond doubt it is the best.

Top marks go to Stephen Green and Meryl Vincent-Enright as would-be royal couple Duke and Duchess Felmet, especially to Ms Vincent-Enright for giving the Duchess that fine – and canonically accurate – balance of pompousness and murderousness that melds Lady Macbeth and Hyacinth Bucket. Mick Barker excels as the Fool, the miserable bells-festooned jester who is far from foolish. The scenes between the Duke and his Fool are among the best in the production. Also of special note is Andrew Chapman's turn as Vitoller, owner-manager of the company of strolling players who shelter the infant Rightful King of Lancre (well played as a young man by Geran Jackson), and George Larkin's as ghost of Verence I, recently-murdered Previous Rightful King of Lancre.

As for the Wyrd Sisters themselves, Joy Everitt's portrayal of Granny Weatherwax has just the right amount of Granny's famously tight-lipped "I can't be having with this". Holly Bertalan may not be anywhere near as (also famously) flat-chested as Magrat but she makes up for her lack of lack by hitting Magrat's New Age-y soppiness spot-on. And Gillian Kendon does a creditable Nanny Ogg, although I could have done with seeing more of Nanny's legendary sauciness that Ms Kendon only showed at the very end of the production as she danced off into the wings, kicking up her heels and displaying her "scandalous" bright red petticoat with correctly Oggish delight.

Vikki Shelton's direction is nicely timed, keeping the action moving along and getting the best projection from her players, and the entire cast achieves a satisfyingly low incidence of fluffed lines. But in many ways the shiniest star of this production is its technical excellence. Uppingham's Wyrd Sisters features the most professional-looking stage and costume design I have ever seen in an amateur theatre Discworld presentation. The sets are clever and striking, utilising well-planned back projection to create believable vistas – the wild Lancre moors, the streets (all right, street) of Ankh-Morpork, the vast-roomed, draughty expanses of Lancre castle and it gloomy dungeon. A round of applause goes to the aforementioned Martin Baines for his projection and projection design, and to stage manager Alan Jackson for ensuring that everything and everyone in this physically intricate presentation went smoothly. Bex Key and John Everitt discharged their lighting and sound duties superbly, but I think I'll have to award Man of, that is, Seamstres-, er, Needlewoman of the Match to Mandy Jackson for her design and creation of the wonderful costumes, especially the Duchess' extraordinary gown that looked to be of full-on telly costume drama quality.

What marks the Uppingham Theatre Company's production of Wyrd Sisters most of all is its sense of dedication – to detail, to the spirit of the chosen play, to making sure every member of the company gave their best from early days to the well-merited final bow. As producer-director, Vikki Shelton infused the entire process with indefatigable enthusiasm and all manner of promotional ideas, and most of all with sheer honest heart and soul. I do hope the company chooses to do another play from the series one of these days; based on the great showing of Wyrd Sisters, I would say Discworld is in great hands in Uppingham.
wossname: (GNU Terry Pratchett)
   It's less than a year since Sorin Suciu and Laura May first put out the call for submissions to a planned anthology of short stories on the theme of memory, with a bonus angle of humour, to raise funds for Alzheimer's Research UK as a loving memorial to the life and work of Sir Terry Pratchett. The response was immediate and wide-ranging, with stories offered by amateur and professional writers alike, and the final result – In Memory: A Tribute to Sir Terry Pratchett – has been praised by no less a luminary of humour fiction than Robert Rankin.

   Although I've spent many years reviewing Pratchett novels and associated Discworld "spinoff" books, map(p)s and other auxiliaries, I was unsure how to go about reviewing In Memory. But then I realised that the kernel of this review was already in the book itself, in an afterword by Charlotte Slocombe, author of Bubble Trouble, thirteenth story in this anthology: "Thank you for buying this book, because you never know who you might be saving." And there you have it. In Memory is a unique work, created as a combination tribute to Sir Terry Pratchett and as fundraising "merch" for the benefit of Alzheimer's Research UK. By purchasing a copy of In Memory, you're helping to keep the name of one of our most (rightly!) beloved authors alive in the world of literature and donating to a worthy and vital cause, but the glow of a good deed done isn't the only thing you'll come away with – because you'll also have the pleasure of reading a collection of seventeen bloody fine stories.

   I really mean it. No lemonade is being squeezed here.

   Given the at best variable quality of fan-generated writings, my expectations of In Memory were not exactly high. But I have to say that I was more than pleasantly surprised – far more, in fact. The quality of the writing is high throughout. The least polished of these stories is worthy of being commercially published, but in my opinion there are several standouts that deserve special mention:

"Thanks for the Memory Cards" by Luke Kemp would make for a brilliant short film in the hands of Simon Pegg, Nick Frost and Edgar Wright.

DK Mok's "The Heart of the Labyrinth" offers the kind of stealth philosophy, cloaked in the tropes of fantasy and mythology, of which Sir Pterry would have been proud.

"The Tale of the Storyteller" by Caroline Friedel is one of the sweetest tributes to our favourite author that I have yet seen.

In "The Vividarium", Steven McKinnon takes on Asimov and Clarke's clumsy attempts at humour and infuses them with a genuine sense of fun.

"Ackerley's Genuine Earth Antiques" by Michael K Schaefer upholds – proudly – the stylistic traditions of Fritz Leiber and Anthony Boucher with a light dusting of Connie Willis.

Co-editor Sorin Suciu's "Doris" is a classy enough tale to easily pass as golden-age Larry Niven.

   Also, kudos go to editors May and Suciu for delivering an almost unblemished example of careful proofreading (with the exception of the most chortle-inducing uncaught mistype since the Wicked Bible of 1631 – it's on page 264, in case you wondered), which is rare these days even in the output of major publishing houses.

   Each story is followed by an afterword from its author, giving a brief overview of how it came into being and, of course, giving respect to Sir Pterry for inspiring them. The book is printed on decent quality paper and has a handsome cover – again, of a much higher quality than one might expect of a charity project. But most impressive of all, in my opinion, is that this collection represents a true labour of love. Nowhere did I find the slightest whiff of "I'm doing this to get my name out there in the industry" or "I'm doing this to make money". All seventeen authors – and the many others whose submissions couldn't be squeezed in – wrote their stories as a mark of the respect and admiration they felt for Sir Pterry, and as a way to give back for the joy his work brought into their lives. That kind of honesty is rarer than ye olde pearl of great price.

   To all of you out there who say you want to keep Terry Pratchett's name alive forever "in the Overhead", I say buy this book, because the more money is raised for research into Alzheimer's Disease and other forms of dementia, the closer we'll get to stopping or even reversing the ravages of the awful thief of memory... and the more of us will never forget him. The people who put their hearts and time into this project hope to raise £6,500 for Alzheimer's Research UK; so far, almost £1,100 has been raised. Let's all go for it, hmm?

Editor's note:
Prices for In Memory: A Tribute to Sir Terry Pratchett range from $13.99 on CreateSpace (_https://www.createspace.com/5759638_) down to $6.29 for a Kindle edition (_http://www.amazon.com.au/dp/B0163JZBLE?tag=sorsuc-20_). The ISBN is 1517603609, should you wish to source it elsewhere.

To read about the step-by-step making of this book, go to http://inmemorytribute.com/blog/

Also, check out these links:
http://inmemorytribute.com/
http://www.alzheimersresearchuk.org
wossname: (GNU Terry Pratchett)
Here be a still from https://t.co/amBCEZ7bdL - as posted on the @terryandrob Twitter account. Hmm...


wossname: (Anthill inside)
"This is your chance to get in early for HALF PRICE (based on the adult ticket price). Book an "Earlybird" ticket for $11, from now until Feb 4th. After that deadline we revert to the normal ticket prices.

"THESE EARLYBIRD TICKETS APPLY TO THREE PERFORMANCES ONLY: Friday 15th, Wednesday 20th, and Thursday 21st April."

http://www.trybooking.com/175695

General info for Unseen's upcoming production:

When: Wed. 15th April to Sat. 30th April 2016; a Sunday 17th April matinee is to be confirmed
Venue: Bakehouse Theatre, 255 Angas St. Adelaide
Time: 7.30pm all evening shows; 2pm matinee
Tickets: Adults $22; Concession $18; Children $18; Groups (6+) $16; TREv $16; Families (2 A & 2ch.) $60; Preview all tix $15. To book online, go to www.bakehousetheatre.com Tickets also available at the door on the night, subject to availability. Box office opens 7pm.

http://bakehousetheatre.com/shows/wee-free-men

And here be an iconograph of some of the main cast in rehearsal:
wossname: (GNU Terry Pratchett)
Do you want a newly discovered Roundworld element named for the colour of magic? Of course you do!

An exciting surprise on Change.org...

"Petitioning IUPAC and 2 others

"Name new element 117 Octarine, in honour of Terry Pratchett's Discworld

"This petition is to name element 117, recently confirmed by the International Union of Applied Chemistry, as 'Octarine', with the proposed symbol Oc (pronounced 'ook'), in honour of the late Terry Pratchett and his Discworld series of books... a particularly pleasing choice because, not only would it honour a world-famous and much-loved author, but it also has an 'ine' ending, consistent with the other elements in period 17. Octarine is being counted as 'a mythological concept' under IUPAC rules, which state that elements must be named after "a mythological concept or character; a mineral, or similar substance; a place or geographical region; a property of the element; or a scientist". The Discworld stories are certainly stories about gods and heroes..."

To read the full petition, and to sign if you wish to, go to chn.ge/1mHR3dY

It's also been tweeted by Rob Wilkins, with the link, at https://twitter.com/terryandrob/status/684845900489977856 where Twitter account-holders can add a comment.

Thanks to Sir Jase of ozdw for the heads-up!
wossname: (Plays)
Just received an email from Susan Kronenberg, director of this forthcoming production...

The Sterling Playmakers will be performing 'Mort' in February!

When: 18th, 19th & 20th, 25th, 26th & 27th February 2016.
Venue: Sterling Middle School, 201 W. Holly Ave., Sterling, VA 20164
Time: all performances are at 8pm
Tickets: $12. For more information, or to buy tickets online, visit
http://www.sterlingplaymakers.com


wossname: (GNU Terry Pratchett)
My Independent Bookshop (_http://myindependentbookshop.co.uk_) has undergone a transformation for the new year. Here be extracts from the email Wossname received from their administrators:

We're closing our doors

    "In May 2014, we launched My Independent Bookshop as a community where book lovers could create and curate their own virtual bookshelves, connect with independent bookshops across the UK and interact with fellow bibliophiles.

    "On 21st December 2015, we'll be closing our doors in preparation for moving into the brand new http://www.penguin.co.uk/ in the New Year. Here you'll be able to find information on all Penguin Random House books and authors, as well as read regularly published articles on all things books.

    "Along the way, we have had an amazing amount of support from everyone we've worked with, from independent bookshops, authors, publishers and of course you – our virtual bookshop owners. Together you made the My Independent Bookshop community a vibrant place to show off our latest literary loves and discuss the books that meant something to us. Thank you for populating our virtual streets with your top picks, rave reviews and stellar shops. Over 20,000 books were put up on the shelves at My Independent Bookshop."

Sir Pterry was among those 20,000 recommenders. If any of you were also in that number, O Readers, we commend you for attempting to fight against the vile culture-destroying Beast of Amazon. Here's hoping 2016 will be the year that more and more people wake up and remember that keeping bookshops physical and local truly does matter...

"Vendor Librorum Floreat" – Flanders and Swann
wossname: Clacks rendering of SPEAK HIS NAME to keep Pratchett on the Overhead (Default)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2015 (Volume 18, Issue 1, Post 2)

********************************************************************
WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works and activities of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Wolfiekins
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)


oooooooooooooooooooooooooooooooooooooooooooo

INDEX:

01) MORE QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) ODDS AND SODS
04) THE WOSSNAME REVIEW: PHILOSOPHY AND TERRY PRATCHETT
05) ALZHEIMER'S NEWS
06) DISCWORLD CONVENTION NEWS
07) DISCWORLD PLAYS NEWS
08) DISCWORLD ARTS AND CRAFTS NEWS
09) DISCWORLD MEETING GROUPS NEWS
10) CLOSE

oooooooooooooooooooooooooooooooooooooooooooo

01) QUOTE OF THE MONTH

"If Pratchett is sometimes accused of literature, I hope this book makes the case that he can be accused of philosophy as well."

– James B South, speaking of Philosophy and Terry Pratchett

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

02) LETTER FROM YOUR EDITOR

Here we are in the final hours of January, and here is the (very long) Wossname review of Philosophy and Terry Pratchett as promised! See item 4. This really is a book worth having, in my opinion.

There are some very inventive fundraisers for Alzheimer's research these days. Read about two of them in section 5.

In the Odds and Sods section, one reviewer compares Pratchett unfavourably to Wodehouse, a vastly inferior writer – and before you start throwing brickbats, let me tell you that I loved Wodehouse's tales for a long time before Pratchett came along; now, when I go back to Wodehouse, as much as I love his character creations I find him rather a one-trick pony, his writing stilted to the point of tediousness... and yet when I go back even to Pratchett's earliest works they still sparkle with wit and invention.

And that's all I have time to say right now – the clock is ticking!

– Annie Mac, Editor

THE REST OF THIS ISSUE IS UNDER THE CUT. CLICK HERE TO READ! )
wossname: Clacks rendering of SPEAK HIS NAME to keep Pratchett on the Overhead (Default)
Wossname
Newsletter of the Klatchian Foreign Legion
January 2015 (Volume 18, Issue 1, Post 1)

********************************************************************
WOSSNAME is a free publication offering news, reviews, and all the other stuff-that-fits pertaining to the works and activities of Sir Terry Pratchett. Originally founded by the late, great Joe Schaumburger for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups, Wossname is now for Discworld and Pratchett fans everywhere in Roundworld.
********************************************************************

Editor in Chief: Annie Mac
News Editor: Vera P
Newshounds: Mogg, Sir J of Croydon Below, the Shadow, Wolfiekins
Staff Writers: Asti, Pitt the Elder, Evil Steven Dread, Mrs Wynn-Jones
Staff Technomancers: Jason Parlevliet, Archchancellor Neil, DJ Helpful
Book Reviews: Annie Mac, Drusilla D'Afanguin, Your Name Here
Puzzle Editor: Tiff (still out there somewhere)
Bard in Residence: Weird Alice Lancrevic
Emergency Staff: Steven D'Aprano, Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)

oooooooooooooooooooooooooooooooooooooooooooo

INDEX:

01) QUOTES OF THE MONTH
02) EDITOR'S LETTER
03) GOOD OMENS RADIO PLAY UPDATES
04) ODDS AND SODS
05) DISCWORLD LEGO: FINALLY A POSSIBILITY
06) REVIEWS: GOOD OMENS ON THE WIRELESS
07) CORY DOCTOROW RE-EXAMINES MONSTROUS REGIMENT
08) REVIEW: PHILOSOPHY AND TERRY PRATCHETT
09) DISCWORLD GAMES NEWS
10) DISCWORLD CONVENTION NEWS
11) ALZHEIMER'S NEWS
12) DISCWORLD ARTS AND CRAFTS NEWS
13) DISCWORLD MEETING GROUPS NEWS
14) ROUNDWORLD TALES: POLLY PERKS IN REAL LIFE
15) IMAGES OF THE MONTH
16) CLOSE

oooooooooooooooooooooooooooooooooooooooooooo

01) QUOTE OF THE MONTH

""But the writer I'd most like to make time to solve all our problems has to be Terry Pratchett. Down-to-earth, acerbic, skewerer of all pomposity and hilarious to boot: there's no one better equipped to put troubled souls back on the right track."

– journalist Alison Flood proposes Sir Pterry as an agony aunt


"In effect, one might claim that Granny Weatherwax is a Kantian (or Kant is a Weatherwaxian)."

– Jennifer Jill Fellows waxes Weatherwax-ical in Philosophy and Terry Pratchett, p.206

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

02) LETTER FROM YOUR EDITOR

In this issue you will find my rave review of the recent radio adaptation of Good Omens (item 6). And speaking of Pratchett works on the radio, the BBC has also recently presented an adaptation of Small Gods; great fun, and like Good Omens, it's still available for listening in all regions. Small Gods will run through the 31st of January. Here be the page for listening: http://www.bbc.co.uk/programmes/b00b1p28 -- and I'll be reviewing that in the next issue.

What you won't find in this issue is the full official Wossname review of Philosophy and Terry Pratchett. This is not because my review copy didn't arrive – it did, weeks ago, thanks to the very helpful Rebecca Krahenbuhl of Macmillan – or because I didn't like it – this certainly is not the case – or because I was ill, away, or plain lazy – yes to the first two but that's irrelevant, no to the third. No, the reason that I've not yet completed my review is because I've found that every one of the thirteen long essays in four section has merited a lot of thought and a fair amount of real-life discussion of the content and implications of each with various people... but at last I am nearly ready with my review, which will be posted in a supplement before the end of the month. In the meantime, go to item 8 for a mini-review plus amusing relevant placeholder.

Next month sees the USA release of Dragons at Crumbling Castle, at the end of the first week of February if I'm not mistaken. This is a truly delightful wee book, especially fun for reading aloud to children *and* adults. Enjoy!

And now, on with the show...

– Annie Mac, Editor

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

03) GOOD OMENS THE RADIO PLAY: NEWS

The Radio Times published an interview with Good Omens co-author Neil Gaiman. Like Gaiman's introduction to A Slip of the Keyboard, it's not all sweetness and light – nor should it be. As he says of the production, "Time is running out... I want Terry to be able to enjoy this while he's still able to enjoy it."

Here be extracts:

"TV and cinema have had 25 years to adapt Good Omens, a cult hit co-written well before Gaiman would be known for novels like Stardust or find new fame with Doctor Who, and a few years before Terry Pratchett's Discworld novels would see him become the biggest selling UK author of the 1990s. The pair, friends since Gaiman interviewed Pratchett as a journalist five years prior, would collaborate after the latter offered to expand on an idea Gaiman had about the birth of the Antichrist. In between their respective work on the Sandman comic book series and Discworld (then merely a modest four novels in), they would navigate the dark days before email by working together via phone and posting a floppy disk back and forth – a process which, today, sounds like something out of Downton Abbey... 'When Terry and I wrote it, we wrote it very nervously,' Gaiman remembers. 'You're writing a book with the Antichrist as the hero. You're writing a book where we were vaguely worried if we were going to have to track down Salman Rushdie and ask to sleep in his back room. Instead the book came out and people read it and re-read it and re-read it. We'd seen copies of Good Omens at signings, and they were books where it was impossible to have read it more than they had read it. They would be swollen, the pages would be dirtied. One lady turned up with a cover of loose pages in a plastic bag. So, just from that, it was one of these slightly bizarre phenomenons that it hadn't ever been successfully turned into anything... The saddest time was seeing [Pratchett] in January 2002 when he had Robin Williams on board to play Aziraphale and Johnny Depp was signed up for Crowley. He had about 50 million dollars committed from around the world, and he needed a Hollywood studio and a bit more money to go into production, and he was completely certain it would be easy. But he went off to America, post 9/11, and watched people telling him, because this was before Pirates of the Caribbean, 'nobody wants to see movies with Johnny Depp.' It all came crashing down around him and it was all very tragic. It's not that people hadn't tried, but the stars just never aligned...'

"For any fan who ever turned up to a signing with their book in a bag, the radio play itself is a joy, with hardly any of the prose's tone or tongue-bursting-through-cheek humour lost in the transition. It is also, miraculously, the 'most complete adaptation possible'. Even the book's array of wry footnotes survive. It is, in short, bloody ace..."

http://bit.ly/1vn3fi4

...and here we have another piece in which Gaiman tells the story of how Good Omens came to be written in the first place:

"I was a young journalist. He was a former journalist and Electricity Board PR, and a writer who had just published his second Discworld novel. I was the first journalist who had ever interviewed him. I remember we made each other laugh a lot. We laughed at the same things. We became friends. It was easy... an exchange in Marlowe's The Jew of Malta, combined with a late night viewing of The Omen and a love of Richmal Crompton's immortal Just William stories, had put a story into my head, about a demonic baby-swap that goes wrong, in which the Antichrist grows up to be a nice kid, with a dog and a gang. I wrote the first 5,000 words of William the Antichrist. It had a demon named Crawleigh. He drove a Citroen 2CV, and was ineffectual. Proper demons like Hastur and Ligur loathed him. It had a baby swap. I sent it to a few friends for feedback. Then my graphic novel Sandman happened, and it was almost a year later that the phone rang. 'It's Terry,' said Terry. ''Ere. That thing you sent me. Are you doing anything with it?' 'Not really.' 'Well, I think I know what happens next. Do you want to sell it to me? Or write it together?' 'Write it together,' I said, because I was not stupid, and because that was the nearest I was ever going to get to Michelangelo phoning to ask if I wanted to paint a ceiling with him..."

http://www.bbc.com/news/magazine-30512620

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

04) ODDS AND SODS

4.1 The Science of Discworld 2 USA release!

Science of Discworld 2: The Globe is finally being released in USA – this coming week! Copies will be available from 20th January in American bookshops. Meanwhile, if you're waiting or if you live elsewhere on Roundworld but never managed to purchase your copy of this delightful book, you can read the first chapter of tSoD2 online, thanks to Tor who have reprinted it with permission:

"Rincewind, Egregious Professor of Cruel and Unusual Geography, was cataloguing his rock collection. This was, these days, the ground state of his being. When he had nothing else to do, he sorted rocks. His predecessors in the post had spent many years bringing back small examples of cruel or unusual geography and had never had time to catalogue them, so he saw this as his duty. Besides, it was wonderfully dull. He felt that there was not enough dullness in the world..."

http://bit.ly/1BkFjDv

4.2 Long Earth 4 is The Long Utopia!

"The Long Utopia", fourth book in the Pratchett-Baxter "Long Earth" series, will be published in early June 2015.

The long blurb:

"2045-2059. After the cataclysmic upheavals of Step Day and the Yellowstone eruption humanity is spreading further into the Long Earth, and society, on a battered Datum Earth and beyond, continues to evolve. Now an elderly and cantankerous AI, Lobsang lives in disguise with Agnes in an exotic, far-distant world. He's convinced they're leading a normal life in New Springfield – they even adopt a child – but it seems they have been guided there for a reason. As rumours of strange sightings and hauntings proliferate, it becomes clear that something is very awry with this particular world.

"Millions of steps away, Joshua is on a personal journey of discovery: learning about the father he never knew and a secret family history. But then he receives a summons from New Springfield. Lobsang now understands the enormity of what's taking place beneath the surface of his earth – a threat to all the worlds of the Long Earth.

"To counter this threat will require the combined efforts of humankind, machine and the super-intelligent Next. And some must make the ultimate sacrifice..."

4.3 Are orangutans people? Of course they are!

A court in Argentina has ruled that Sandra, a Sumatran orangutan, is a non-human person with equivalent human rights, and as such no longer needs to reside in the Buenos Air es zoo:

"Sandra's case was taken up in November 2013 by the Association of Professional Lawyers for Animal Rights (AFADA). The lawyers argued that Sandra was intelligent and self-aware enough to understand and be negatively affected by her conditions, as well as being aware of the passage of time. The court agreed, and the judges unanimously voted in favor of a writ of habeas corpus for Sandra, deciding that she had been wrongfully imprisoned... Sandra was born nearly 29 years ago at a zoo in Berlin, Germany. For the last two decades, she has resided at the zoo in Buenos Aires. This lifetime of captivity is now coming to an end, as the court has decided she is free to leave the zoo and be relocated to a Brazilian wildlife sanctuary that will more accurately reflect the natural habitat of Sumatran orangutans... Though Sandra's case was successful in Argentina, similar cases in the United States have not been. Most recently, a NY court decided that a chimpanzee named Tommy who is privately owned did not qualify for legal personhood..."

http://bit.ly/1xFPbGn


4.3 The art and science of scientifically artistic science fiction!

An interesting piece by Susan Stepney in The Guardian, about writers of scientifically accurate SF:

"Many scientists and engineers acknowledge that science fiction helped to spark their imagination of what was possible in science (immersion in the genre from a young age might help explain why I now research unconventional computers). And science fiction authors are inspired by future science possibilities. But how do novel scientific ideas get into SF authors' heads in the first place?... Sometimes, authors just make things up, but untutored imaginings tend not to make the best science fiction. SF authors can ease their research burden by consulting the scientists. Jack Cohen, a reproductive biologist, has helped James White design his four-letter classification for alien species (we humans are DBDG), retconned Anne MacCaffrey’s dragons for her, and designed the life cycle of the grendels in Niven, Pournelle and Barnes's series The Legacy of Heorot.

"Writing, be it fiction or non-fiction, is usually a solitary task, but scientists often write in teams, each member bringing their own skill set to the collaboration. At one extreme we have Observation of a new particle in the search for the Standard Model Higgs boson with the ATLAS detector at the LHC by The ATLAS Collaboration, which boasts more than 3,000 authors, listed over eight pages; the text has an average of fewer than six words per named author. Most research papers are written by significantly fewer co-authors than that, but collaborative writing is the norm in science. There are also SF writing teams: brothers, spouses, or just colleagues. Some teams consist of a more established author providing some of the ideas, or even just the background world, and a younger up-and-coming author who does most of the writing work – not too dissimilar to a PhD supervisor and student, really. Team writing can also help the infusion of science ideas into SF. Pair an SF author and a scientist, and see what results. One great example of this approach is the quartet of Science of Discworld books by Terry Pratchett, Ian Stewart, and Jack Cohen. In each book, Pratchett writes a short Discworld novel that exhibits some scientific properties of interest; in alternating chapters, Stewart and Cohen then explain the underlying science..."

http://tinyurl.com/pru6pab

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

05) DISCWORLD LEGO: POSSIBLE AT LAST

Congratulations to GlenBricker, whose impassioned appeal to Discworld fans to support his "make Discworld Lego an official thing" project has now amassed the 10,000 supporters needed for Lego to officially move towards creating a Lego Discworld set!

Here is Lego's official response to the tally:

"Dear GlenBricker,

"Time has passed, which, basically, is its job, and now the Discworld project has arrived at 10,000 supporters. Congratulations! You've done well engaging Discworld fans online and getting the vote out for this rather unique project, featuring the Discworld itself and associated key character vignettes. At this we are thrilled to officially advance your project to the Review stage. In the mean time, don't get any funny ideas from staring at eggs and oranges ... or you'll go sailing off the edge!

"What happens now? This project moves from the Idea stage to the Review stage. A "LEGO Review Board" composed of designers, product managers, and other key team members will examine the idea. We'll build concept models and determine if the concept meets our high standards for what it takes to be a LEGO product. This includes factors such as playability, safety, and fit with the LEGO brand. Every potential LEGO product goes through a process like this and must meet the same standards.

"This project qualifies for the First 2015 Review, which includes projects that reach 10,000 supporters between early January and early May. For more information about the LEGO review process, please see the Project Guidelines and House Rules. The review is a thorough process and from its start, and can take several months. When finished, we make a "go/no go" decision to develop and sell a product based on the The Discworld project. When the review is complete, we will inform you of our decision. If green-lit, this project goes into the longest phase of the project; the Development phase. During this time, LEGO model designers refine the product and develop it for release, we create the product materials (box, instructions, marketing), and get everything ready for a production run. This also takes several months.

"We will post follow-up information and our decision here."

https://ideas.lego.com/projects/36302/official_comments

...and an article about it on Wired:

"The Discworld is the first project of 2015 to hit the required numbers and go forward for consideration for production. It's easy to see why, as it's a remarkable recreation of the setting for Terry Pratchett's beloved comic fantasy series of novels. The geography of the surface world is delightfully evoked in tiny brick form, and the four elephants and turtle – Great A'Tuin, to fans – are particularly striking. The set comes courtesy of designer GlenBricker (Lego Ideas log in required), who also created the Doctor Who set that is already under consideration. It's been a long time coming, first submitted over two years ago, but with a steady outreach campaign to both Discworld and Lego fans, it's close to approval..."

http://www.wired.co.uk/news/archive/2015-01/12/lego-discworld

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

06) REVIEWS: GOOD OMENS ON THE WIRELESS

6.1 THE RISING BOOKSELLER MEETS THE FALLEN ANGEL, AND IT ROCKS LIKE A ROCKING THING: A REVIEW OF GOOD OMENS

By Annie Mac

I have never been a fan of radio plays. Having tried a fair few across a number of genres, I always found that the picture of actors gathered round a microphone, scripts in hand, in a recording studio's vocal booth never left the forefront of my mind, and that persistent image would fray my suspenders of disbelief to snapping point; in fact, the only time I'd ever found a radio serial that *didn't* fray them was some thirty-five years ago when The Hitchhiker's Guide to the Galaxy was first broadcast. Sadly, when I listened to the first episode of the BBC radio play of Good Omens, that fraying effect came into play once more, and my disappointed comment to 'im indoors was along the lines of "I can see the script, but at least they read it well." But knowing that I was duty-bound to listen to and review the entire work, I transferred all six episodes to my Portable Dis-Organiser, slapped on a good set of full-ear headphones, and...

Yowzah!

This one is a beauty. This is a work of aural art that rises to the level of The Hitchhiker's Guide. This is... argh, come on Auntie Beeb, please please release this on CD *right now*!

If I had to choose just one thing about Good Omens: the Wireless Version to praise, it would be that it manages to bring the entire book to life without sacrificing any important bits or chopping and changing anything beyond recognition. The dialogue is verbatim, but far more importantly, the *essence* – the *feel* – of the source material is there in all its comedic glory. This is a harder thing to achieve than you might think: when it comes to transforming novels for the screen, for example, there are many instances of productions that were entirely faithful to the original book but seem flat and static, and also instances of the essence of a book being retained but only by making radical changes to the original plot and dialogue... so to get Good Omens so deliciously right is an achievement of high order. Of course, I shouldn't have been surprised, since this adaptation of Good Omens is by the rather awesome Dirk Maggs, who co-wrote and co-produced the original Hitchhiker's Guide radio serial.

The cast were almost entirely superb. Not a rum 'un in the bunch, but for me the standouts were Peter Serafinowicz as Crowley (gets my Best Actor of the Production award), Clive Russell as Shadwell (Man of the Match!), Julia Deakin as Madame Tracey, Josie Lawrence as Agnes Nutter (brilliantly used as a sort of postvital narrator), Colin Morgan as Newt Pulsifer, and Charlotte Ritchie as Anathema Device. Bouquets go to Rachel Stirling (War), Jim Norton (Death), Ron Cook as the intrepid International Delivery Man, and Phil Davis and Neil Maskell doing their best Two Rons impression as Hastur and Ligur; special mention also goes to the Four Other Horsemen as played by Mitch Benn (Big Ted), Ben Crowe (Greaser), Arsher Ali (Pigbog), and Mark Benton (Scuzz). An affectionate nod goes to Simon Jones (beloved by all of us olde-tyme Hitchhiker's Guide fans as the voice – and body, in the charming old BBC telly dramatisation – of Arthur Dent) as Mr Young, Adam's non-biological father. And the only reason that Mark Heap's turn as Aziraphale is missing from this list of honours is that he did such a good job of impersonating Anthony Stewart Head that I kept longing for Head himself to materialise in my mental film of the play. (And by the way, the authors' turn as ill-fated coppers chasing Crowley on the motorway was simply adorable.)

The pacing is flawless throughout the six episodes, the build of the story judged just right. By the time the climax of the story arrived in the final extra-length episode, I was grinning with delight. Kudos to producer Heather Larmour, and for that matter, to everyone on the sound team for making Good Omens a triumph of radio art.

Trivia: fans of Doctor Who may recognise Mr Briggs as the voice(s) of the Daleks, Cybermen, and various other Whoverse aliens, and likewise Rachel Stirling as Mrs Gillyflower's blind daughter in the episode The Crimson Horror.

A few small quibbles: I wish the cast hadn't decided to pronounce our favourite demon's name as "CROW-ley", which, if it *is* the authors' choice of pronunciation, must have come as a shock to the many millions of us who have been pronouncing it happily as "KRAU-ley, you know, like Aleister" for nearly a quarter-century now – it certainly did to me. I was likewise a bit uncomfortable with the way "Aziraphale" seemed to be randomly pronounced as "Azira-FELL" rather than the familiar-to-us-millions*** – and more usually used – "Azira-FAIL". But those quibbles are small in the light of the overall excellence of the production.

Congratulations all around to the creators of Good Omens the radio play. I imagine – hope! – this one will run and run as repeats on BBC radio. Now about those CDs...


[*** apart from my friend Sacharissa, who was astonished to find herself the only one I've ever known who thought it was supposed to be pronounced as AHH-zuh-RAH-ful-lee". No, really. – Ed.]

*

And a review by Melissa Baron on Chicago Now:

"Something magical happened over Christmas week on BBC Radio. BBC adapted and dramatized Good Omens into a radio broadcast comprised of six episodes. Starting the Monday before Christmas, one episode was released each night, covering the entire book (well, as much as they can for a radio broadcast). English actor Mark Heap voices Aziraphale, the angel, and English actor Peter Serafinowicz (you might recall him as Denarian from "Guardians of the Galaxy" and Pete from "Shaun of the Dead") as Crowley, the demon... t is seriously delightful. I laughed out loud often, and I gotta tell you, Serafinowicz was a fantastic choice for Crowley. I could listen to him rattle off the ingredients from a cookbook..."

And she also reprints the legendary "Heaven has no taste" conversation between Crowley and Aziraphale, so unless you happen to have that page marked in your own dead tree copy of Good Omens, it's worth visiting the link:

http://bit.ly/1sNnslt

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

07) MONSTROUS REGIMENT REDUX: AN ANALYSIS BY CORY DOCTOROW

Cory Doctorow, science fiction author par excellence and major Pratchett fanboy, thinks Monstrous Regiment may well be the finest Discworld novel:

"Monstrous Regiment's cast of characters are almost all unique to this book – there's a few Ankh Morporkians who play a pivotal role, but they are introduced as strangers to Polly and her comrades – meaning that no prior knowledge of the series is necessary to enjoy it. And enjoy it you will, I think. This novel shows off all of Pratchett's strengths to best light. First of all is his capacity for marvellous bathos: that is, countersinking serious, emotional moments with slapsticks, puns and light humor, keeping the mood swinging all around the compass, poking you in places you didn't know you had. Secondly, there's his characterization, which is epic. Pratchett fans love his people, and these people are some of his most lovable. And finally, there's the plotting, which is drum-tight, as the book reveals surprise after surprise, right up the very ending... Like all of Pratchett's best work, this one has its roots in classical material: the 16th century misogynist tract First Blast of the Trumpet Against the Monstrous Regiment of Women, the folk-song Sweet Polly Oliver, and, of course, the story of Joan of Arc. But like all of Pratchett's best work, this book bridges its classical sources to the present day, bringing feminist and trans themes to light along with contemporary ideas about religious wars, militarism, mercantilism and geopolitics..."

http://boingboing.net/2015/01/05/monstrous-regiment-the-finest.html

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

08) REVIEW: PHILOSOPHY AND TERRY PRATCHETT

...or not. But it's coming! For now I shall hold this space with a deathless little ditty by numerous persons called Bruce, aka Eric Idle. For those of you who might not be familiar with Monty Python's (in)famous "Philosophers' Song", I imagine YouTube will provide...

"Immanuel Kant was a real pissant
Who was very rarely stable
Heidegger, Heidegger was a boozy beggar
Who could think you under the table
David Hume could out-consume
Schopenhauer and Hegel
And Wittgenstein was a beery swine
Who was just as sloshed as Schlegel

"There's nothing Nietzsche couldn't teach ya
'Bout the raising of the wrist.
Socrates himself was permanently pissed

"John Stuart Mill, of his own free will,
On half a pint of shandy was particularly ill
Plato, they say, could stick it away
Half a crate of whiskey every day
Aristotle, Aristotle was a bugger for the bottle
Hobbes was fond of his dram
And Rene Descartes was a drunken fart ('I drink, therefore I am')
Yes, Socrates himself is particularly missed
A lovely little thinker but a bugger when he's pissed!"

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

09) DISCWORLD GAMES NEWS

The Backspindle gang wishes all Discworld fans a Happy New Year! And have ushered in the new year with a new newsletter – their very first! The link to it is below, but here is the most exciting part for Discworld fans:

"We have commissioned the wonderful Amber Grundy to create the artwork for Clacks. The cooperative game rules have been finalised and the game is due for release in summer 2015... A pre-order will be established in April 2015."

Here is the news, um, newsletter:

http://bit.ly/1GdEr6H

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

10) DISCWORLD CONVENTION NEWS

10.1 NULLAS ANXIETAS UPDATES

Danny and the Nullus gang write:

On April 10-12, 2015 in beautiful Parramatta, Sydney, NSW, Australia, you will experience the magic of MOVING PICTURES with a range of delightful activities for all types of Discworld fans.

* Special Guests Colin Smythe (in person!) and Rob Wilkins (via Omniscope!)
* Meet the stars of the silver screen at the Gala Dinner!
* Show off your costuming and/or acting skills in the "I Wanna Be A Star" Maskerade and XXXX Factor!
* Participate in Studio activities to ensure you make the best clickies possible!
* Test your knowledge of Discworld and Movies and their influence on each other in our Quiz!
* Support the Orang-utan Foundation and the Aboriginal Literacy Foundation at the Charity Auction!
* Be crafty with chain maille, knitting, card-making and more!
* Can you sing? Dance? Handle a sword a little? Learn all these skills and more at our workshops!
* And much much more! With one thousand elephants!

For information on all of the above in a lot more detail, head over to our website at http://ausdwcon.org

You can even get a lovely NAV t-shirt and coffee cup too! (Shipping to Australia and the UK): http://ausdwcon.org/shop/souvenirs/

www.facebook.com/Ausdwcon
https://twitter.com/NullusAnxietasV


10.2 NADWCON 2015 UPDATES

From the Seamstresses:

"The Discworld panels and events will be spread throughout the five days of this convention. DW meets are planned via various guilds, as well. A Discworld / Steampunk dance is being discussed for the first night. A DW parade has been proposed. The (in)famous Seamstress Guild party will be at least one night, and perhaps every night, if we have enough volunteers to help. DW fans will be active in the Art Show, as well as the fabulous Worldcon costuming events and workshops. We hoping to help organize a pub crawl or two, as well. There will be workshops and classes and filking around DW themes, and a YA track, as well. And then you'll have 5,000 people from all over the world - many of whom are DW fans we haven't met yet - to play with in a gorgeous setting. (Don't even get me started on their Dealer Room). Because this is a Worldcon, fans will hear panelists and speakers we could never get at a NADWCon. And Old friends will be coming as well. Worldcons always offer fascinating programs for anyone who loves stories. We hope you can join us. If you want to help make this a memorable event for DW fans, please consider volunteering. It's a great way to make new friends."

And from Sasquan:

"Various North American Discworld Guilds have been invited to organize and host Discworld fan meets at Sasquan and these include: The Seamstress Guild (famous for its parties, it has many decorators, costumers and performers among its members), the Alchemists (our science minds), the Cunning Artificers (arts & crafts), Discworld Musicians and Singers (for filking and other fun), Engravers & Printers (our writers and editors), the Dark Clerks (folks who like to organize both paper and people behind the scenes), our fabulous Bakers (lovers of food and drink who may be leading some of our pub crawls), the Witches & Wizards (cunning women and men who love history, myth, and folklore), various DW Family Groups, the Black Ribboners (DW folks in recovery), and more.

"The North American Seamstress Guild will be hosting its famous parties at this convention, and a Discworld exhibit will be mounted in the convention's Exhibition Room. Discworld fans are invited to submit their art to the Sasquan Art Show, and costumers should consider entering the famous Worldcon Costume Masquerade. The Programming and Events departments are working with notable fans and attendees from around the world to create a fascinating Discworld-themed track for fans."

https://www.facebook.com/sasquan

To purchase your membership for Sasquan, go to https://sasquan.swoc.us/sasquan/reg.php


10.3 CABBAGECON 2015 UPDATES

This year's theme will be the Assassins' Guild orientation weekend:

"Ever wanted to be a member of one of the most prestigious guilds in Ankh Morpork? Now is your chance! The famous Assassins' Guild has announced that their orientation weekend in 2015 will be held at Cabbagecon 3, the Dutch Discworld convention. Representatives of four of the Guild Houses will be present at the convention to see if the convention members have the skills and dress sense necessary to make it as an Assassin. Our guest of honour is translator Venugopalan Ittekot, who will give an exclusive presentation about a very special project."

Cabbagecon 3

When: 27th and 28th June 2015
Venue: Golden Tulip Hotel, Val Monte, Berg en Dal (near Nijmegen, not far from the eastern border)
Tickets: €40,00 (children, seniors, students €35)

http://www.dutchdwcon.nl

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

11) ALZHEIMER'S NEWS

11.1 RUNNING FOR ALZHEIMER'S RESEARCH

Spare a thought for PCA sufferer Paul Bulmer, who ran the Essar Four Villages Half Marathon last Sunday (18th January 2015). Mr Bulmer, a former IT consultant who was diagnosed with PCA in 2012, said, "Although I've had to give up my job, stop driving and need help with many day-to-day things, I like to concentrate on what I can do rather than what I can't. I have always been a runner, purely for pleasure. Now I run with guide runners because of my visual processing difficulties. It's a challenge these days, but I want to run for as long as I am able. My diagnosis has closed many doors for me but I've been pleased to find it's opened others. My local running club has taken me to heart and I've made new friends as a result. The only answer to dementia is research and I plan to do everything I can to help Alzheimer's Research UK find the preventions and treatments so urgently needed."

Last year Mr Bulmer completed the 2014 race accompanied by Paul Eccles and support runners David and Stephen Wiggins from Helsby Running Club, in a time of 1.07:31. On that occasion he raised more than £600 for the charity and hopes to raise far more in 2015.

From the Chester Chronicle:

"Jodie Vaughan, community fundraising manager at Alzheimer’s Research UK, praised Paul’s spirit and commitment. 'We couldn't be more grateful to Paul for taking on the Four Villages Half Marathon for Alzheimer’s Research UK and we wish him every success on the day,' she said. 'He's a true inspiration to many and is proof that a dementia diagnosis doesn't have to stop you leading a rewarding and fulfilling life. Every £20 Paul raises is enough to pay for an hour of pioneering research, bringing us closer to finding ways to diagnose, prevent, treat and cure Alzheimer's disease and other forms of dementia.'"

To sponsor Paul, visit www.justgiving.com/paul-bulmer2

For more information about Alzheimer's Research UK, or to find out more about fundraising for the charity, call 0300 111 5555 or visit www.alzheimersresearchuk.org

http://bit.ly/1IVs634


11.2 SLOW DEATH, WITH DIGNITY

The normally irritating-as-an-irritating-thing journalist and author Bryan Appleyard has written a very good article on a number of arts giants who have chosen who rage – or joke – against the dying of *their* light. The main focus is on the slow fade of mighty Clive James, but here be a relevant bit:

"The fantasy writer Terry Pratchett may have been less fortunate with his diagnosis of Alzheimer’s in 2007, because that condition will stop him writing well before the end. But the very fact that he blithely called the disease an “embuggerance” suggested continuing creativity, and, indeed, until recently he has been bouncing along with writerly good humour. He was, immediately after the diagnosis, startled to find this quality still intact. 'The day after I had been diagnosed,' he told me, 'I was working in the garden and I suddenly realised I was whistling ... there is this sort of inner well of humour or good nature, there is some kind of insuppressible source of good humour that I can’t actually manage to get rid of'..."

It's a good, strong piece, originally published in the Sunday Times. I would say "recommended reading" and give you a link, but sadly in the time it took me to come back to the article to grab a quote, Evil Uncle Rupert's minions stuck it behind a paywall. And there I was, about to post the link with a comment that I have – for many decades – found the Australian-born Mr James such an awe-inspiring tower of intellectual acumen and brilliant wordsmithing that he almost makes up for the existence of Australian-born Rupert Murdoch. If I were in charge of The Duty, I know for certain which one of them I'd choose to reap first and which one would be given a sly top-up of sand in his lifetimer. So it goes... – Ed.


11.3 NEW TECHNIQUE FOR EARLY ALZHEIMER'S DETECTION

In SciTech Daily:

"No methods currently exist for the early detection of Alzheimer's disease, which affects one out of nine people over the age of 65. Now, an interdisciplinary team of Northwestern University scientists and engineers has developed a noninvasive MRI approach that can detect the disease in a living animal. And it can do so at the earliest stages of the disease, well before typical Alzheimer's symptoms appear. Led by neuroscientist William L. Klein and materials scientist Vinayak P. Dravid, the research team developed an MRI (magnetic resonance imaging) probe that pairs a magnetic nanostructure (MNS) with an antibody that seeks out the amyloid beta brain toxins responsible for onset of the disease. The accumulated toxins, because of the associated magnetic nanostructures, show up as dark areas in MRI scans of the brain. This ability to detect the molecular toxins may one day enable scientists to both spot trouble early and better design drugs or therapies to combat and monitor the disease. And, while not the focus of the study, early evidence suggests the MRI probe improves memory, too, by binding to the toxins to render them 'handcuffed' to do further damage..."

http://bit.ly/1BMFqXv

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

12) DISCWORLD ARTS AND CRAFTS NEWS

12.1 PAUL KIDBY'S "DISCWORLD MASSIF" LIMITED EDITION: COPIES STILL AVAILABLE

"This is a unique collectors print featuring 77 favourite characters from the realms of Terry Pratchett's Discworld. Each print is hand signed and numbered and the edition is limited to only 2000 copies worldwide. Dimensions: 714mm x 475 mm. Prints will be despatched rolled in tissue in a postal tube."

Prices are UK £50, Europe £55, Rest of World £60

http://www.paulkidby.net/index.php/shop/art-shop


12.2 DISCWORLD EMPORIUM 2015 UPDATES

Some superb new merchandise for 2015!

The official Sonky Poster ("cheaper than children")!

"Add a touch of light relief to your walls with a cheeky Discworld poster from Ankh-Morpork's famous Sonky Bros!
Originally featured in the Compleat Ankh-Morpork, this humorous advertisement for Ankh-Morpork's renowned purveyors of rubber goods has been recreated as a traditional wall poster by popular demand! Printed for us the old fashioned way by the folk at Stamp Press, each poster has been lovingly screenprinted for your pleasure onto heavyweight textured fine art card. Each poster measures 300 x 420mm. Shipped in a sturdy postal tube."

Priced at £10.00 each. For more information, images, and to order, go to
http://www.discworldemporium.com/Sonky%20Poster

The sword of a certain anthropomorphic personification!

"A weapon that can reap royal souls, slice shadows and cut through air, sound and time! This magnificent miniature replica of DEATH's sword is cast in pewter with a dead cool satin finish! Featuring exquisitely detailed skull motifs, bone hilt, and Death's own personal Infinite Omega monogram, this fantastical weapon is self supporting, with a double hilt enabling it to be easily and stylishly displayed on your geek shelf! Sword Measures 155mm x 42mm and is presented in a Discworld Emporium gift box. Made for us by award-winning craftsmen in Birmingham's historic Jewellery Quarter."

Priced at £25.00 each. For more information, images, and to order, go to
http://www.discworldemporium.com/DeathSword

The Great Lighthouse of Ephebe stamp minisheet!

This cultural issue from the Ankh-Morpork Post Office celebrates the beacon of hope, and more recently inevitable despair that greets mariners to the ancient city of Ephebe. Since its Relocation inshore, the Great Lighthouse provides entertainment to stranded sailors awaiting rescue. Created to a design by Pythagonal using the Golden Rule and the five Aesthetic Principles, it is a marble monolith of undisputed beauty and cultural importance.
Each sheet and presentation card are standard A6 postcard size for ease of display, the sheet consists of six stamps measuring 35 x 38mm."

Priced at £5.00 each. For more information, images, and to order, go to
http://www.discworldemporium.com/Lighthouse%20of%20Ephebe%20Minisheet

The Emporium says, "Wishing you all a fantastical year ahead."

http://bit.ly/1KT0TC0

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

13) DISCWORLD MEETING GROUPS NEWS

The Broken Drummers, "London's Premier Unofficially Official Discworld Group" (motto "Nil percussio est"), meets on the first Monday of every month at the Monkey Puzzle, 30 Southwick Street, London W2 1JQ: "We welcome anyone and everyone who enjoys Sir Terry's works, or quite likes them or wants to find out more. We have had many visitors from overseas who have enjoyed themselves and made new friends. The discussions do not only concern the works of Sir Terry Pratchett but wander and meander through other genres and authors and also leaping to TV and Film production. We also find time for a quiz. The prize is superb. The chance to set the quiz the following month. If you enter via the beer garden, you will find us at the opposite end of the pub. If you have any problems, the staff can direct you."

Next meeting: Monday 2nd February 2015

The Drummers' January meet report:

"So Drummers met on Monday. I always expect low numbers in January but in the end we had a pretty good turnout.
Having put off writing the meeting report for a few days I am struggling to remember what happened.Tim W. did a quiz on New Year. Eunice was the clear winner due to her knowledge of the Chinese Zodiac. She has agreed to do the next quiz.
I also recall a conversation about Bill becoming like the gamekeeper in Lady Chatterley's lover. Funny the things that stick in your mind."

For more information, go to http://brokendrummers.org/ or email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk

*

The Pratchett Partisans are a new fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett". Forthcoming events include a dinner and games night on the 29th of January. For more info about their next meetup, go to www.meetup.com/Pratchett-Partisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods is a group for fans in Adelaide and South Australia: "We have regular monthly dinner and games nights, longer games days, plus play outings, craft-y workshops, and fun social activities throughout the year. For more info and to join our mailing list, visit http://cityofsmallgods.org.au "

*

The Broken Vectis Drummers meet on the first Thursday of every month from 7.30pm at The Castle pub in Newport, Isle of Wight.

Next meeting: Thursday 5th February 2015, probably, but do email to check.

All new members and curious passersby are very welcome! For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) meets on the first Friday of every month at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

Next meeting: Friday 6th February 2015 (probably).

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005 but is now looking to take in some new blood (presumably not in the non-reformed Uberwald manner). The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles.

Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder) meet on the first Monday of every month in Sydney at 3 Wise Monkeys, 555 George Street, Sydney,2000.

Next meeting: Monday 2nd February at 6.30pm (probably). For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

The Treacle Mining Corporation, formerly known as Perth Drummers, meet on the first Monday of the month (subject to holidays) at the child-friendly Carpe Cafe, 526 Murray Street, Perth, Western Australia.

Next meeting: from 5.30pm on Monday 2nd February 2015 (probably).

For details follow Perth Drummers on Twitter @Perth_Drummers and Facebook https://www.facebook.com/groups/Perth.Drummers/ – otherwise message Alexandra Ware directly at <alexandra.ware@gmail.com>

*

Western Drummers, also based in Sydney, meet at The Rowers, Nepean Rowing Club, Bruce Neal Drive, Penrith at 6.30-7.30pm for food, 7.30pm for games, quizzes and chat: "If you have never been, please come on down. You would be very welcome. We eat, have a drink, talk Discworld and play board games. Starts kind of 6 – 6.30ish and finishes kind of 9pm ish."

Next meeting: as there was a meeting last week, the next will probably be in mid-January. For more information, contact Nanny Ogg – lewis_oz@bigpond.com – or visit their Facebook page:

https://www.facebook.com/westerndrummers

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14) ROUNDWORLD TALES: POLLY PERKS IN REAL LIFE

Milunka Savic, the most-decorated female combatant in the entire history of warfare, fought in the Balkan Wars and in World War I. Born in 1890 in Serbia, Savic led a "normal" girl's life until her brother was called to service in the Second Balkan War; like Polly Perks, she cut off her hair, put on men's clothing and went off to join the army, but unlike Polly she did so in her brother's place. She received her first medal almost immediately and was promoted to the rank of corporal in the Battle of Bregalnica, but when she was wounded in battle her "secret identity" was revealed.

Amazingly, her commanding officer refrained from punishing Savic in any way because she had already been in ten battles and had an outstanding record as a soldier. But the Serbian army was equally reluctant to send a known young woman back into battle. According to one source, "She was offered a transfer to the Nursing division. Savic stood at attention and insisted she only wanted to fight for her country as a combatant. The officer said he'd think it over and give her his answer the next day. Still standing at attention, Savic responded, 'I will wait.' It is said he only made her stand an hour before agreeing to send her back to the infantry."

Savic won a number of medals in the first world war – she was the only female to win the Croix de Guerre with Gold Palm for the 191401918 war. After being demobbed in 1919 she faded from public notice and was not rediscovered until the late 1960s. By then she was living in some difficulty, but the public reaction to her early military prowess resulted in Savic being given a house and a pension. Savic died in 1973 at the age of 84; no item of clothing or equipment bears her name, but there is a street in Belgrade named for her.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

15) IMAGES OF THE MONTH

Happy New Year from Paul Kidby's Hamish the Aviator (complete with Tiffany Aching's underwear parachute):
http://bit.ly/15cbszO

Marvellously moody portrait of Nanny Ogg and Greebo, by Marc Simonetti:
http://bit.ly/1xVTjlD

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

16) CLOSE

Just before I hit Send, let's look back to Tony Adler's finely written review in the Chicago Reader of Lifeline Theatre's production of Monstrous Regiment last July. Includes a good cast photo, too:

http://bit.ly/1udRCPT

As hedgehogs are dear to all Discworld fans, we note that Barbara Roberts, founder of the Withington Hedgehog Trust, has been awarded a British Empire Medal in recognition of her work.

And that's the lot for now. See you soon, with more news and reviews!

– Annie Mac

ooooooooooooooooooooooooooooooooooooooooooooooooooo

The End. If you have any questions or requests, write: wossname-owner (at) pearwood (dot) info

———————————————————————————————————
Copyright (c) 2015 by Klatchian Foreign Legion
wossname: Clacks rendering of SPEAK HIS NAME to keep Pratchett on the Overhead (Default)
WOSSNAME

Newsletter of the Klatchian Foreign Legion


January 2014 (Volume 17, Issue 1, Post 1)

********************************************************************
WOSSNAME is a free publication for members of the worldwide Klatchian Foreign Legion and its affiliates, including the North American Discworld Society and other continental groups. Are you a member? Yes, if you sent in your name, country and e-mail address. Are there any dues? No! As a member of the Klatchian Foreign Legion, you'd only forget them...

********************************************************************
Editor in Chief: Annie Mac
News Editor: Fiona (not Bruce) Bruce
Newshounds: Vera, Mogg, Sir J of Croydon Below, the Shadow
Staff Writers: Asti, Alison Not Weatherwax, Steven D'Aprano, L.C. Wynn-Jones
Convention Reporters: Mithtrethth Hania Ogg et al
Staff Technomancer: Jason Parlevliet
Book Reviews: Drusilla D'Afanguin
Puzzle Editor: Tiff
Bard in Residence: Weird Alice Lancrevic
DW Horoscope: Lady Anaemia Asterisk, Fernando Magnifico, Kevin
Emergency Staff: Jason Parlevliet
World Membership Director: Steven D'Aprano (in his copious spare time)


Copyright 2014 by Klatchian Foreign Legion

oooooooooooooooooooooooooooooooooooooooooooo

INDEX:

01) LETTER FROM THE EDITOR
02) DISCWORLD PLAYS NEWS
03) THINGS PRATCHETT FANS SAY
04) DISCWORLD GROUPS MEETING NEWS
05) IMAGES OF THE MONTH
06) CLOSE


oooooooooooooooooooooooooooooooooooooooooooo

01) A LETTER FROM YOUR EDITOR

So, has everyone recovered from the holidays? Good! That makes all of you and none of me (insert weak smile here). But January is traditionally a quiet month in Roundworld, so this issue is very small (but perfectly formed, I hope). I did promise some reviews – specifically of The Carpet People USA hardcover, the new hardcover Mort, and Dodger's Guide to London. These shall follow either in a week or so, or early in February. But in the meantime, there are some bits and pieces of information that won't wait!

First, for you readers living in or intending to visit the dreaming spires of Oxford next month, there's still time to get tickets for OrangAid! This is a fundraiser for our Librarians (note uppercase) with some very special non-orange-ape guests:

"Join the Sumatran Orangutan Society for an evening of comedy in aid of conservation on Monday 3 February 2014. The show will be headlined by Bill Bailey, and also features Rob Newman, Tony Law, Sara Pascoe and Paul Foot. All proceeds will support the charity's work to protect orangutans and their rainforest homes."

The show will take place at New Theatre Oxford, George Street, Oxford OX1 2AG. Tickets are £27.90 to £38.90 plus a £2.85 transaction fee.

Here be the link for ticket purchase and other information:

http://www.atgtickets.com/shows/orangaid-with-bill-bailey/new-theatre-oxford/

To find out more about the Sumatran Orangutan Society (SOS), you can follow them on Facebook – http://www.facebook.com/orangutanssos – and Twitter – http://twitter.com/orangutanssos

It says "Adult content, may contain swearing. Parental discretion advised" on the tin, by the way. Swearing? From Bill Bailey? Surely not...

*

Speaking of visiting southern Britain, reader Rebecca is seeking advice for Discworld tourism in London. She has written to WOSSNAME:

"Hi, Would it be possible to ask your fine readers if there is anything Pratchetty to see while visiting London? I am going to be there in 2015 and would LOVE to see anything that might be along those lines. :) Thanks!"

Responses via your Editor, please! It's worth noting that Rebecca is vegan, so don't suggest any visits to fish and chip shops...

*

I came across an amusing moment in the life of one Erica SadunJan:

"Last week, I picked up a copy of The Long Earth by Terry Pratchett and Stephen Baxter at the library. The book was sitting there on the shelf. I had heard some reasonably good buzz about it. So when it caught my eye, I did something I haven't done in a while. I checked out a dead-tree version. I also did something I had never done before. As I was reading the book, I stumbled across an unfamiliar word and, rather hilariously, ended up tapping the printed page until it finally occurred to me that the book wasn't going to offer me built-in dictionary and Wikipedia access..."

http://tinyurl.com/lktep2t

And onwards...

– Annie Mac, Editor

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

02) DISCWORLD PLAYS NEWS

2.1 GUARDS! GUARDS! IN KNEBWORTH


When the Knebworth Amateur Theatrical Society's production of Guards! Guards! had to be cancelled at short notice last November due to a medical emergency, KATS secretary Jo Simpson assured us that the production would go ahead early in the new year. And that's just what's happening next week! Jo Simpson says:

"The Dragon is back! KATS planned to bring you this spectacular show, featuring light and sound effects and a flying dragon, in November. However, we hit a major stumbling block when a key team member, our technician Graham Dormer, had a heart attack the Saturday before curtain up. We are delighted to report that Graham is now in much finer fettle, and we are able to offer you a flying start to the New Year. As well as Graham’s heart attack, one of the actors fell ill but it will all be worth it as it is a very funny play. A stellar cast who take on a multitude of roles, make this one of the best plays KATS have ever put on stage. Featuring the voice of Graham Dormer as the Dragon.

"To put on the play, Terry Pratchett asks that amateur groups give a donation to an Orang-Utan charity. If you've enjoyed the play, we would encourage you to do so too."

When: Thursday 23 – Saturday 25 January 7.45pm
Venue: Knebworth Village Hall, Park Lane, near the train station (08457 484950 for arrival and departure times)
Time: 7.45pm (doors open at 7.15pm)
Tickets: £7 or £6 concessions from (01438) 814166 or 07952 199183 or Village News, Station Road, Knebworth.


There will be tea and coffee at the interval and a licensed bar before and at the interval

Getting there: http://www.knebworth.org/Pages/Information/travel.html

http://www.katsdrama.info/

2.2 MORT IN CARDIFF

Monstrous Productions, already old hands at producing Pratchett plays, will be presenting their new production of Mort at the end of this month. "Monstrous Productions is a Cardiff-based Theatre Company that specialises in the performance of adaptations of novels by Sir Terry Pratchett, the proceeds of which are donated to Alzheimer's Research UK. We are entirely funded through sponsorships, fundraisers and investors; we are currently sponsored by Barclays bank, Cardiff University and are backed by Alzheimer's Research UK."

When: 29th January – 1st February 2014
Venue: the Gate Arts Centre, Keppoch St, Cardiff CF24 3JW
Time: 7pm
Tickets: £8.00 (Concession £6.00). To buy online via PayPal or to reserve to pay on the door, go to http://7889269b08cd.fikket.com/


"Tickets can also be reserved by emailing us at monstrousproductions2012@gmail.com, or bought directly from the Gate Theatre, although we do encourage buying directly from us... 2 weeks to go and tickets are selling much faster than last time and seeing as we sold out on the Saturday last year we would recommend pre-booking if you intend to come on the Friday or the Saturday.

"We are extremely proud to announce that Carpe Jugulum raised an impressive £3100 for Alzheimer's Research UK! Thank you to everyone who came to watch, we couldn't do it without your support."

http://www.monstrousptc.com/

2.3 MAKING MONEY IN SALISBURY

Studio Theatre of Salisbury, whose production of Going Postal last year was greatly enjoyed and praised by Sir Pterry himself, will present another Discworld spectacular – Making Money, this time – in March. Chris Hawley of the theatre group says, "Like last time, we expect this show to sell out so to avoid disappointment best to book early. This is what Sir Terry said about Going Postal ...' This was so well done that I wish I had written a better book! I loved the voices, because it has to be about the voices. It was done so people could see it and have a lot of fun. If they (Studio Theatre) wanted to do some more Discworld, I would be here in the front row.'"

When: 20th February-1st March 2014 (no performances on Sunday 23rd or Monday 24th)
Venue: Studio Theatre, Ashley Road, Salisbury, Wiltshire SP2 7TN
Time: 7.30pm
Tickets: from Salisbury Information Centre, phone 01722 342860


http://www.studiotheatre.org.uk/

2.4 WYRD SISTERS IN BRIGHTON

Brighton Little Theatre will present their production of Wyrd Sisters in February.

When: Tuesday 28th January through Saturday 1st February 2014
Venue: Brighton Little Theatre Company, 9 Clarence Gardens, Brighton, East Sussex, BN1 2EG
Time: 7.45pm
Tickets: £9.00 "Book through our website at www.brightonlittletheatre.com or our telephone booking service on 0844 888 0432."
Box Office: 0844 888 0432
Enquiries: 01273 777 748 or email info@brightonlittletheatre.com


Tickets must be collected 15 minutes before the show start time

http://brightonlittletheatre.ticketline.co.uk/wyrd-sisters

http://www.brightonlittletheatre.com/

2.5 WITCHES ABROAD IN PORTSMOUTH

Collingwood RSC Theatre Group will be presenting their production – a world premiere, no less – of Witches Abroad in March.

When: Wednesday 26th through Saturday 29th March 2014
Venue: HMS Collingwood, Newgate Lane, Fareham, Portsmouth, PO14 1AS
Tickets: £6, available via the box office (07502 037922)


https://www.facebook.com/hmscollingwoodrsc

2.6 MEN AT ARMS IN KEW

The Q2 Players, "Kew's Leading Amateur Theatre Group", will present their production of Men at Arms in April.

When: Thursday 3rd – Saturday 5th April 2014
Venue: Kew Community Centre, St. Luke's in The Avenue, Kew, Richmond, Surrey TW9 2AL
Time: Thurs-Sat shows at 8pm; Sat Matinee 2.30pm
Tickets: £8 (concessions £6) Box office TBA; email q2players@gmail.com


http://www.q2players.org.uk/Q2_Players/Upcoming_Show.html

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

03) THINGS PRATCHETT FANS SAY

A fan letter on Facebook, from Andrew Spittal:

"I read Mort at the age of 14. From there, I discovered a world deeper than the Lord of the Rings, more detailed than Narnia, and more enjoyable than any other fantasy series I had then read in my young adult life. Then it all went black... The pressures of adulthood took hold, and I was lost amid a sea of expectations. The same feeling can be achieved from repeatedly dipping one's head in ice-cold cider, and, between dunkings, being hit around the face with a velvet glove filled with empty promises. It was worse than horror. My girlfriend salvaged me from this. She bought me a new copy of the Discworld roleplaying game this Hogswatch (Christmas).

"Now, I must admit, I'm back with a vengeance. Not the little vengeance, that creeps upon you like a burglar in the night, but rather like the vengeance that kicks in your door, punches your elderly grandmother round the chops, then helps itself to pork pie and wine before singing "Auld Lang Sine", and then exiting just as mysteriously as it had arrived. And all this magic I have to thank you for. My hero, my author, my man. Terry Pratchett, esq."

Amanda Vornauf says...

"I have read almost all of your books. Yesterday I introduced my 10 year old to your wee free men book series. She loves to read but most books don't interest her enough to finish them. However she is gladly reading the first book without my prompting her. Also we just discussed spending some of her chriatmas money on buying the rest of the book series for her. Thank you Sir Terry Pratchett! For writing books I love, and also writing books my daughter loves as well! 2 Generations of Discworld Readers!"

Ds Span says...

"Dear Sir Prattchett, Just joined in so I could thank you for the Turtle...She really moves!!!"

Steam buff Derek King and his eerily-named (he says) family say...

"Dear Mr Pratchett – I have just finished your latest tome 'Raising Steam' and being a steam railway buff, it was right up my street, so to speak. However I must take you to task on certain character names you used, Harry King indeed! and his wife 'Effie' who had a nickname 'Spike' – I have to tell you my name is Derek King, my wife is Yvonne, affectionately known as 'Effie' and we have a Cockatiel named Spike – are you Psychic or something, taking our family names and subjecting them to such ignominies! Still a damn good read though, have a happy Christmas and a Happy New Year Derek and Yvonne 'Effie' King"

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

04) DISCWORLD GROUPS MEETING NEWS

The Pratchett Partisans are a new fan group who meet monthly at either Brisbane or Indooroopilly to "eat, drink and chat about all things Pratchett". For more info about their next meetup, go to http://www.meetup.com/Pratchett-Partisans/ or contact Ula directly at uwilmott@yahoo.com.au

*

The City of Small Gods is a group for fans in Adelaide and South Australia: "We have regular monthly dinner and games nights, longer games days, plus play outings, craft-y workshops, and fun social activities throughout the year. For more info and to join our mailing list, visit:

http://cityofsmallgods.org.au

*

The Broken Vectis Drummers meet on the first Thursday of every month from 7.30pm at The Castle pub in Newport, Isle of Wight.

Next meeting: Thursday 6th February 2014, probably, but do email to check.

All new members and curious passersby are very welcome! For more info and any queries, contact broken_vectis_drummers@yahoo.co.uk

*

The Wincanton Omnian Temperance Society (WOTS) meets on the first Friday of every month at Wincanton's famous Bear Inn from 7pm onwards. "Visitors and drop-ins are always welcome!"

Next meeting: Friday 7th February 2014 (probably).

*

The Broken Drummers, "London's Premier Unofficially Official Discworld Group", meets on the first Monday of every month at the Monkey Puzzle, 30 Southwick Street, London W2 1JQ.

Next meeting: Monday 3rd February 2014,from 7pm onwards.

The Broken Drummers January 2014 meet report:

"Last night there was just a small gathering. We had colds so stayed at home and several of the regulars contacted me to say that they couldn't make it. However, there were three new people, Sam, Ben and Muhayman. James B. informs me that it 'was nice to have some fresh blood! Tasty, tasty blood!' Jacqui brought along the quiz that didn't happen at the Christmas dinner but decided to save it for next time (just to build the anticipation). She says that 'we had some lively chatting, Eunice was on the receiving end of an apparently very enjoyable neck massage, we talked of proper knives and having matching cookware!' Apparently Gary, the landlord, also came to thank everyone for coming to the Puzzle so often. I think we can pass on those thanks to the rest."

For more information, go to http://brokendrummers.org/ or email BrokenDrummers@gmail.com or nicholls.helen@yahoo.co.uk

*

The Northern Institute of the Ankh-Morpork and District Society of Flatalists, a Pratchett fangroup, has been meeting on a regular basis since 2005 but is now looking to take in some new blood (presumably not in the non-reformed Uberwald manner). The Flatalists normally meet at The Narrowboat Pub in Victoria Street, Skipton, North Yorkshire, to discuss "all things Pratchett" as well as having quizzes and raffles.

Details of future meetings are posted on the Events section of the Discworld Stamps forum:

http://www.discworldstamps.co.uk/forum/

*

Sydney Drummers (formerly Drummers Downunder) meet on the first Monday of every month in Sydney at 3 Wise Monkeys, 555 George Street, Sydney,2000.

Next meeting: Monday 3rd February 2014 at 6.30pm (probably). For more information, contact Sue (aka Granny Weatherwax): kenworthys@yahoo.co.uk

*

Perth Drummers meet on the first Monday of the month, subject to holidays.

Next meeting: Monday 3rd February 2014 (probably).

"Please note we have moved to Carpe Cafe from 5.30pm Carpe Cafe, 526 Murray Street, Perth, WA. Meeting at a cafe means we are under-18 friendly!"

For details follow Perth Drummers on Twitter @Perth_Drummers and Facebook https://www.facebook.com/groups/Perth.Drummers/ – otherwise message Krystel directly at khewett@live.com

*

Western Drummers (that's two groups for the Sydney Pratchett fans now) intend to meet on the third Monday of every month at The Rowers, Bruce Neal Drive, Penrith at 6.30-7.30pm for food, 7.30pm for games, quizzes and chat. For more information, contact Nanny Ogg – lewis_oz@bigpond.com – or visit their Facebook page:

https://www.facebook.com/westerndrummers

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

05) IMAGES OF THE MONTH

Sir Pterry, enjoying the best seat in the house – sitting on stage during a Steeleye Span "Wintersmith" concert:
https://pbs.twimg.com/media/Bb4cociIEAAV5DS.jpg

...and riding on Iron Girder (as it were):
http://tinyurl.com/jvldznn

It's a World of Poo!
http://cheezburger.com/146181

Rozalind Mansfield and her daughter Ilyana created this excellent Hogswatch card:
http://tinyurl.com/ljyunwm

For all you pareidoliacs out there, Koos de Korte offers a sky full of hat:
http://tinyurl.com/l7lyn56

Mel Thomsett knew just what to leave out for the Hogfather:
http://tinyurl.com/kd2x278

And finally, here be an iconograph that brings together two of the best things in the Discverse: a hedgehog in a library!
https://pbs.twimg.com/media/Bc7MqBRIIAEnTir.jpg

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

06) CLOSE

Now then, I shall send this out immediately before the KATS footlights go on! Back soon, and to all of you WOSSNAME wishes an... erm... interesting Year of the Reciprocating Llama!

– Annie Mac

ooooooooooooooooooooooooooooooooooooooooooooooooooo

———————————————————————————————————
The End. If you have any questions or requests, write: interact (at) pearwood (dot) info
———————————————————————————————————
Copyright (c) 2014 by Klatchian Foreign Legion

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